Search results for ""Author John Archer""

An engaging account of the natural history of rock and boulder-strewn shores around Britain's coastline. Rocky Shores explores the species, communities and landscape of the narrow strip of land surrounding much of the British Isles. While it may be limited in extent, this habitat is incredibly biodiverse, and this insightful book details all the patterns of marine life that might be encountered on sheltered and exposed shores, from the inhospitable splash zone to the repeatedly submerged lower shore, and everything in between. Comprehensive chapters accompanied by exceptional photographs cover various members of the rocky-shore community in turn: striking lichens that colourfully adorn the rocks; seaweeds that have sustained human settlements for millennia; mysterious and often spectacular worms and their relatives; molluscs with variously configured shells; spiny-skinned echinoderms that move using tube feet; arthropods that range from tiny marine insects to heavy-clawed crabs; and microscopic species that drift around at the mercy of the tides. Rock pools provide pockets of diversity dotted across the shore, while the strandline at the high-tide mark supports a unique assemblage of microbes and invertebrates that attracts a variety of birds and mammals. For anyone with a love of the shore – from the occasional rockpooler to avid naturalists – this book is a must for your collection.

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The suburbs have always been a fertile space for imagining both the best and the worst of modern social life. Portrayed alternately as a middle-class domestic utopia and a dystopic world of homogeneity and conformity--with manicured suburban lawns and the inchoate darkness that lurks just beneath the surface--these stereotypes belie a more realistic understanding of contemporary suburbia and its dynamic transformations. Organized by the Walker Art Center in association with the Heinz Architectural Center at Carnegie Museum of Art, Worlds Away: New Suburban Landscapes is the first major museum exhibition to examine both the art and architecture of the contemporary American suburb. Featuring paintings, photographs, prints, architectural models, sculptures and video from more than 30 artists and architects, including Christopher Ballantyne, Center for Land Use Interpretation, Gregory Crewdson, Estudio Teddy Cruz, Dan Graham and Larry Sultan, Worlds Away demonstrates the catalytic role of the American suburb in the creation of new art and prospective architecture. Conceived as a revisionist and even contrarian take on the conventional wisdom surrounding suburban life, the catalogue features new essays and seminal writings by John Archer, Robert Beuka, Robert Breugmann, David Brooks, Beatriz Colomina, Malcolm Gladwell and others, as well as a lexicon of suburban neologisms.

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What are the suburbs? The popular vision of monotonous streets curving into culs-de-sac and emerald lawns unfurling from nearly identical houses would have us believe that suburbia is a boring, homogeneous, and alienating place. But this stereotypical portrayal of the suburbs tells us very little about the lives of the people who actually live there. Making Suburbia offers a diverse collection of essays that examine how the history and landscape of the American suburb is constructed through the everyday actions and experiences of its inhabitants.From home decor and garage rock to modernist shopping malls and holiday parades, contributors explore how suburbanites actively created the spaces of suburbia. The volume is divided into four parts, each of which addresses a distinct aspect of the ways in which suburbia is lived in and made. More than twenty essays range from Becky Nicolaides’s chronicle of cross-racial alliances in Pasadena, to Jodi Rios’s investigation of St. Louis residents’ debates over public space and behavior, to Andrew Friedman’s story of Cold War double agents who used the suburban milieu as a cover for their espionage.Presenting a wide variety of voices, Making Suburbia reveals that suburbs are a constantly evolving landscape for the articulation of American society and are ultimately defined not by planners but by their inhabitants.Contributors: Anna Vemer Andrzejewski, U of Wisconsin–Madison; Heather Bailey, History Colorado State Historical Fund; Gretchen Buggeln, Valparaiso U; Charity R. Carney, Western Governors U; Martin Dines, Kingston U London; Andrew Friedman, Haverford College; Beverly K. Grindstaff, San José State U; Dianne Harris, U of Illinois, Urbana–Champaign; Ursula Lang, U of Minnesota; Matthew Gordon Lasner, Hunter College; Willow Lung-Amam, U of Maryland, College Park; Becky Nicolaides, U of California, Los Angeles; Trecia Pottinger, Oberlin College; Tim Retzloff, Michigan State U; Jodi Rios, U of California, Berkeley; Christopher Sellers, Stony Brook U; David Smiley, Columbia U; Stacie Taranto, Ramapo College of New Jersey; Steve Waksman, Smith College; Holley Wlodarczyk, U of Minnesota.

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