Search results for ""Author Jim Ruland""

Greg Ginn started SST Records in the sleepy beach town of Hermosa Beach, CA, to supply ham radio enthusiasts with tuners and transmitters. But when Ginn wanted to launch his band, Black Flag, no one was willing to take them on. Determined to bring his music to the masses, Ginn turned SST into a record label. On the back of Black Flag's relentless touring, guerilla marketing, and refusal to back down, SST became the sound of the underground.In Corporate Rock Sucks, music journalist Jim Ruland relays the unvarnished story of SST Records, from its remarkable rise in notoriety to its infamous downfall. With records by Black Flag, Minutemen, Hüsker Dü, Bad Brains, Sonic Youth, Dinosaur Jr, Screaming Trees, Soundgarden, and scores of obscure yet influential bands, SST was the most popular indie label by the mid-80s--until a tsunami of legal jeopardy, financial peril, and dysfunctional management brought the empire tumbling down. Throughout this investigative deep-dive, Ruland leads readers through SST's tumultuous history and epic catalog.Featuring never-before-seen interviews with the label's former employees, as well as musicians, managers, producers, photographers, video directors, and label heads, Corporate Rock Sucks presents a definitive narrative history of the '80s punk and alternative rock scenes, and shows how the music industry was changed forever.

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A no-holds-barred narrative history of the iconic label that brought the world Black Flag, Hüsker Dü, Sonic Youth, Soundgarden, and more, by the co-author of Do What You Want and My Damage.Greg Ginn started SST Records in the sleepy beach town of Hermosa Beach, CA, to supply ham radio enthusiasts with tuners and transmitters. But when Ginn wanted to launch his band, Black Flag, no one was willing to take them on. Determined to bring his music to the masses, Ginn turned SST into a record label. On the back of Black Flag's relentless touring, guerilla marketing, and refusal to back down, SST became the sound of the underground.In Corporate Rock Sucks, music journalist Jim Ruland relays the unvarnished story of SST Records, from its remarkable rise in notoriety to its infamous downfall. With records by Black Flag, Minutemen, Hüsker Dü, Bad Brains, Sonic Youth, Dinosaur Jr, Screaming Trees, Soundgarden, and scores of obscure yet influential bands, SST was the most popular indie label by the mid-80s--until a tsunami of legal jeopardy, financial peril, and dysfunctional management brought the empire tumbling down. Throughout this investigative deep-dive, Ruland leads readers through SST's tumultuous history and epic catalog.Featuring never-before-seen interviews with the label's former employees, as well as musicians, managers, producers, photographers, video directors, and label heads, Corporate Rock Sucks presents a definitive narrative history of the '80s punk and alternative rock scenes, and shows how the music industry was changed forever.

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A speculative tale of dysfunctional vigilantes, sex-crazed junkies, and corporate healthcare run amok from best-selling chronicler of LA punk Jim Ruland. Scores of detox and rehab centers across Southern California have adopted a controversial new conditional release policy that forces patients to stay until they pay their bills. And if they can’t pay? They don’t leave.Enter: Make It Stop, a group of highly skilled recovering addicts dedicated to rescuing those trapped in these prison hospitals by posing as patients and getting them out by any means necessary. But when Scary Gary, one of their top ops, gets killed on assignment, Melanie Marsh and her crew set out to avenge his death and unravel an unthinkable medical conspiracy that threatens to destroy the organization and cripple the city with a dangerous new drug. Melanie may be LA’s best hope but if, and only if, she can stay sober.From decrepit rehab wards to beachside punk clubs, Make It Stop takes readers into LA’s darkest corners, exploring sobriety, sanity, and a society hell-bent on profiting off those who need its help the most.

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Part documentary, part reality-television, the story of the Deadliest Catch's Alaskan crab fishermen risking their lives in the Bering Sea to make a buck and feed their families has captivated the world. Giving the Finger follows the life of the spirited young captain who has emerged as one of the most talked-about figures on the show, Scott Campbell Jr., who leads the crew of the Seabrooke. As this book--a prequel to Junior's ascent to fame--shows, the trials of crabbing are not limited to living at sea and working the most dangerous job on the planet, but carry over to family and friends, and are usually stormier than the Bering. Junior began his life as a fisherman in the shadow of his father, Scott Campbell Sr., and has struggled consistently to gain his own reputation as a captain. Arguably, one of the best fishermen working the waters today, Campbell Jr. has certainly done that, but not without sacrifice, of all sorts. Campbell has divorced and re-married the same woman three times, endured handicapping injuries and lost crew members to the icy waters of the north. Giving the Finger gives a first person account of these losses and the everyday fight for life and love, and shows that by hard work and perseverance, even a kid from Walla Walla, Washington, can become a star.

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DO WHAT YOU WANT: The Story of Bad Religion reveals the ups and downs of the band's 40-year career. From their beginnings as teenagers jamming in a San Fernando Valley garage dubbed "The Hell Hole" to headlining major music festivals around the world, DO WANT YOU WANT tells the whole story in irreverent style.While DO WHAT YOU WANT tracks down nearly all of Bad Religion's members past and present, the chief storytellers are the four voices that define Bad Religion: Greg Graffin, a Wisconsin kid who sang in the choir and became an L.A. punk rock icon while he was still a teenager; Brett Gurewitz, a high school dropout who founded the independent punk label Epitaph Records and went on to become a record mogul; Jay Bentley, a surfer and skater who gained recognition as much for his bass skills as for his onstage antics; and Brian Baker, a founding member of Minor Threat who joined the band in 1994 and brings a fresh perspective as an intimate outsider.With a unique blend of melodic hardcore and thought-provoking lyrics, Bad Religion paved the way for the punk rock explosion of the 1990s, opening the door for bands like NOFX, The Offspring, Rancid, Green Day, and Blink-182 to reach wider audiences. They showed the world what punk could be, and they continue to spread their message one song, one show, one tour at a time-with no signs of stopping.

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