Search results for ""Author John Matthias""

A Gathering of Ways is John Matthias’ first collection of poems since the publication of his warmly received Northern Summer collection in 1985. The book consists of three long poems dealing with the geography, geology, prehistory, and history of two places closely identified with Matthias’ work, the East Anglian region of Britain and the American Midwest, and a third place that provides the book with a new and deeply resonant setting: those parts of southern France and northern Spain through which run the famous pilgrimage routes to Santiago de Compostela. \u201cAn East Anglian Diptych\u201d explores those parts of Cambridgeshire, Suffolk, and Norfolk linked by three rivers and by those ancient paths and tracks known as ley lines which connect locality and locality and time with time. \u201cFacts From an Apocryphal Midwest\u201d explores another group of trails that began as prehistoric paths down which copper from Lake Superior was carried from the early days of the mound-builders. Despite the historical backdrop of these poems, both bring the reader into the present in unexpected ways, preparing him or her for the strange and visionary \u201cA Compostela Diptych,\u201d winner of the Poetry Society of America’s George Bogin Memorial Award.

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Swimming at Midnight collects the short and middle-length poems from John Matthias’s earlier books together with twenty poems that have previously appeared only in magazines. It is published simultaneously with Beltane at Aphelion, which includes all of Matthias’s longer poems. The two books together represent some thirty years of his work. The poems in Swimming at Midnight range from early lyrics written in American during the late 1960s to meditative poems dealing with historical, geographical and cultural themes deriving from Matthias’s years in England in the seventies and eighties; they include the epistolary poems from Turns, “Poem for Cynouai” from Crossing, “A Wind in Roussillon” from Northern Summer, and the formal experiments engaging issues of poetics and metaphysics for which Matthias is well known. The book concludes with a section of new poems and translations dealing both with the public world of modern history and the private experience of life in the century’s final decade. The last poem of all connects the work in Swimming at Midnight with the last of the long poems in Beltane at Aphelion. Critics have been warm in their praise of Matthias’s work. Robert Duncan called his early poetry “the work of a Goliard—one of those wandering souls out of a Dark Age in our own time,” and Guy Davenport has said that his recent work makes him “one of the leading poets in the USA.” D. M. Thomas in the TLS admired the “virtuosity” of Turns and the way “life presses into the poems,” while John Fuller in the same journal found the poems in Crossing “bursting with a masterful intelligence.” In a long essay on Northern Summer, Jeremy Hooker wrote: “In his combination of lyrical and discursive voices, as in subject and concern, Matthias has an exciting range…He writes in some poems from a tension between a scribe’s respect for the integrity of his materials and a magician’s freedom to transform them, and in many poems he brings together the contrasting gifts and is fully present as himself, both scribe and magician.”

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