Search results for ""Author John Howe""

Let acclaimed Tolkien artist John Howe take you on an unforgettable journey across Middle-earth, from Bag End to Mordor, in this richly illustrated sketchbook fully of previously unseen artwork, anecdotes and meditations on Middle-earth. Middle-earth has been mapped, Bilbo’s and Frodo’s journeys plotted and measured, but it remains a wilderland for all that. The roads as yet untravelled far outnumber those down which J.R.R. Tolkien led us in his writings. A Middle-earth Traveller presents a walking tour of Tolkien’s Middle-earth, visiting not only places central to his stories, but also those just over the hill or beyond the horizon. Events from Tolkien’s books are explored – battles of the different ages that are almost legend by the time of The Lord of the Rings; lost kingdoms and ancient myths, as well as those places only hinted at: kingdoms of the far North and lands beyond the seas. Sketches that have an ‘on-the-spot’ feel to them are interwoven with the artist’s observations gleaned from Tolkien’s books as he paints pictures with his words as well as his pencil. He also recollects his time spent working alongside Peter Jackson on the Lord of the Rings and Hobbit film trilogies. Combining concept work produced for films, existing Middle-earth art and dozens of new paintings and sketches exclusive to this book, A Middle-earth Traveller will take the reader on a unique and unforgettable journey across Tolkien’s magical landscape.

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Historians typically single out the hundred-year period from about 1050 to 1150 as the pivotal moment in the history of the Latin Church, for it was then that the Gregorian Reform movement established the ecclesiastical structure that would ensure Rome’s dominance throughout the Middle Ages and beyond. In Before the Gregorian Reform John Howe challenges this familiar narrative by examining earlier, "pre-Gregorian" reform efforts within the Church. He finds that they were more extensive and widespread than previously thought and that they actually established a foundation for the subsequent Gregorian Reform movement. The low point in the history of Christendom came in the late ninth and early tenth centuries—a period when much of Europe was overwhelmed by barbarian raids and widespread civil disorder, which left the Church in a state of disarray. As Howe shows, however, the destruction gave rise to creativity. Aristocrats and churchmen rebuilt churches and constructed new ones, competing against each other so that church building, like castle building, acquired its own momentum. Patrons strove to improve ecclesiastical furnishings, liturgy, and spirituality. Schools were constructed to staff the new churches. Moreover, Howe shows that these reform efforts paralleled broader economic, social, and cultural trends in Western Europe including the revival of long-distance trade, the rise of technology, and the emergence of feudal lordship. The result was that by the mid-eleventh century a wealthy, unified, better-organized, better-educated, more spiritually sensitive Latin Church was assuming a leading place in the broader Christian world. Before the Gregorian Reform challenges us to rethink the history of the Church and its place in the broader narrative of European history. Compellingly written and generously illustrated, it is a book for all medievalists as well as general readers interested in the Middle Ages and Church history.

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The cinema, like language, can be said to exist as a system of differences. In his latest book the acclaimed philosopher Jacques Rancière relates cinema to literature and theatre. With literature, he argues, cinema takes its narrative conventions, while at the same time effacing its images and its philosophy; and it rejects theatre, while also fulfilling theatre's dream. Built on these contradictions, the cinema is the real, material space in which one feels moved by the spectacle of shadows. Thus for Rancière, the cinema is the always disappointed dream of a language of images.

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Historians typically single out the hundred-year period from about 1050 to 1150 as the pivotal moment in the history of the Latin Church, for it was then that the Gregorian Reform movement established the ecclesiastical structure that would ensure Rome’s dominance throughout the Middle Ages and beyond. In Before the Gregorian Reform John Howe challenges this familiar narrative by examining earlier, "pre-Gregorian" reform efforts within the Church. He finds that they were more extensive and widespread than previously thought and that they actually established a foundation for the subsequent Gregorian Reform movement. The low point in the history of Christendom came in the late ninth and early tenth centuries—a period when much of Europe was overwhelmed by barbarian raids and widespread civil disorder, which left the Church in a state of disarray. As Howe shows, however, the destruction gave rise to creativity. Aristocrats and churchmen rebuilt churches and constructed new ones, competing against each other so that church building, like castle building, acquired its own momentum. Patrons strove to improve ecclesiastical furnishings, liturgy, and spirituality. Schools were constructed to staff the new churches. Moreover, Howe shows that these reform efforts paralleled broader economic, social, and cultural trends in Western Europe including the revival of long-distance trade, the rise of technology, and the emergence of feudal lordship. The result was that by the mid-eleventh century a wealthy, unified, better-organized, better-educated, more spiritually sensitive Latin Church was assuming a leading place in the broader Christian world. Before the Gregorian Reform challenges us to rethink the history of the Church and its place in the broader narrative of European history. Compellingly written and generously illustrated, it is a book for all medievalists as well as general readers interested in the Middle Ages and Church history.

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Marc Perelman pulls no punches in this succinct and searing broadside, assailing the 'recent form of barbarism' that is the global sporting event. Forget the Olympics and consider, under Perelman's guidance, the ledger of inequities maintained by such supposedly harmless games.They have provided a smokescreen for the forcible removal of 'undesirables'; aided governments in the pursuit of racist agendas; affirmed the hypocrisy of drug-testing in an industry where doping is more an imperative than an aberration; and developed the pornographic hybrid that Perelman dubs 'sporn', a further twist in our corrupt obsession with the body.Drawing examples from the modern history of the international sporting event, Perelman argues that today's colosseums, upheld as examples of 'health', have become the steamroller for a decadent age fixated on competition, fame and elitism.

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It is a tale that has been retold countless times through the centuries and here, in a new paperback edition illustrated by a noted Tolkien artist, the mighty Beowulf is well set to capture new legions of followers. This contemporary retelling of the ancient epic follows the mythic hero from his disarming of the gruesome Grendel to his sword battle with the monster's sea hag mother to his final, fiery showdown with an avenging dragon.

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Though not without its rivals, Latin stood at the apex of Western culture from the Renaissance until relatively recently. Françoise Waquet offers an enthralling, original history of the language's uses, its detractors and defenders, and the social hierarchies its practitioners inscribed. Granted a new lease of life by the Humanists and the Catholic Church, Latin was the form in which generations of schoolchildren were taught to read, millions of people worshipped, and an international community of scholars communicated with one another. It conveyed sacredness, but also obscenity; learning, as well as pedantry; science, but also trickery and mumbo-jumbo. Few individuals even among the clergy or the most learned scholars have ever managed to speak it with any degree of correctness or fluency, let alone elegance. Why, despite rationalist criticisms that Latin was inaccessible to the great majority of people, and inconvenient and time-consuming for the rest, did it maintain such a strong presence - some would say a tyranny - for so long?

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By walking, you escape from the very idea of identity, the temptation to be someone, to have a name and a history ... The freedom in walking lies in not being anyone; for the walking body has no history, it is just an eddy in the stream of immemorial life.In A Philosophy of Walking, a bestseller in France, leading thinker Frédéric Gros charts the many different ways we get from A to B-the pilgrimage, the promenade, the protest march, the nature ramble-and reveals what they say about us. Gros draws attention to other thinkers who also saw walking as something central to their practice. On his travels he ponders Thoreau's eager seclusion in Walden Woods; the reason Rimbaud walked in a fury, while Nerval rambled to cure his melancholy. He shows us how Rousseau walked in order to think, while Nietzsche wandered the mountainside to write. In contrast, Kant marched through his hometown every day, exactly at the same hour, to escape the compulsion of thought. Brilliant and erudite, A Philosophy of Walking is an entertaining and insightful manifesto for putting one foot in front of the other.

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The most famous and influential work of English fantasy ever published, reimagined for a new generation of readers by John Matthews, one of the world’s leading Arthurian experts, and illustrated by internationally acclaimed Tolkien artist, John Howe. The tales of how the boy Arthur drew the Sword from the Stone, or the love of Lancelot and Guinevere, or how the knights of the Round Table rode out in search of the Holy Grail are known and loved the world over. It all began when an obscure Celtic hero named Arthur stepped on to the stage of history, sometime in the sixth century, and oral tales led to a vast body of stories from which, 900 years later, Thomas Malory wrote the famous Morte D’Arthur. THE GREAT BOOK OF KING ARTHUR presents these well-loved stories for a modern reader, for the first time collecting many tales of Arthur and his knights either unknown to Malory or written in other languages. Here, you will read of Avenable, the girl brought up as a boy who becomes a famous knight. You will learn of Gawain's strange birth, his upbringing amongst poor folk and his final rise to the highest possible rank – Emperor of Rome. There is also the story of Morien whose adventures are as fantastic and exciting as any to be found in the pages of Malory. In addition, there are some of the earliest tales of Arthur, deriving from the tradition of Celtic storytelling. Here is the original Arthur, represented in such powerful stories as ‘The Adventures of Eagle-Boy’, and 'The Coming of Merlin', based on the early medieval text Vita Merlini, which gives a completely new version of the great Enchanter's story. These age-old stories, still as popular today as they were from the Middle Ages onwards, are dramatically brought to life by the luminous paintings and drawings of John Howe, whose work on the Lord of the Rings and Hobbit film trilogies has brought him a world-wide following.

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An ever-increasing proportion of our lives is spent in supermarkets, airports and hotels, on motorways or in front of TVs, computer and cash machines. This invasion of the world by what Marc Auge calls 'non-space' results in a profound alteration of awareness: something we perceive, but only in a partial and incoherent manner. Auge uses the concept of 'supermodernity' to describe the logic of these late-capitalist phenomena - a logic of excessive information and excessive space. In this fascinating and lucid essay he seeks to establish and intellectual armature for an anthropology of supermodernity. Starting with an attempt to disentangle anthropology from history, Auge goes on to map the distinction between place, encrusted with historical monuments and creative social life, and non-place, to which individuals are connected in a uniform manner and where no organic social life is possible.Unlike Baudelairean modernity, where old and new are interwoven, supermodernity is self-contained: from the motorway or aircraft, local or exotic particularities are presented two-dimensionally as a sort of theme-park spectacle. Auge does not suggest that supermodernity is all-encompassing: place still exist outside non-place and tend to reconstitute themselves inside it. But he argues powerfully that we are in transit through non-place for more and more of our time, as if between immense parentheses, and concludes that this new form of solitude should become the subject of an anthropology of its own.

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Discover the creative processes and intriguing inspirations behind the work of leading fantasy artist John Howe ; conceptual designer on The Lord of the Rings movie trilogy ; in this comprehensive practical art book. Brings together Fantasy Art Workshop and Fantasy Drawing Workshop into a combined volume, fully updated and with new art. Examines in fascinating detail over 150 of the artist's outstanding sketches, drawings and paintings, plus the techniques and stories behind each. Leads you step-by-step through a range of specially commissioned drawing and painting demonstrations that reveal John's renowned artistic approach in action. Discusses the rewarding journey into fantasy art, from the first steps of building a compelling portfolio to book illustration, graphic novels and the big screen. This book will appeal to artists and fans of John Howe's work by leading you step-by-step through a range of specially commissioned demonstrations, sketches and finished paintings, some designed specifically for this book, that reveal John's renowned artistic approach in action, plus the techniques and stories behind each. It covers a wide range of subjects, beginning with the creative process, exploring where inspiration comes from, looking at narratives and themes, gathering reference materials, organizing your working environment, and protecting and storing artwork. Howe covers drawing materials and explores drawing and painting fantasy beings from initial inspiration and approaches to characters, symbolism and accoutrements. He begins by showing how to create different types of male and female archetypes, humans in action, armour and weapons, faces, expressions and hands, hair and costumes, and goes on to explain how to create different types of fantasy beasts: talons, wings, fangs and fire, and noble animals, interspersed throughout with exciting case studies. The book also explores fantasy landscapes and architecture and balancing light and dark atmospheres. The final section of the book provides further inspiration and guidance on presenting work in various forms, including film work, book covers and advertising, all areas John Howe has vast experience in. The foreword is written by groundbreaking film director Terry Gilliam, with an afterword by Alan Lee, John's partner on the conceptual design for The Lord of the Rings movie trilogy and Oscar-winning illustrator.

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For the first time, fans of Sarah J. Maas’s sweeping New York Times bestselling Throne of Glass saga can experience the vivid imagery of her expansive world. Celaena battling the ridderak in the catacombs, Chaol in the gardens of the glass castle, Manon riding her wyvern through the Crossing, and many other favourite moments, characters and objects come to life as readers explore the vibrantly detailed realm of Throne of Glass. Stunning original black and white drawings will bring fans deeper into the series than ever before – making this a must-have companion to Sarah J. Maas’s beloved books.

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