Search results for ""Author John Goodman""
Stanford University Press A Childhood Memory by Piero della Francesca
Piero della Francesca's Madonna del Parto, a celebrated fifteenth-century Tuscan fresco in which the Virgin gestures to her partially open dress and her pregnant womb, is highly unusual in its iconography. Hubert Damisch undertakes an anthropological and historical analysis of an artwork he constructs as a childhood dream of one of humanity's oldest preoccupations, the mysteries of our origins, of our conception and birth. At once parodying and paying homage to Freud's seminal essay on Leonardo da Vinci, Damisch uses Piero's enigmatic painting to narrate our archaic memories. He shows that we must return to Freud because work in psychoanalysis and art has not solved the problem of what is being analyzed: in the triangle of author, work, and audience, where is the psychoanalytic component located?
£21.99
Stanford University Press Skyline: The Narcissistic City
One of today’s foremost art historians and critics presents a strikingly original view of architecture and the city through the twin lenses of cultural theory and psychoanalysis. Hubert Damisch—whose work on the history of perspective, the notion of imitation, and the question of representation has emerged as the most important body of critical thought on painting since, perhaps, Meyer Shapiro’s collected essays—here engages a subject that has been of continuing interest to him over the last thirty years. In the field of architecture, this book has been awaited for a long time; in the fields of art history and cultural studies, it will be welcomed as a powerful argument for utilizing in an urban context interpretive approaches developed for the analysis of spatial and visual phenomena. Though architecture has served since Descartes as a structural analogy for philosophical discourse and has played a similar role in literature, contemporary studies on architecture have tended to be very specialized, with little regard for their accessibility to scholars in the humanities and social sciences. This book, however, with its solid grounding in architecture and urban theory and its profoundly humanistic approach, will prove deeply rewarding to specialist and generalist alike. The book engages a wide range of subjects, including reconstructions of the Egyptian labyrinth, architectural museums, European visions of New World cities, the great spaces and national parks of the American West, and landscape gardening in the United States. These subjects work together to develop a unique way of looking at the city and its architecture, the landscape and its spaces.
£21.99
The University of Chicago Press The Judgment of Paris
Drawing on Freudian theories of sexuality and Kant's conception of the beautiful, French art historian Hubert Damisch considers artists as diverse as Raphael, Picasso, Watteau, and Manet to demonstrate that beauty has always been connected to ideas of sexual difference and pleasure. Damisch's tale begins with the judgment of Paris, in which Paris awards Venus the golden apple and thus forever links beauty with desire. The casting of this decision as a mistake—in which desire is rewarded over wisdom and strength—is then linked to theories of the unconscious and psychological drives. In his quest for an exposition of the beautiful in its relation to visual pleasure, Damisch employs what he terms “analytic iconology,” following the revisions and repetitions of the motif of the judgment through art history, philosophy, aesthetics, and psychoanalysis. This translation brings an important figure of the French art historical tradition to Anglo-American audiences.
£32.41
University of California Press Mingus Speaks
Charles Mingus is among jazz's greatest composers and perhaps its most talented bass player. He was blunt and outspoken about the place of jazz in music history and American culture, about which performers were the real thing (or not), and much more. These in-depth interviews, conducted several years before Mingus died, capture the composer's spirit and voice, revealing how he saw himself as composer and performer, how he viewed his peers and predecessors, how he created his extraordinary music, and how he looked at race. Augmented with interviews and commentary by ten close associates - including Mingus' wife Sue, Teo Macero, George Wein, and Sy Johnson - "Mingus Speaks" provides a wealth of new perspectives on the musician's life and career. As a writer for "Playboy", John F. Goodman reviewed Mingus' comeback concert in 1972 and went on to achieve an intimacy with the composer that brings a relaxed and candid tone to the ensuing interviews. Much of what Mingus shares shows him in a new light: his personality, his passions and sense of humor, and his thoughts on music. The conversations are wide-ranging, shedding fresh light on important milestones in Mingus' life such as the publication of his memoir, "Beneath the Underdog", the famous Tijuana episodes, his relationships, and the jazz business.
£22.50
