Search results for ""Author Jon Lee Anderson""

In his documentary work, photographer Guillaume Bonn (born in Madagascar) has been recording social and political events in Congo, Rwanda, Tanzania, or Somalia for publications such as the New York Times, Guardian Magazine, and Vanity Fair. For the artist, who lives in Paris, Nairobi, and London, his East African home has become today’s “Mosquito Coast”: much the same as during the colonial era in the region in the eastern Caribbean called the Miskito or Mosquito Coast after its indigenous people, eastern Africa is currently experiencing a transformation—mosquito- and malaria-ridden, marked by the traces of dictatorship and war, at the mercy of the consumption and commerce of the Western world. Guillaume Bonn’s photographs present the old Africa in its unrelentingly vibrant native culture in the midst of modern skyscrapers, new highways, and what are purported to be technical improvements. “I cannot push away this feeling of sadness I have in seeing all these changes. My antidote has been to document the old Africa struggling to survive and the new one that is emerging.” Guillaume Bonn

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La Primavera Árabe derrocó a brutales dictadores en Túnez, Egipto, Yemen y Libia, y desató una de las guerras civiles más sangrientas de la era moderna en Siria. Libia se encuentra sumergida en una guerra civil en la que dos gobiernos gestionan diferentes zonas y milicias islamistas, principalmente ramas del Estado Islámico y grupos afiliados a Al-Qaeda, han llevado a cabo atentados terroristas en hoteles y han secuestrado y decapitado a grupos de cristianos egipcios y activistas mediáticos. Jon Lee Anderson es uno de los periodistas de guerra más célebres en la actualidad. Su vocación de historiador sumada a la insólita habilidad que tiene para infiltrarse en lo más profundo de los conflictos en el norte de África y Oriente Medio lo convierten en una de las voces más autorizadas del mundo.

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With unprecedented access to the Cuban Government's archives and total co-operation from Che's widow, Aleida March, as well as access to hitherto unpublished documents, including several of Che's personal diaries, this biography of one of history's most fascinating figures by critically-acclaimed New York Times journalist Jon Lee Anderson is truly definitive and monumental - not least because its creation solved a twenty-eight-year-old mystery: the whereabouts of Che Guevara's body...'Masterly and absorbing' -- The Sunday Times'Brilliantly evoked... The portrait is now as complete as it will ever be' -- The Times Literary Supplement'Absorbing and convincing... an indispensable work of contemporary history' ? Guardian'Probably the best biography I have read' -- ***** Reader review'It's hard to imagine that this work can be bettered' -- ***** Reader review'Simply outstanding' -- ***** Reader review'A terrific read and genuinely the type of book you can't put down after you start reading......' -- ***** Reader review***************************************************************A myth in his own lifetime; an international martyr-figure upon his death; a revolutionary fighter; a military strategist; a social philosopher; an economist; a medical doctor; a friend and confidant of Fidel Castro.Che Guevara's dream was an epic one - to unite Latin America and the rest of the developing world through armed revolution, and to end once and for all the poverty, injustice and petty nationalisms that had bled it for centuries. In the end Che failed in his quest but he is recognized as that one-in-a-million personality who just might have pulled it off.Che Guevara: A Revolutionary Life shuttles between the revolutionary capitals of Havana and Algiers to the battlegrounds of Bolivia and the Congo; from the halls of power in Moscow and Washington to the exile havens of Miami, Mexico and Guatemala, in a gripping tale of revolution, international intrigue and covert operations. It has an epic sweep as it evokes an era of tumultuous change, describing major events like the Bay of Pigs invasion, the October Missile crisis and Kennedy's assassination, weaving in a cast of historic personalities including Castro, Kennedy, Kruschev, Mao Tse-tung, Jean Paul Sartre and Simone de Beauvoir.With its painstaking research, never-before-seen documentation and compelling narrative, this is really the ultimate biography of a unique man.

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“There are photographs in this book that will stay in the hearts and minds of the people who view them, and who, like Corinne Dufka, will resolve to make it their life’s purpose to do what they can to help stop war.” — Jon Lee Anderson, staff writer, The New Yorker This is War presents a tour de force of one of most celebrated women war photographers of her generation. From 1988 to 1999, Capa Gold Medal winner and Pulitzer Prize–nominated photographer Corinne Dufka covered some of the bloodiest conflicts of the late twentieth century. The devastatingly powerful and intimate images in this book chart revolutions and coups, separatist movements, and mass atrocities across nine different countries on three continents. Starting in El Salvador during the Cold War, This Is War moves onto Bosnia, and then Africa, where Dufka reported on the Rwandan genocide and conflicts in South Sudan, Liberia, Sierra Leone, Burundi, Ethiopia, and the Congo. Her photographs are as brutal as they are tender, as mournful as they are meaningful, and are, above all, a testament to the profound toll conflict leaves in its wake. Her images interrogate abuse of power, celebrate defiance, and seek out the humanity of civilians and combatants who lives were torn apart by war. More than just a documentary, This is War is an extraordinary photographic record of war and personal enlightenment. It adds to the historical record of many under-covered conflicts and of the role of women in photojournalism, and urges the viewer to interrogate why conflict in many countries covered in the book, persist to this day. After leaving photojournalism, Dufka went on to a career as a war crimes investigator, for which she was, in 2003, awarded a MacArthur Fellowship. In her introduction to This is War, she notes: “These images beseech us to work harder to honor those who have perished and protect the rest of us from humanity’s worst, most abject failure: its capacity for war.”

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Che Guevara's legend is unmatched in the modern world. Since his assassination in 1967 at the age of 39, the Argentine revolutionary has become an internationally famed icon, as revered as he is controversial. A Marxist ideologue, he sought to end global inequality by bringing down the American capitalist empire through armed guerrilla warfare - and has few rivals in the Cold War era as an apostle of change. In Che: A Revolutionary Life, Jon Lee Anderson and José Hernández reveal the man behind the myth, creating a complex portrait of this passionate idealist. Adapted from Anderson's masterwork, Che transports us from young Ernesto's medical school days to the battlefields of the Cuban revolution; from his place of power alongside Castro to his disastrous sojourn in the Congo, and his violent end in Bolivia. Through renowned Mexican artist José Hernández's drawings, we feel the bullets fly past in Cuba; smell the smoke of Castro's cigars; and scrutinize the face of the weary guerrilla as he is called 'Comandante' for the first time. With astonishing precision, colour, and drama, Che makes us first-hand witnesses to the revolutionary life and times of this historic figure. Combining Anderson's unprecedented access and research with Hernández's emotionally gripping artwork, Che resurrects the man for a new generation of readers.

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"Humane yet often horrifying, Tell Me How It Ends offers a compelling, intimate look at a continuing crisis—and its ongoing cost in an age of increasing urgency." —Jeremy Garber, Powell's Books"Valeria Luiselli's extended essay on her volunteer work translating for child immigrants confronts with compassion and honesty the problem of the North American refugee crisis. It's a rare thing: a book everyone should read." —Stephen Sparks, Point Reyes Books"Tell Me How It Ends evokes empathy as it educates. It is a vital contribution to the body of post-Trump work being published in early 2017."—Katharine Solheim, Unabridged Bookstore"While this essay is brilliant for exactly what it depicts, it helps open larger questions, which we're ever more on the precipice of now, of where all of this will go, how all of this might end. Is this a story, or is this beyond a story? Valeria Luiselli is one of those brave and eloquent enough to help us see."—Rick Simonson, Elliott Bay Book Company"Appealing to the language of the United States' fraught immigration policy, Luiselli exposes the cracks in this foundation. Herself an immigrant, she highlights the human cost of its brokenness, as well as the hope that it (rather than walls) might be rebuilt."—Brad Johnson, Diesel Bookstore"The bureaucratic labyrinth of immigration, the dangers of searching for a better life, all of this and more is contained in this brief and profound work. Tell Me How It Ends is not just relevant, it's essential."—Mark Haber, Brazos Bookstore

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During the years he spent among the Marsh Arabs of southern Iraq Wilfred Thesiger came to understand, admire and share a way of life that had endured for many centuries. Travelling from village to village by canoe, he won acceptance by dispensing medicines and treating the sick. In this account of his time there he pays tribute to the hospitality, loyalty, courage and endurance of the people, describes their impressive reed houses, the waterways and lakes teeming with wildlife, the herding of buffalo and hunting of wild boar, moments of tragedy and moments of pure comedy, all in vivid, engaging detail.Untouched by the modern world until recently, these independent people, their way of life and their surroundings have suffered widespread destruction under the regime of Saddam Hussein. Wilfred Thesiger's magnificent account of his time spent among them is a moving testament to their now threatened culture and the landscape they inhabit.

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For the first time, Ciro Bustos, Che's right-hand man in the struggle for Argentina, tells his story. As a young man inspired by the example of Cuba, Bustos was determined to bring revolution to the home country he shared with his hero. After a failed attempt to liberate Argentina, it was not until 1966 that he was contacted by the Cubans once again and told, "Che wants to see you."Under false papers, Bustos crossed the border into Bolivia, where Che was in hiding with his guerrilla forces; and here, for the first time, Che shared his plans for a continental revolution. In this fascinating memoir, Ciro Bustos tells us a story only he is able to recount: what really happened in Bolivia in 1967 and why he did not betray Che.

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