Search results for ""Author John Langmore""

Returning to the ranch after three decades, a former cowboy captures the current state of the American West “Every cowboy can instantly call up with fondness … the smell of cattle carried on a dusty wind across sagebrush and juniper, and the feeling of a good horse underneath you as you work together to keep a herd moving,” writes American photographer John Langmore. Langmore began cowboying in 1975 at the age of 12, the same year that his father, Bank Langmore, published the preeminent photo book The Cowboy. John spent 12 summers working across the west before transitioning to a more regulatory career. Then, in 2012, John began a six-year project photographing 14 of the nation’s largest and most famous ranches in Nevada, Arizona, Texas, Nebraska, New Mexico, Oregon, Montana and Wyoming. Of all those who have photographed the American cowboy, John is one of the few who came to it first as a colleague and then as a photographer. This large landscape book features 90 tritone plates along with Langmore’s own poetic recollections of working as a cowboy. Open Range offers an unrivaled chance to witness a way of life that many dream of, but few experience. John Langmore (born 1963) is the son of photographer Bank Langmore. He spent his adolescence working as a cowboy, then became an attorney. Turning to photography decades later, he focused his lens on the American cowboy and the big-outfit ranch. He co-directed and produced the award-winning film Cowboys: A Documentary Portrait and co-founded the Austin Center for Photography. In 2016 his photographs were exhibited alongside those of his father at the National Cowboy and Western Heritage Museum.

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East Austin, just across Interstate 35 from Austin, Texas’s capital city, is a historically working-class neighborhood that in recent years has become an arts district and hotbed for real estate developers targeting a young urban population. The shops and restaurants that for decades served Latino and African American residents are being crowded out by coffee shops, cocktail bars, and upscale bakeries hoping to attract newer residents. The resulting tensions, part of a trend debated in cities across the country, have received national media attention.After years of observing the fragmentation of east Austin’s Latino and African American communities, photographer John Langmore began to chronicle the historic neighborhood and its residents. His aim was to capture the gentrifying neighborhood’s unique nature and to make Texans aware of the people and places negatively affected by the state’s growth.Fault Lines features more than a hundred color and black-and-white photographs taken between 2006 and 2010, during which time Langmore was fully aware that the window for capturing the east Austin community was rapidly closing. Indeed today many of the neighborhood places, and even the people, have been lost to development and increasing rents and property taxes.The book features a foreword by Michael King, a longtime political reporter for the Austin Chronicle; essays by east Austin resident Wilhelmina Delco, Austin’s first African American elected official and a ten-term member of the Texas House of Representatives, and Johnny Limón, a sixty-six-year resident of east Austin and a prominent member of the neighborhood’s Latino community; and an epilogue by Langmore.

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