Search results for ""Author Johan Huizinga""

This collection by the distinguished Dutch historian Johan Huizinga (1872-1945) reflects the theme of its key essay, The Task of Cultural History," throughout its pages. Huizinga's conception of cultural history informs both his essays on historiographic questions and those on such figures as John of Salisbury, Abelard, Joan of Arc, Erasmus, and Grotius. Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Johan Huizinga had a special sympathy for the complex, withdrawn personality of Erasmus and for his advocacy of intellectual and spiritual balance in a quarrelsome age. This biography is a classic work on the sixteenth-century scholar/humanist. Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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This is a portrait of life, thought and art in 14th- and 15th-century France and the Netherlands. Regarded as an historical classic by many scholars, it has also been criticized and incorrectly translated. This edition corrects changes made by other translators to the original Dutch text of 1919. For Huizinga, the 14th and 15th centuries marked not the birth of a dramatically new era in history - the Renaissance - but the fullest, ripest phase of medieval life and thought. However, his work was criticized at home and in Europe for being "old-fashioned" and "too literary". Franz Hopman adapted, reduced, and altered the Dutch edition, softening Huizinga's passionate arguments, dulling his nuances, and eliminating theatrical passages. He also dropped many passages Huizinga had quoted in their original old French. Additionally, chapters were rearranged, all references were dropped, and mistranslations introduced. This translation attempts to correct such errors, recreating Huizinga's Dutch edition, restoring the missing material, including prose quotations in French with translations, and returning the book to the form originally intended by its author.

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"Herfsttij der Middeluwen", or "The Autumn of the Middle Ages" - the original title - is a portrait of life thought, and art in 14th and 15th century France and the Netherlands. For Huizinga, this period marked not the birth of a dramatically new era in history, the Renaissance, but the fullest, ripest phase of medieval life and thought. Now, for the first time ever, the original version of this classic work has been translated into English. In the 1924 translation, Fritz Hopman adapted, reduced, and altered the Dutch edition - softening Huizinga's often passionate arguments, dulling his nuances, and eliminating passages. He also rearranged and redivided chapters, dropped references, and introduced mistranslations. This edition is free of such errors, recreating the second Dutch edition - which represents Huizinga's thinking at its most important stage - as closely as possible. Everything has been restored. Prose quotations appear in French, with translations printed at the bottom of the page. Mistranslations have been corrected. Payton and Mammitzsch also have added helpful material, including Huizinga's preface to the first and the second Dutch editions (1919 and 1921) and the one to the 1924 German translation. Several notes clarify Huizinga's references to things which would be common knowledge only to Dutch readers, Huizinga frequently refers to paintings, sculptures, and carvings, some little known; this edition also includes full range of illustrations.

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