Search results for ""Author Jon Cook""

Poetry in Theory: An Anthology 1900-2000 brings together key critical and theoretical texts from the twentieth century which have animated debates about modern poetry. Helps readers to think critically about the nature of modern poetry, and to engage with broader questions about aesthetics, language, culture and imagination. Includes texts by poets, critics, theorists and philosophers, ranging from Ezra Pound to Jacques Derrida. Texts in translation from French, German, Spanish, Italian and Russian are presented alongside the work of writers from Britain, Ireland, the United States, Africa, India and the Caribbean. Each text is accompanied by a brief biographical and thematic introduction. A system of cross-referencing points up significant connections and disagreements between the texts. Includes a thematic index and chronology.

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Poetry in Theory: An Anthology 1900-2000 brings together key critical and theoretical texts from the twentieth century which have animated debates about modern poetry. Helps readers to think critically about the nature of modern poetry, and to engage with broader questions about aesthetics, language, culture and imagination. Includes texts by poets, critics, theorists and philosophers, ranging from Ezra Pound to Jacques Derrida. Texts in translation from French, German, Spanish, Italian and Russian are presented alongside the work of writers from Britain, Ireland, the United States, Africa, India and the Caribbean. Each text is accompanied by a brief biographical and thematic introduction. A system of cross-referencing points up significant connections and disagreements between the texts. Includes a thematic index and chronology.

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William Hazlitt (1778-1830) developed a variety of identities as a writer: essayist, philosopher, critic of literature, drama, and painting, biographer, political commentator, and polemicist. What unites this variety is his dramatic and passionate intelligence, his unswerving commitment to individual and political liberty, and his courageous opposition to established political and cultural power. Hailed in 1819 as `one of the ablest and most eloquent critics of our nation', Hazlitt was also reviled for his political radicalism by the conservative press of the period. His writing engages with many of the important cultural and political debates of a revolutionary period, and retains its power both to provoke and move the reader. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Literary Activism – activism that revisits and interrogates an idea of literature – emerges from a radically altered landscape for both publishing and academia, where market pressures are effecting changes – on language, on the measuring of value, on the concept of influence – we might struggle to recognise.Taking in the roles of writer, critic, translator, academic and publisher, the essays in this volume follow no single line of enquiry. Rather, they offer the beginnings of an analysis of the literary world at a certain moment of globalization, while also questioning whether a literary world exists and, if it does, where its boundaries lie.The collection moves in many directions – from Arun Kolatkar and his near-heroic refusal of both market place and reputation; to Derek Attridge, who argues for a form of affirmative criticism which positions the critic as a ‘lover of the text’; while, from Amsterdam, Dubravka Ugrešić;reflects on life in a literary ‘out of nation zone’, adrift in a territory where intellectual protest has been stripped of ideological impetus and subsumed by the voraciousness of the market.Taken together, these essays initiate a series of conversations about who reads what and why, about the practice of writing and criticism at this particular contemporary moment, and about the activities and institutions that shape an understanding of what literature is and what it can do.Literary Activism, edited by Amit Chaudhuri, features writing from Derek Attridge, Tim Parks, Dubravka Ugrešić, Laetitia Zecchini, Peter D. Macdonald, Saikat Majumdar, Jamie McKendrick, and Swapan Chakravorty, with an afterword byJon Cook.

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A collection of essays and other texts by eleven internationally acclaimed writers, critics and artists.Over a decade after his death W.G. Sebald remains a major presence in world literature. He has a devoted readership in many different countries. This lively and accessible collection offers a series of different illuminations on why Sebald’s work continues to fascinate. Follow Ali Smith as she gets loosed in the translation of his work. Discover with Robert Macfarlane the arguments for and against Sebald’s reputation. Find out from Will Self why British readers might find him a "good German". Think with John Coetzee about the recurrent psychological crisis that haunts Sebald’s imagination. These are just a few of the many discoveries, insights, and imaginative responses that this collection offers its readers. This is the book that readers of Sebald, new or old, need to take with them as they journey through his work. It speaks of and to the different experiences involved in reading Sebald, whether responding to the relation between word and image, or the question of what can and cannot be remembered, or the resonant character of voice and voices, or the strange networks and connections that make up Sebald’s texts. And then there are personal memories by Tess Jaray of working with Sebald, Tacita Dean's own version of Sebaldian connectedness and an enigmatic memorial by Richard Long.The book is edited and has an introduction by Jon Cook, a Professor of Literature and Director of the Centre for Creative and Performing Arts at the University of East Anglia, who was for a number of years a friend and colleague of W.G. Sebald.

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