Search results for ""Author John Howard""

Learn from a legend! Trim seconds off your time, train more efficiently, or simply maximize your fitness workouts with Mastering Cycling. John Howard, three-time Olympian and 18-time national masters cycling champion, has created the ultimate cycling guide for serious riders, triathletes, and masters athletes. Cyclists from 18 to 88 will benefit from the targeted approach that covers these essentials: • Technique instruction and refinement for cornering, climbing, and descending • Workout plans for fitness and competition • Training for road races, time trials, and triathlons • Strategies that will shave seconds from your times In addition, Mastering Cycling guides you in equipment selection, event-specific training, motivational strategies, nutrition, hydration, and selecting cycling clubs, coaches, and competitive events. With such comprehensive coverage, it is the one resource you’ll turn to time and time again for a lifetime of serious cycling.

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On how our sense of balance has defined us as a nation and will safeguard our future. In the years that John Howard served in the national parliament he came to understand the special character of Australia; to appreciate its strengths and weaknesses; and most importantly to respect the sense of balance in the formulation of public policy that has long defined us as a nation and made Australia an attractive destination for people from across the world.In this book he explores this balance, its foundations and its future. Written against the backdrop of the COVID-19 pandemic, as well as some of the more contested political events of recent years - the election of Donald Trump, the Brexit vote, the rise of China, and, within our own country, a carousel of six prime ministers in eleven years - these reflections touch on how Australia has responded to pressure over the last decade or so. Commentary on these subjects from politicians, opinion writers and social media can sometimes seem shrill and divisive. Australia's 25th and second longest serving prime minister has faith that no matter what challenges and extremes threaten to upset our sense of balance, the country's institutions and people will remain robust into the foreseeable future.PRAISE'John Howard's ongoing and important contribution to this country continues with his latest laser sharp book, A Sense of Balance. No former leader understands the Australian character better than our 25th Prime Minister' Janet Albrechtsen, columnist

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You've heard it before: A healthful diet rich in plant-based foods can prolong your life. But how much could you really extend your time? The Adventist enclave in Loma Linda, California, is America's only "Blue Zone" one of five regions on Earth where people live measurably longer—about 10 years more— than average, as identified by National Geographic–funded research. This Blue Zone status is thanks largely to the foods Loma Linda residents and Adventists choose eat—and the foods they choose not to eat. Loma Linda was established in 1905 by the Adventist founder and prophet Ellen G. White. Her great-great-grandson, John Howard Weeks, still lives there. He knows firsthand what it's like to fall into the rut of unhealthy habits—and to relearn how to live and eat in a healthy way. Through the teachings of his family, Weeks was able to conquer his temptations and embrace a healthy way of living. He'll show you how to do the same, no matter what your personal battle looks like. In The Healthiest People on Earth, Weeks shares the secrets of how anyone, anywhere, can create a "Blue Zone" of their own and live a longer, healthier life. A lively read full of exclusive family stories, gainful tips and tricks, happy home remedies, and plant-based recipes, this book will be your first step on the journey to a longer, healthier, more fulfilling life. This is not a book about religion—it is about health and happiness. It is possible to be healthy in body, mind, and spirit. Start by eating like the healthiest people on Earth.

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The companion volume to the 50th-anniversary edition of Black Like Me, this book features John Howard Griffin’s later writings on racism and spirituality. Conveying a progressive evolution in thinking, it further explores Griffin’s ethical stand in the human rights struggle and nonviolent pursuit of equality—a view he shared with greats such as Gandhi, Martin Luther King Jr., and Thomas Merton. Enlightening and forthright, this record also focuses on Griffin’s spiritual grounding in the Catholic monastic tradition, discussing the illuminating meditations on suffering and the author’s own reflections on communication, justice, and dying.

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One doesn't usually associate thriving queer culture with rural America, but John Howard's history of queer life in the South seeks to debunk the myth that same-sex desires can't find expression outside the big city. In fact, this book shows that the nominally conservative institutions of small-town life - home, church, school and workplace - were the very sites where queer sexuality flourished. As Howard recounts the life stories of the ordinary and the famous, often in their own words, he also locates the material traces of queer sexuality in the landscape: from the farmhouse to the church social, from sports facilities to roadside rest areas. Spanning four decades, this book complicates traditional notions of a post-World War II conformist wave in America. Howard argues that the 1950s, for example, were a period of vibrant queer networking in Mississippi, while during the so-called "free love" 1960s homosexuals faced aggressive oppression. When queer sex was linked to racial agitation and when key civil rights leaders were implicated in homosexual acts, authorities cracked down and literally ran the accused out of town. In addition to firsthand accounts, the text finds representations of homosexuality in regional pulp fiction and artwork, as well as in the number one pop song about a suicidal youth who jumps off the Tallahatchie Bridge. And Howard offers assessments of outrageous public scandals: a conservative US congressman caught in the act in Washington and a white candidate for governor accused of patronizing black transgender sex workers. This history of the queer South aims to reorient the presuppositions about gay identity and about the dynamics of country life.

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Without trial and without due process, the United States government locked up nearly all of those citizens and longtime residents who were of Japanese descent during World War II. This title presents an account of the inmates' experiences and an examination of American imperialism and racist hysteria.

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To date, lesbian and gay history has focused largely on the East and West coasts, and on urban settings such as New York and San Francisco. The American South, on the other hand, identified with religion, traditional gender roles, and cultural conservatism, has escaped attention. Southerners celebrate their past; lesbians and gays celebrate their new-found visibility; historians celebrate the South—yet rarely have the three crossed paths. John Howard's groundbreaking anthology casts its net widely, examining lesbian and gay experiences in Mississippi, South Carolina, Georgia, Florida, Louisiana, and Tennessee. James Schnur, by virtue of a Freedom of Information Act query, sheds light on the sinister machinations of the Johns Committee, whose clandestine duty it was to ferret out suspected homosexuals during the McCarthy years. In his essay on the great Southern writer William Alexander Percy, William Armstrong Percy provides tangible evidence that Southern citizens, historians, and archivists have long sought to repress or obscure certain individuals within what C. Vann Woodward described as the perverse section. Moving chronologically through America's past, from the antebellum and postbellum periods, through the Jim Crow era and the Cold War, to the present, this volume introduces an important new framework to the field of lesbian and gay history—that of regional history.

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John Howard's name will forever be linked to the highly successful Pegasus Bridge assault by his glider-born company of the Oxfordshire and Buckinghamshire Light Infantry. His men regarded him with awe and his courage and toughness were bye-words. However this book reveals the human side of the man as well as providing a graphic account of the preparation, actual operation and aftermath of this iconic raid.The Pegasus Diaries is a book that will be enjoyed by men and women alike, presenting as it does a complex man often torn between his high sense of loyalty to his men and devotion to duty.

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This is the second in a three-volume literary biography of Evelyn Waugh. Relatives, wives, children, friends, and associates inspired much of WaughOs writing, and this book traces the origins of his fiction in his experience. More than most of the other books about Waugh, this volume draws on his diaries, letters, journalism, travel books, and autobiography.

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Culled from previously unpublished material, this collection of writing and photography by John Howard Griffin was taken from the period during which he was writing and revising what would be his most famous book, the bestselling Black Like Me. Living in exile in Mexico at the time, along with his young family and aging parents, Griffin had been forced from his home town of Mansfield, Texas, by death threats from local white racists. Knowing that he would become a controversial public figure once he returned to the states, he kept an intimate journal of his ethical queries on racism and injustice—and to escape from his worries he also immersed himself in the culture of the Tarascan Indians of Michoacan. Accordingly, Robert Bonazzi's introduction contains substantial unpublished portions of the journals, and the main body of the book is made up of three essays by Griffin—one on photography and two about trips he made to photograph rural Mexico.

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In this volume of essays John Howard Yoder projects a vision of Christian social ethics rooted in historical community and illuminated by scripture. Drawing upon scriptural accounts of the early church, he demonstrates the Christian community's constant need for reform and change. Yoder first examines the scriptural and theoretical foundations of Christian social ethics. While personally committed to the "radical reformation" tradition, he eschews "denominational" categorization and addresses Christians in general. The status of Christian community, he argues, cannot be separated from the doctrinal content of beliefs and the moral understanding of discipleship. As a result, the Christian's voluntary commitment to a particular community, as distinct from secular society, offers him valuable resources for practical moral reasoning. From a historical perspective, Yoder reviews the efforts of sixteenth-century radical (or Anabaptist) reformers to return to the fundamental ethical standards of the New Testament, and to disengage the community, as a biblically rooted call to faith that does not imply withdrawal from the pluralistic world. Rather, radical commitment to Christianity strengthens and renews the authentic human interests and values of the whole society. His analyses of democracy and of civil religion illustrate how Christianity must challenge and embrace the wider world.

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These Studies in Eighteenth-Century French Literature presented to Robert Niklaus were written by former students and colleagues and by his friends, to mark his retirement in 1975. The articles all relate to the French Enlightenment, Professor Niklaus's main academic interest, but vay in approach and subject. Six articles deal with aspects of the works of Diderot: his philosophy, aesthetics, narrative art and style. There are articles on Voltaire - his social, political and philosophical attitudes - and on Montesquieu, among others. The book as a whole is evidence of the continuing vitality of the Enlightenment and makes a fitting complement to Professor Niklaus's own important and lively contribution to eighteenth-century studies.

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This is one of the famous dramas by Lao She. The drama is set in a typical, old Beijing teahouse and follows the lives of the owner and his customers through three stages in modern Chinese history. The play spans fifty years and has a cast of over sixty characters drawn from all levels of society. Brought together in Yutai Teahouse, they reflect the changes that were taking place in Chinese society. The strength and appeal of the play lie in part in Lao She's masterful recreation of the characters and language of the streets of old Beijing, but the center of its strength is Lao She's vision, his unerring choice of significant detail, and his familiarity with the old society he is describing, with its strengths, weaknesses, and ironies. It is this which carries Teahouse beyond the borders of social criticism and makes it a complex and living work of art. Written in 1957, Teahouse bids an inspired, lingering farewell to old Beijing and the old society, despite their evils and ills, and extends a passionate welcome to the new society with its promise of freedom and equality of the people. Standing as it does between old and new China, and deeply rooted in both, Teahouse shimmers with a fine sense of ambivalence. True to its writer, to China, and to its time, it is a masterpiece of modern theater.

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New edition with a foreword by Bernardine Evaristo 'A brutal record of segregated America ... essential reading' Guardian 'An anti-racist classic' Bernardine Evaristo In the autumn of 1959, a white Texan journalist named John Howard Griffin travelled across the Deep South of the United States disguised as a working-class black man. Black Like Me is Griffin's own account of his journey. Published in book form two years later it sold over five million copies, revealed to a white audience the daily experience of racism and became one of the best-known accounts of racial injustice in Jim Crow-era America. Embraced by some and fiercely criticised by others, its legacy sixty years on remains problematic, but Black Like Me nevertheless stands as a fascinating document of its times. 'There is a saying among Negroes that no white man, no matter how hard he tries, can really understand what it's like to be black in America. John Howard Griffin has come closer to this understanding than any white man that I know.' Louis Lomax, Saturday Review 'If it was a frightening experience for him as nothing but a make-believe Negro for sixty-six days, then you think about what real Negroes in America have gone through for 400 years.' Malcolm X

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Increase intimacy, connection, and love with this “critical” (Vanessa Van Edwards, bestselling author of Captivate: The Science of Succeeding with People), science-based guide to creating meaningful and lasting relationships. When it comes to building a better relationship with your partner, touch and connection matter so much more than the words that you say. And author and therapist John Howard is here to tell us why. More Than Words shows you how to deepen love and connection in any relationship based on the latest cutting-edge research in interpersonal neurobiology, trauma-informed healing, attachment theory, and many more scientific fields. This “brilliant guide” (Diane Poole-Heller, PhD, author of The Power of Attachment) explains why verbal communication may not elicit the connection you seek and offers ways to practice and form new habits that can nurture love, care, safety, comfort, and passion in relationships. Science shows that these techniques work, but most people don’t know them yet. You can start using these techniques today to increase intimacy and emotional connection in your closest relationships. Mindful of all the needs of the modern individual, More Than Words is inclusive of LGBTQ+, polyamorous, and other nontraditional committed relationships and ultimately looks to elevate the way we strengthen the most important bonds in our lives.

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Linked stories expose generational conflicts, broken relationships and Jewish insecurity post-Holocaust. Darkly humorous, absurd, sometimes tragic and erotic.‘Verklempt’, Yiddish slang, means ‘choked with emotion.’ In his latest collection of stories, internationally best-selling author Peter Sichrovsky aggressively dismantles post-Holocaust Jewish identity. These are love stories where love is a bitter pill, a joke, a missed chance at happiness, a secret, a ghost, or a longing to be with a person one cannot even remember. Sichrovsky writes without embellishment, spare outlines of characters that feel familiar, and infuses them with dark humor and tragedy. With characteristic inquisitiveness and provocation, Sichrovsky delivers a delightful collection that entertains and inspires us to tears, laughter, revelations.Stories, among others:In “Prague,” an adolescent Jewish boy struggles when his Communist parents renounce their affiliations upon Soviet invasion of Czechoslovakia — just as he is about to land a date at the local Communist club.“The Love Schnorrer” follows a hapless, depressed man leaving his wife and children to secretly emigrate with a Jewish partner, but he is deceived by this new woman, who he most thought he could trust.In “The Sirens” a young couple in Israel — he a native Brooklynite and she an Israeli-born doctor—struggle to keep their marriage and family together under Saddam Hussein’s latest rocket attack.“Berlin,” “Holiday,” and “Pig’s Blood” have an autobiographical aspect. Interviews, interrogations, and captive audiences all reveal aspects of the author’s curious career and iconoclastic personality.In “Clearance Sale” a Jewish man married to the wrong woman for years — she’s German, with Nazi-sympathizing parents — consummates a brief affair with his Jewish secretary on a teddy bear, but only by passing backward through his life to a point of self-annihilation.“The Aunt” is a raunchy romp through an old people’s home, where the protagonist’s Aunt Martha is forced to share a room with an old Nazi.“Coffin Birth” finds the wealthy businessman and Holocaust survivor Herr Bernstein only able to reconcile his seventieth birthday with the conception that he will have an heir — by any means necessary — when he learns his daughter is a lesbian.Somewhere in every story there is a real person. These stories are based on facts. But they are not documentations. They reflect hopes, fears and indifference. Every story is true, as true as a story can be.—Author’s Preface to the English Edition

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A longtime journalist and politician, Sichrovsky writes with a crisp prose that makes his everyday characters real, with a touch of humor and subtle points about what being Jewish means today. This is a strong collection...The pieces here are memorable and diverse, making Verklempt an excellent English-language introduction to the author's fiction. --Foreword Reviews Moving and engaging...[Sichrovsky] set[s] up ...intriguing narratives and metaphors. --Asymptote Journal A touching, thoughtful, and powerful read; Sichrovsky's insights into people's secrets, regrets, and consciences are artfully divulged. Verklempt certainly lives up to its title. --Jewish Book World John Howard's translation is clear, clean, and straightforward. His word choices are simple and direct, resisting the temptation for sentimentality that such subject matter holds. I was especially impressed by the way he conveyed the different patterns of speech that characterize people of different ages and geographical descents. There is no confusing his elderly Austrian aunt with his Brooklynite Jewish mother. --Yardenne Greenspan, Asymptote Journal Intense existential stories with uplifting conclusions about people, torn by past conflicts and histories, who are coming to terms with the flow of everyday life through fulfillment of their desires. --Ivan Margolius, author of Reflections of Prague: Journeys Through the 20th Century Somewhere in every story there is a real person. These stories are based on facts. But they are not documentations. They reflect hopes, fears and indifference. Every story is true, as true as a story can be. --Author's Preface to the English Edition 'Verklempt', Yiddish slang, means 'choked with emotion.' In his latest collection of stories, internationally best-selling author Peter Sichrovsky aggressively dismantles post-Holocaust Jewish identity. These are love stories where love is a bitter pill, a joke, a missed chance at happiness, a secret, a ghost, or a longing to be with a person one cannot even remember. Sichrovsky writes without embellishment, spare outlines of characters that feel familiar, and infuses them with dark humor and tragedy. With characteristic inquisitiveness and provocation, Sichrovsky delivers a delightful collection that entertains and inspires us to tears, laughter, revelations. Foreword by award-winning playwright Ari Roth. Stories, among others: In "Prague," an adolescent Jewish boy struggles when his Communist parents renounce their affiliations upon Soviet invasion of Czechoslovakia -- just as he is about to land a date at the local Communist club. "The Love Schnorrer" follows a hapless, depressed man leaving his wife and children to secretly emigrate with a Jewish partner, but he is deceived by this new woman, who he most thought he could trust. In "The Sirens" a young couple in Israel -- he a native Brooklynite and she an Israeli-born doctor--struggle to keep their marriage and family together under Saddam Hussein's latest rocket attack. "Berlin," "Holiday," and "Pig's Blood" have an autobiographical aspect. Interviews, interrogations, and captive audiences all reveal aspects of the author's curious career and iconoclastic personality. But Sichrovsky's stories are clearly fictional and, in some cases, are entirely ridiculous. In "Clearance Sale" a Jewish man married to the wrong woman for years -- she's German, with Nazi-sympathizing parents -- consummates a brief affair with his Jewish secretary on a teddy bear, but only by passing backward through his life to a point of self-annihilation. "The Aunt" is a raunchy romp through an old people's home, where the protagonist's Aunt Martha is forced to share a room with an old Nazi. "Coffin Birth" finds the wealthy businessman and Holocaust survivor Herr Bernstein only able to reconcile his seventieth birthday with the conception that he will have an heir -- by any means necessary -- when he learns his daughter is a lesbian.

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On October 28, 1959, John Howard Griffin underwent a transformation that changed many lives beyond his own—he made his skin black and traveled through the segregated Deep South. His odyssey of discovery was captured in journal entries, arguably the single most important documentation of 20th-century American racism ever written. More than 50 years later, this newly edited edition—which is based on the original manuscript and includes a new design and added afterword—gives fresh life to what is still considered a “contemporary book.” The story that earned respect from civil rights leaders and death threats from many others endures today as one of the great human—and humanitarian—documents of the era. In this new century, when terrorism is too often defined in terms of a single ethnic designation or religion, and the first black president of the United States is subject to hateful slurs, this record serves as a reminder that America has been blinded by fear and racial intolerance before. This is the story of a man who opened his eyes and helped an entire nation to do likewise.

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A Handful of Mischief: New Essays on Evelyn Waugh is a collection of essays based on presentations at the Evelyn Waugh Centenary Conference at Hertford College, Oxford, in 2003. There are twelve different essays by authors from various countries, including Australia, Canada, Russia, the United Kingdom, and the United States. The essays cover a wide range of material, from Waugh's early novel Black Mischief (1932) to his last travel book, A Tourist in Africa (1960). In addition to essays on well-known novels such as Scoop (1938), Brideshead Revisited (1945), and Helena (1950), the collection includes papers on Waugh's library, his changing conception of Oxford, his writing about religious conversion, and his role in the British evacuation of Crete in 1941. The authors approach Waugh and his work in various ways, and innovative essays explore sovereignty, post-colonialism, and adaptation for radio. Contributors: Baron Alder, Peter G. Christensen, Robert Murray Davis, Marcel DeCoste, Patrick Denman Flanery, Donat Gallagher, Irina Kabanova, Dan S. Kostopulos, Lewis MacLeod, John W. Mahon, Richard W. Oram, Ann Pasternak Slater, John Howard Wilson.

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