Search results for ""Author John N Crossley""
Brepols N.V. Communities of Learning: Networks and the Shaping of Intellectual Identity in Europe, 1100-1500
£94.39
Medieval Institute Publications Ars musice
Ars musice, composed in Paris during the late thirteenth century, reflects Johannes de Grocheio's awareness of the complexity of the task of describing music. As the editors note in their introduction, "Grocheio is aware of the enormous range of types of music performed in different ways in different places. How can he impose order on this enormous subject matter? He decided to resolve this question by structuring his discussion around the practice of music that he observed in the city of Paris, organized into three main 'branches': music of the people (musica vulgalis), composite or regular, 'which they call measured music' (musica mensurata), and ecclesiastical music (musica ecclesiastica), which he claims derives from the other two (AM 6.2). The originality of Grocheio's treatise has attracted considerable scholarly interest. It has long been recognized as a unique source of information about musical life in medieval Paris. Through his treatise, Grocheio enables a modern reader to become aware of the complex auditory environment of that city in the late thirteenth century as well as of its intellectual vitality at a particularly vibrant moment in its history."
£22.14
Medieval Institute Publications Guy of Saint-Denis, Tractatus de tonis
The Tractatus de tonis of Guy of Saint-Denis (written ca. 1300-10) differs from other treatises on plainchant in the depth of its analysis of the various tones into which chant was traditionally classified. Guy's treatise presents itself as a synthetic overview of both the theory and practice of plainchant in a way that combines the practical reflection of Guido of Arezzo with ideas of more Aristoteleian inspired theorists such as Johannes de Grocheio and Peter of Auvergne.
£35.00
Medieval Institute Publications Guy of Saint-Denis, Tractatus de tonis
The Tractatus de tonis of Guy of Saint-Denis (written ca. 1300-10) differs from other treatises on plainchant in the depth of its analysis of the various tones into which chant was traditionally classified. The treatise of Guy of Saint-Denis is preserved as the concluding item in an anthology of texts about plainchant that Guy compiled (now London, British Library, MS Harley 281), beginning with some writings of Guido of Arezzo and a Cistercian tonary, but also including the Ars musice of Johannes de Grocheio and the Tractatus de tonis of Petrus de Cruce. Guy's treatise presents itself as a synthetic overview of both the theory and practice of plainchant in a way that combines the very practical reflection of Guido of Arezzo with ideas of more Aristoteleian inspired theorists such as Johannes de Grocheio and Peter of Auvergne.
£17.50
