Search results for ""Author John Boorman""

As I step out of the conservatory facing North, supported by my pusher, the first that catches my eye is the dying Sycamore which escapes death every year by producing a healthy crop of leaves, but it looks so decrepit that surely it can't pull that trick yet again. -1 April, 2020 In his eighty-eighth year, John Boorman uses his time in lockdown to reflect on the splendour of the surrounding nature of County Wicklow. Coccooning with his daughter and son among the hills of Annamoe, Boorman chronicles his daily walks and observations of the trees on his estate, writing with heightened appreciation of the beauties of his eyrie using only one eye and one finger. Poetry flows from his pen as he sits chairbound among his trees and flora: sycamores, limes, beech, oak, redwood, shrubs and flowers, birdsong and shifting skies are luminously recorded as the world falls silent. With illustrations by Susan Morley, this slim but meditative volume is a remarkable narrative by the creator of The Emerald Forest, Excalibur and Deliverance - a swansong like no other.

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The Great Spotted Woodpecker first bred in Ireland in 2009. Since then the author has followed the daily lives of this species, a family of whom had taken up residence in a windtorn Spanish chestnut tree near his home in the depths of County Wicklow. This unique and personal account of a family of woodpeckers raising their young brings the reader deep into the world of this fascinating species: a world of hope, love, death, new life and ultimately success. It explores the richness and diversity of the natural wonders found in County Wicklow against a backdrop of a more general overview of the species in Ireland. It includes a foreword by filmmaker John Boorman, and features illustrations by Killian Mullarney and Flemming Christoffersen with stunning colour photographs by Dick Coombes. This book is to be treasured by everyone – not just ornithologists, but those with an interest in the natural world around them.

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On the 50th anniversary of its release, Repeater is honoured to reissue John Boorman's novelization of his cult film Zardoz with a new introduction by the director.

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Chosen as one of Sight & Sound's 'Best Film Books of the Year'John Boorman is one of the cinema's authentic visionaries, drawn to myths and dreams. The undisputed heir to David Lean, his films, such as Point Blank, Deliverance and Excalibur, exhibit a continual search for the truth that only art can convey. In Conclusions Boorman summarises what he has learned about the craft of film-making, and wishes to pass on to the next generation of film-makers. Into this tapestry of cinematic memories, he also weaves the story of his kith and kin, including the death of his cherished elder daughter, and an evocation of the forest of trees that he has planted as his final legacy.

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In Adventures of a Suburban Boy, John Boorman, hailed by the Observer as 'arguably Britain's greatest living director', offers an enthralling memoir of a creative life spent turning dreams into celluloid, and money into light.One of cinema's authentic visionaries, Boorman nevertheless enjoyed an archetypal English suburban boyhood in the 1940s and 50s, attending Catholic school and finding his first employment in a dry-cleaner's. But his abiding passion was for film, and he got his first break during the 'gold rush' era of British television in the 1960s. After directing several innovative documentaries for the BBC, he graduated to motion pictures, first filming pop stars The Dave Clark Five for Catch Us If You Can, before venturing to Los Angeles to make his first Hollywood picture - and his first masterpiece - Point Blank. The film inaugurated Boorman's profound friendship with star Lee Marvin, which also led to a second professional collaboration on Hell in the Pacific.What follows are accounts of Boorman's joys and agonies in the making of such extraordinary pictures as the terrifying backwoods adventure Deliverance, the fantastical epics Zardoz and Exorcist II: The Heretic, the glorious Arthurian legend Excalibur, his magnificent drama of imperilled Amazonian tribes, The Emerald Forest, and his semi-autobiographical, multi-Oscar-nominated Hope and Glory. Among the many friends and collaborators of whom Boorman offers vivid portraits are Lee Marvin, Sean Connery, Richard Burton, Marcello Mastroianni, Burt Reynolds, Jon Voight, Helen Mirren and Nicol Williamson.

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'What a life! What a career!' Harold Pinter'Boorman is one of the world's great directors, a master storyteller.' Paul AusterJohn Boorman is one of cinema's authentic visionaries whose travels have taken him from London in the Blitz to the pinnacle of Hollywood success: the man behind filmes such as Point Blank, Deliverance, Excalibur, Hope and Glory, and The General. Conclusions continues the story of his life that Boorman began with Adventures of a Suburban Boy and shares what has happened since its publication: films made (such as the award-winning The General) and unmade; new knowledge about the craft of film-making; and, ultimately, the story of of his kith and kin, including the death of his cherished elder daughter.Wielding a metaphorical Excalibur, Boorman's career has been a continual search for the truth that only art can convey, and this memoir shows him at his finest.

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Projections is a forum for practitioners of the cinema to write about their work. The first issue includes a journal compiled by John Boorman which records his responses to the events and trends of 1991, and their implications for the future of cinema. Like his Emerald Forest diary, Money into Light, it is a fascinating mix of anecdote, personal reflections, thoughts on the nature of cinema, and comments on the practical business of making films.Projections also contains contributions from cinematographer Nestor Almendros, who describes the craft of photographing the human face, and from Jonathan Demme, who traces the evolution of his career from his early days with Roger Corman to his chilling Silence of the Lambs. River Phoenix and Gus Van Sant discuss their work together on My Own Private Idaho; there is a script from one of the most original talents in American today, Hal Hartley, and a penetrating account by director Michael Mann of his startling new version of Last of the Mohicans.

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Justin Keating, son of the artist Sean Keating, attended UCD and TCD. He was a Labour Party politician (Minister for Industry 1973-77), academic, journalist, veterinary surgeon, television pioneer (as Head of Agricultural Broadcasting at RTE) and award-winning documentary filmmaker. In later life he served as Member of the European Parliament and became president of the Humanist Association. President Michael D. Higgins called him ‘a man who saw socialism as both essential and adaptable to change’. Keating introduced the first substantial legislation for the development of Ireland's oil and gas, set up the National Film Studios of Ireland at Ardmore and gave impetus to Kilkenny Design. He wrote extensively – and with opinions well ahead of his time – on the natural world, including women’s health, animal welfare, sustainable energy and ecology. ‘A well made, fit thoroughbred really striding out seems to me one of the most beautiful things on earth, on a par with an orchid or porpoise.’ Edited posthumously by his wife, Barbara Hussey, Justin Keating’s notebooks offer an in-depth, often-impassioned account of the interests, musings and opinions of one of Ireland’s most wide-ranging intellectuals. His dealings with J.D Bernal, Noël Browne, Sean McBride, Charles Haughey, Gerry Fitt and Conor Cruise-O’Brien, form part of this absorbing chronicle, aside from myriad friendships with writers and artists. Nothing Is Written in Stone is a brilliant selfportrait of this multi-dimensional man, who did so much to shape twenty-first century Ireland.

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