Search results for ""Author John Gierach""

In his latest fresh and original collection, Gierach shows us why fly-fishing is the perfect antidote to everything that is wrong with the world.

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Discover the answer to life’s most pressing problems through the joy of fly-fishing from master philosopher John Gierach. Once again, John Gierach tells the world why the pastime of fly-fishing makes so much sense—except when it doesn’t. In sparkling prose, with more than a touch of humour, he recalls the joys of landing that trout he’s been watching for the last hour—and then losing an even fatter one a little later. Joy and frustration mix in Gierach’s latest appreciation of the fly-fishing life as he takes us from his home waters on the Front Range of the Rockies in Colorado to fishing meccas all over North America. From fishing lodges in Alaska to memories of the local creek in the Midwest where he grew up, Gierach reminds us about the indispensability of the natural world around us.

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Once an angler masters a graphite rod, his interests often move on to the original fly rod, pliant bamboo. Until the mid-twentieth century, nearly all fly rods were bamboo. By the 1970s, fiberglass and graphite changed the world of fly-fishing. But more and more anglers are seeing bamboo rods in retail outlets, and want to give them a try. With this book, John Gierach, one of the nation’s top fly-fishing writers, provides a philosophical guide to the angler who seeks this new “old” method. Gierach discusses how bamboo rods are built, how they differ from graphite rods, and how using one will change a fly fisher’s approach to the sport. Fishing bamboo might be the pinnacle of fly-casting skill, and this book will help take you there.

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Witty, shrewd, and always a joy to read, John Gierach, “America’s best fishing writer” (Houston Chronicle) and favorite streamside philosopher, has earned the following of “legions of readers who may not even fish but are drawn to his musings on community, culture, the natural world, and the seasons of life” (Kirkus Reviews).“After five decades, twenty books, and countless columns, [John Gierach] is still a master” (Forbes). Now, in his latest original collection, Gierach shows us why fly-fishing is the perfect antidote to everything that is wrong with the world. “Gierach’s deceptively laconic prose masks an accomplished storyteller…His alert and slightly off-kilter observations place him in the general neighborhood of Mark Twain and James Thurber” (Publishers Weekly). In Dumb Luck and the Kindness of Strangers, Gierach looks back to the long-ago day when he bought his first resident fishing license in Colorado, where the fishing season never ends, and just knew he was in the right place. And he succinctly sums up part of the appeal of his sport when he writes that it is “an acquired taste that reintroduces the chaos of uncertainty back into our well-regulated lives.” Lifelong fisherman though he is, Gierach can write with self-deprecating humor about his own fishing misadventures, confessing that despite all his experience, he is still capable of blowing a strike by a fish “in the usual amateur way.” “Arguably the best fishing writer working” (The Wall Street Journal), Gierach offers witty, trenchant observations not just about fly-fishing itself but also about how one’s love of fly-fishing shapes the world that we choose to make for ourselves.

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“After five decades, twenty books, and countless columns, [John Gierach] is still a master,” (Forbes) and his newest book only confirms this assessment, along with his recent induction into the Flyfishing Hall of Fame. In A Fly Rod of Your Own, Gierach brings his ever-sharp sense of humor and keen eye for observation to the fishing life and, for that matter, life in general.Known for his witty, trenchant observations about fly-fishing, Gierach’s “deceptively laconic prose masks an accomplished storyteller…his alert and slightly off-kilter observations place him in the general neighborhood of Mark Twain and James Thurber” (Publishers Weekly). A Fly Rod of Your Own transports readers to streams and rivers from Maine to Montana, and as always, Gierach’s fishing trips become the inspiration for his pointed observations on everything from the psychology of fishing (“Fishing is still an oddly passive-aggressive business that depends on the prey being the aggressor”); why even the most veteran fisherman will muff his cast whenever he’s being filmed or photographed; the inevitable accumulation of more gear than one could ever need (“Nature abhors an empty pocket. So does the tackle industry”); or the qualities shared by the best guides (“the generosity of a teacher, the craftiness of a psychiatrist, and the enthusiasm of a cheerleader with a kind of Vulcan detachment”). As Gierach likes to say, “fly-fishing is a continuous process that you learn to love for its own sake. Those who fish already get it, and those who don’t couldn’t care less, so don’t waste your breath on someone who doesn’t fish.” A Fly Rod of Your Own is an ode to those who fish that “brings a skeptical, wry voice to the peril and promise of twenty-first-century fishing” (Booklist).

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C. D. Clarke says he was born to paint and fish and hunt, and he’s done just that over his lifetime, capturing memorable times on the water and in the field on canvas and finessing that passion and pastime into a laudable career.This magnificent book of his work features 200 paintings, tableaus of color, light, motion, and possibility, created over the course of forty years fishing and hunting in the world’s most coveted destinations. Clarke prefers to work en plein air, and on site he fills sketchbooks with scenes that inspire the oils and watercolors he later refines in his New Jersey Highlands studio.At an early age Clarke discovered the work of the wildlife artists Ogden Pleissner, Chet Reneson, Thomas Aquinas Daly, and John Swan, and they influenced his style.Clarke’s work is featured in galleries and museums nationwide and he exhibits at the most prestigious wildlife art shows and festivals. He is regularly featured in the top wildlife and sporting publications.

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