Search results for ""Author Jonathan Walker""
Northwestern University Press Site Unscene: The Offstage in English Renaissance Drama
Site Unscene: The Offstage in English Renaissance Drama explores the key role of dramatic episodes that occur offstage and beyond the knowledge-generating faculty of playgoers’ sight. Does Ophelia drown? Is Desdemona unfaithful to Othello? Does Macbeth murder Duncan in his sleep? Site Unscene considers how the drama’s nonvisible and eccentric elements embellish, alter, and subvert visible action on the stage.Jonathan Walker demonstrates that by removing scenes from visible performance, playwrights take up the nondramatic mode of storytelling in order to transcend the limits of the stage. Through this technique, they present dramatic action from the subjective, self-interested, and idiosyncratic perspectives of individual characters. By recovering these offstage elements, Walker reveals the pervasive and formative dynamic between the onstage and offstage and between the seen and unseen in Renaissance drama.Examining premodern dramatic theory, Renaissance plays, period amphitheaters, and material texts, this interdisciplinary work considers woodcuts, engravings, archaeology, architecture, rhetoric, the history of the book, as well as plays by Shakespeare, Marlowe, Kyd, Ford, Middleton, and Webster, among others. It addresses readers engaged in literary criticism, dramatic theory, theater history, and textual studies.
£112.09
Ortac Press Push Process
VENICE, 2000. Richard is a postgraduate student living in the city to research its past. He's supposed to be working in the archive, but he meets two art students who are more interested in Venice's present. He decides to pick up a camera and join them. The world comes alive for Richard through photographs: for the first time, he belongs.
£14.99
Oxford University Press Inc Shostakovichs Symphony No. 5
The book is devoted to Shostakovich''s most controversial symphony, composed at the height of Stalin''s Purges. It rescued Shostakovich from official disfavour and deeply moved audiences. The critics recognized it as a masterpiece, but they were perplexed by its ambiguities, especially at the end of the Symphony: some imagined it as the joyful final victory of socialism, while others heard the triumph instead of a sinister and oppressive force. The second interpretation was pushed into the background, but the controversy persisted, with the further complication of two very different tempo markings for the closing section, both of which seemed to be approved by the composer. The authors give an authoritative account of the tempo controversy and the effect of the different tempos on the reception of the work in the West. Shostakovich''s Symphony No. 5 delves into the history of the work''s composition, the pressures Shostakovich experienced at the time, and the cultural environment from
£14.78