Search results for ""Author Jordan Stump""

Jordan Stump had often contemplated the relationship between a translation and “the book itself,” ruminating on the intriguing inherent sameness and difference between the two. In The Other Book, Stump examines the “other” forms of a book and the ways in which they both mirror and depart from the original. Grounding his witty and original study in an exploration of four forms of Raymond Queneau’s Le chiendent—a copy, the manuscript, a translation, and a critical edition—Stump poses questions designed to help readers reconsider the nature of fiction and reading. Each form of Le chiendent both is and is not what we mean when we say "Le chiendent," yet the friction between their ways of being and that of “the book itself” proves unexpectedly productive, raising troublesome questions about the nature of textuality, reading, language, and knowledge. It also positions us to assess several answers proposed in response to such questions and to wonder about their usefulness. And as we consider those questions, we will have Queneau’s novel beside us, further confounding our attempts to answer—for our inability to answer those questions is precisely the point of The Other Book, as it is of Le chiendent.

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In a small seaside town on the French coast lives Uncle. He shares his house with his niece and nephew, who look after him when they could be doing something - anything - else. A disabled veteran with odd habits, Uncle is prone to drinking, hoarding and gorging, not to mention the occasional excursion down into the plumbing, where he might disappear for days at a time. As the world begins to shut down, Uncle and his niece are forced even closer still. She starts to watch his every move - every bathroom break he takes, every pill he swallows - and finds herself relying on this man, her only companion.

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From Antoine Volodine comes a deeply disturbing and darkly hilarious novel whose full meaning, its author asserts, will be found not in the book’s pages but in the dreams people will have after reading it. In Minor Angels Volodine depicts a postcataclysmic world in which the forces of capitalism have begun to reestablish themselves. Sharply opposed to such a trend, a group of crones confined to a nursing home—all of them apparently immortal—resolves to create an avenging grandson fashioned of lint and rags. Though conjured to crush the rebirth of capitalism, the grandson is instead seduced by its charms—only to fall back into the hands of his creators, where he manages to forestall his punishment by reciting one “narract” a day. It is these narracts, or prose poems, that compose the text of Minor Angels.

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New work from the acclaimed author of "The Crab Nebula" and "Palafox."

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*A GUARDIAN BEST TRANSLATED NOVEL OF 2023**A NATIONAL BOOK CRITICS CIRCLE AWARDS 2023 FINALIST**A WORDS WITHOUT BORDERS BEST TRANSLATED BOOK OF 2023*"A powerful story of mothers and daughters" Guardian"A haunting, mysterious tour de force" Lucy Scholes, Prospect"I was hypnotised from the first word to the last" Tess Gunty, author of The Rabbit Hutch"[A] fiercely intelligent story: everyone is complex and full of shadows, as life is" Mariana Enríquez, author of The Dangers of Smoking in BedWhen Gilles Principaux walks into Maître Susane's legal practice seeking representation for his wife, his presence triggers memories from her childhood she had long buried. Gilles' wife is charged with drowning their three children, a case that will be splashed across the news media in Bordeaux and beyond. So why has he entrusted his wife's fate to her small, unremarkable practice?Maître Susane can't shake the feeling that she has met him before, that something happened between them one afternoon when she was barely ten and he was fourteen, something sinister she has never known how to remember. But Gilles seems so at ease her in presence that Maître Susane begins to believe that her memory must be playing tricks on her.Haunted by a past that both escapes and consumes her, Maître Susane fights to hold on to her memory, her identity and the chance she's been given to avenge herself.Translated from the French by Jordan Stump.

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Like traveling a very long, very dark tunnel into a blinding bright beautiful light—KirkusHôtel Splendidrecounts the daily life of three sisters who live in a decrepit hotel on the edge of a swamp. The narrator, the youngest of the sisters, struggles to preserve the hotel in the face of insurmountable dilemmas: the decay of the building, the indifference and illness of her sisters, the remorseless expansion of the swamp. Confronted with dissolution and death, she displays a tireless persistence that is nearly as mysterious as it is moving. This is one of three novels that are the first works to appear in English by Marie Redonnet, one of France's most original new authors (the other novels are Forever Valley and Rose Mellie Rose, both also available from the University of Nebraska Press). Translator Jordan Stump notes that these books "unmistakably fit together, although they have neither characters nor setting in common." In all three novels, Redonnet has said, "it is the women who fight, who seek, who create."

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This mesmerizing novel is about a sixteen-year-old girl who lives in a rectory and works in a dance hall. Gradually she embarks upon a "personal project": she digs pits in the rectory garden and "looks for the dead." Her story, which has brevity and magical intensity of a fairy tale, is marked equally by tragedy and dark humor.Forever Valley is one of three novels that are the first works to appear in English by Marie Redonnet, one of France's most original new authors (the other novels are Hôtel Splendid and Rose Mellie Rose, both also available from the University of Nebraska Press). Translator Jordan Stump notes that these books "unmistakably fit together, although they have neither characters nor setting in common." In all three novels, Redonnet has said, "it is the women who fight, who seek, who create."

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The classic Grimms’ fairy tale of the valiant little tailor, as you’ve never read it before “A creative take on storytelling, suggesting the potential in even the most familiar tale, with Chevillard riffing comfortably across subject-matters and stories old and new.”—M. A.Orthofer, Complete Review Once upon a time, there lived a valiant little tailor who killed seven flies with one blow—but who is this narrator who has abruptly inserted himself into the story, claiming authorship? He’s indignant: the fairy tale, borne carelessly along by the popular imagination, subjected to the transformations of oral tradition, was collected in a lamentable state by the Brothers Grimm, and he intends to restore the tale and its giant-slaying, unicorn-fighting, boar-hunting star to their original magnificence. But the true hero of the story remains to be seen: Is it the tailor, the narrator, or someone else entirely? In this explosive retelling of the classic tale, Éric Chevillard enlists the reader in a dizzying game of crack-the-whip, with new directions and delights in every paragraph. At once irreverent and deeply sincere, this book is a mischievous, multifarious celebration of the power of stories and those who tell them.

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The unbuttoned, unkempt, unlikely fiction of Pierre Siniac is a slap in the face of the traditional crime novel, and The Collaborators is his best and most hilarious book...

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Scholastique Mukasonga's autobiographical stories rend a glorious Rwanda from the obliterating force of recent history, conjuring the noble cows of her home or the dew-swollen grass they graze on. In the title story, five-year-old Colomba tells of a merciless overlord, hunger or igifu, gnawing away at her belly. She searches for sap at the bud of a flower, scraps of sweet potato at the foot of her parent s bed, or a few grains of sorghum in the floor sweepings. Igifu becomes a dizzying hole in her stomach, a plunging abyss into which she falls.

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Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.

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This is the story of Mellie, who as a baby is found in a grotto, then raised in a souvenir shop by Rose. At age twelve Mellie goes to the dying town of Oât, where she enters premature adulthood and assembles a photographic and written record of her life. Enchanting, realistic, comic, tragic—all these words describe this spellbinding novel that, like all genuine fables, takes us to a world that is utterly strange and very much our own. Rose Mellie Rose is one of three novels that are the first works to appear in English by Marie Redonnet, one of France's most original new authors (the other novels are Hôtel Splendid and Forever Valley, both also available from the University of Nebraska Press). Translator Jordan Stump notes that these books "unmistakably fit together, although they have neither characters nor setting in common." In all three novels, Redonnet has said, "it is the women who fight, who seek, who create."

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Longlisted for the Man Booker International Prize 2016Clarisse Rivière's life is shaped by a refusal to admit to her husband Richard and to her daughter Ladivine that her mother is a poor black housekeeper. Instead, weighed down by guilt, she pretends to be an orphan, visiting her mother in secret and telling no-one of her real identity as Malinka, daughter of Ladivine Sylla. In time, her lies turn against her. Richard leaves Clarisse, frustrated by the unbridgeable, indecipherable gulf between them. Clarisse is devastated, but finds solace in a new man, Freddy Moliger, who is let into the secret about her mother, and is even introduced to her. But Ladivine, her daughter, who is now married herself, cannot shake a bad feeling about her mother's new lover, convinced that he can bring only chaos and pain into her life. When she is proved right, in the most tragic circumstances, the only comfort the family can turn to requires a leap of faith beyond any they could have imagined.Centred around three generations of women, whose seemingly cursed lineage is defined by the weight of origins, the pain of alienation and the legacy of shame, Ladivine is a beguiling story of secrets, lies, guilt and forgiveness by one of Europe's most unique literary voices.Translated from the French by Jordan Stump

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The Crab Nebula (La Nébuleuse du crabe) is comprised of fifty-two vivid chapters that provide startling insights into the existence of this nebulous man named Crab: his nightmarish—and none too solid—physique, his mysterious absence from the pages of history, his birth in prison, his never having been born at all. In his portrait of Crab, Éric Chevillard gives us a character who is genuinely strange and curiously like ourselves. A postmodernist novel par excellence, The Crab Nebula parodies literary conventions, deconstructs narrative and meaning, and brilliantly combines absurdity and hopelessness with irony and humor. What distinguishes it most of all is the startling originality of Chevillard’s voice and vision. There is whimsy and despair in this novel, pathos and laughter, satire and warm affection. The Crab Nebula is the fifth novel—and the first to be translated into English—by the brilliant young French author Éric Chevillard. His sympathetic yet outrageous portrait of Crab calls to mind works by Melville, Valéry, and Kafka, while never being less than utterly unique.

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