Search results for ""Author John Elderfield""
Rizzoli International Publications Jenny Saville: Oxyrhynchus
Oxyrhynchus is a city in upper Egypt that was established in 332 BC and is considered one of the most important archaeological sites ever discovered. Saville references the layer upon layer of discoveries at Oxyrhynchus in her new body of work, the final effect being a mysterious narrative of layered bodies and images. The dozen new works presented are a combination of oil, charcoal, and pastel on canvas and a combination of landscape and figures weaving throughout each other.
£54.00
Ridinghouse Bridget Riley: The Stripe Paintings 1961 - 2012
£25.20
Thames & Hudson Ltd Joe Zucker
Joe Zucker has flown under the radar of larger public awareness due to the frequent transformations in his art from one style to another, and thus his work has not been easily characterized and identified. Nevertheless, he has forged a powerful artistic persona as a process artist with a certain pop inflection, who not only grapples with formal and theoretical concerns but also explores themes of history, culture and Americana. This career-spanning survey deals with all of Joe Zucker’s various bodies of work, from his grid paintings of the 1960s to his latest pieces, including the monumental 1000 Brushstrokes (2015–1016). Zucker’s art is rooted in a conceptual framework where tools, materials, processes, procedures, content and subject matter are all interrelated.Working with materials ranging from cotton balls, sash cord, peg board and squeegees to acrylic and rhoplex, and exploring such themes as the grid, the history of cotton, ancient civilizations, an assortment of ‘dubious characters’, paintings that paint themselves, as well as meditations on the studio, Zucker merges materials, process and content – abstract and otherwise – to produce compelling works of extraordinary inventiveness, irony and passion.
£54.00
Yale University Press Cezanne: The Rock and Quarry Paintings
A rich vein of the artist’s mature work, depicting the foundations of landscape and place From the mid-1860s until shortly before his death, Paul Cézanne (1839–1906) created 27 canvases that take rock formations as their principal subjects. This is the first publication to focus exclusively on these extraordinary works. It illustrates all of Cézanne’s mature paintings of rock formations, including scenes of the terrain of the forest of Fontainebleau, the Mediterranean coastal village of L’Estaque, and the area around Aix-en-Provence, alongside examples of his watercolors of these subjects. An introductory essay by John Elderfield assesses these paintings in terms of their character, development, and relationship to Cézanne’s other works; their critical interpretations; and their geological and corporeal associations. Faya Causey’s essay examines the Provençal context of Cézanne’s rock and quarry paintings, as well as the status of geology in France during the second half of the 19th century. The catalogue section, introduced by Anna Swinbourne, chronicles the sites, presenting details of where specifically the paintings were made and of the features that they represent, together with technical aspects of particular works.Distributed for the Princeton University Art MuseumExhibition Schedule:Princeton University Art Museum
£31.50
University of California Press The Art of Richard Diebenkorn
Recognized as a major figure in postwar American painting, Richard Diebenkorn (1922-1993) was an artist strongly identified with California but whose work is beloved throughout the United States and the rest of the world. This catalogue is the most comprehensive volume on the artist now available. Jane Livingston's extensively researched biographical essay covers Diebenkorn's entire career and concentrates on the artist's inner life and purposes as revealed in his paintings. Ruth Fine deals primarily with the figurative aspect of Diebenkorn's work (1955-67), and John Elderfield concentrates on the Ocean Park period (1967-93). All three authors provide valuable insights based on their personal relationships with the artist and his widow, Phyllis. On both page and canvas, the reader can sense Diebenkorn's complexity and highly self-conscious working methods, as well as his formidable integrity. "The Art of Richard Diebenkorn" will give readers with an interest in all phases of modernism new thoughts about the relationship between abstraction and representation. Stunningly illustrated, with 192 full-color reproductions, this book is an exhilarating testament to a distinctive American artist.
£44.10