Search results for ""Author Jody Graf""

A sourcebook, reader and document of the MoMA PS1 exhibition gathering an intergenerational and international group of 47 artists and collectives with deep ties to New York Through images, artist writings, roundtable conversations and oral histories highlighting key artists from the fifth edition of Greater New York at MoMA PS1, this book expands core themes in the exhibition, such as the interrelation of the surrealistic and the documentary; New York as site of Indigenous and diasporic cultural production; and the everyday challenges of living as an artist in a rapidly changing city. Central to the book is a wide selection of primary source materials: writings, poetry, notes, sketches and scripts by exhibition artists—offering, in their own words, a window into their interdisciplinary processes and approaches. Artists include: Yuji Agematsu, Nadia Ayari, BlackMass Publishing, Diane Burns, Kristi Cavataro, Curtis Cuffie, Hadi Fallahpisheh, Rotimi Fani-Kayode, Raque Ford, Luis Frangella, Dolores Furtado, Julio Galán, Doreen Garner, Emilie Louise Gossiaux, Robin Graubard, Milford Graves, Bettina Grossman, Avijit Halder, Bill Hayden, Steffani Jemison, G. Peter Jemison, E’wao Kagoshima, Marie Karlberg, Matthew Langan-Peck, Las Nietas de Nonó, Athena LaTocha, Carolyn Lazard, Sean-Kierre Lyons, Hiram Maristany, Servane Mary, Rosemary Mayer, Alan Michelson, Ahmed Morsi, Nicolas Moufarrege, Marilyn Nance, Tammy Nguyen, Shelley Niro, Kayode Ojo, Paulina Peavy, Freya Powell, Raha Raissnia, Andy Robert, Diane Severin Nguyen, Shanzhai Lyric, Regina Vater, Stanley Wolukau-Wanambwa and Lachell Workman.

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Four decades of participatory art, films, sculpture and more from the iconic Relational Aesthetics pioneer Accompanying the first US survey and largest exhibition to date dedicated to Thai artist Rirkrit Tiravanija, Rirkrit Tiravanija: A LOT OF PEOPLE traces four decades of Tiravanija’s multifaceted practice. Spanning rarely seen early works from the 1980s through recent projects, the publication covers Tiravanija’s experimentations with installation, film, works on paper, ephemera, sculpture and participatory works. Designed by Tiffany Malakooti, the publication features over 400 images—many of which are published for the first time—as well as 23 newly commissioned texts. Longform essays by exhibition curators Ruba Katrib and Yasmil Raymond, as well as scholars Jörn Schafaff, David Teh and Mi You, dive into key aspects of Tiravanija’s work, providing historical context. These texts are complemented by 18 short reflections from artists, thinkers and collaborators who have been key interlocutors with Tiravanija over the years. Rirkrit Tiravanija (born 1961) is a Thai contemporary artist residing in New York, Berlin and Chiang Mai, Thailand. Recent solo exhibitions include the Hirshhorn Museum (2019); the National Gallery Singapore (2018); Stedelijk Museum, Amsterdam (2016); the Kunsthalle Bielefeld (2010); the Kunsthalle Fridericianum, Kassel (2009); the Musée d’Art Moderne de la Ville de Paris; the Guggenheim Museum, New York; the Serpentine Gallery, London (all 2005); and the Museum Boijmans Van Beuningen, Rotterdam (2004). Tiravanija has been on the faculty of the School of Visual Arts at Columbia University since 2000. He is the cofounder of the Land Foundation, located in Chiang Mai, Thailand, and a member of Bangkok’s alternative space and magazine VER.

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"Subtle yet incandescent rage shimmers everywhere in Susiraja’s output. It’s just one of the many reasons why her art—so mesmerizing, terrorizing, gnarly, monstrous—is incredibly beautiful." –Alex Jovanovich, Artforum Over the past 15 years, Iiu Susiraja has taken photographs of herself in domestic settings, most often in her home in Turku, Finland. Simultaneously seductive, abject, stylized and vulnerable, Susiraja’s works are grounded in unabashed yet private performances for the camera. In these stagings, household objects—tablecloths, umbrellas, hot dogs, bananas, treadmills, rubber duckies and dead fish—become co-conspirators in her confrontations with the lens. Situated between the slapstick and the deadpan, Susiraja’s works locate uneasiness in the comfortable, and vice versa. Published on the occasion of the artist's first US museum exhibition, Iiu Susiraja: A style called a dead fish traces the trajectory of Susiraja's practice from her earliest photographs (circa 2007) to the present. The publication also features poems by Susiraja and an essay by curator Jody Graf. Iiu Susiraja (born 1975) earned an MFA from the Finnish Academy of Fine Arts. She was featured as the cover story for ArtForum’s February 2022 issue. Her recent solo exhibitions include MoMA PS1, Ramiken Gallery, SKMU Museum, KIASMA, Kadel Willborn Gallery, Francois Ghebaly Gallery, PS2 Gallery, VB Photographic Centre, Ramiken Crucible and Fotogalleriet Format. Her work is in public and private collections worldwide, including at the Adam Lindenmann Collection, the University of Chicago, the Rubell Family Collection, the Finnish Museum of Photography collection, Kiasma Museum of Contemporary Art and the Finnish National Gallery.

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