Search results for ""Author Jessica Helfand""

One of Fortune's 'Best Books of 2021'When Ralph Waldo Emerson published his seminal essay on self-reliance in 1841, the United States was still reeling from the effects of a calamitous financial collapse four years earlier. His positive vision for the power of individualism and personal responsibility was issued in a climate of panic and uncertainty, at a time when the values of society and humanity were shifting. Emerson’s text is widely available to read online, but this new edition, produced with Design Observer, elevates his wisdom through the printed word. The global pandemic of 2020 has reshaped our world as well as our thinking, but Emerson’s call to independence remains as relevant and energizing as ever. Written as the first waves of the virus surged, Jessica Helfand's twelve accompanying essays address various aspects of artistic engagement — writing, drawing, thinking, making — expanding on the spirit of Emerson’s essay to reimagine the process and practice of what it means to be truly creative. Presented in a covetable pocket-book format intended to be read, carried, consulted and to inspire throughout our new daily lives, and featuring two marker ribbons for easy reference, this is a timeless book for all places and all seasons.

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The Designer’s Dictionary of Color provides an in-depth look at 30 colors key to art and graphic design. Organized by spectrum, in color-by-color sections for easy navigation, this book documents each hue with charts showing color range and palette variations. Chapters detail each color’s creative history and cultural associations, with examples of color use that extend from the artistic to the utilitarian—whether the turquoise on a Reid Miles album cover or the avocado paint job on a 1970s Dodge station wagon. A practical and inspirational resource for designers and students alike, The Designer’s Dictionary of Color opens up the world of color for all those who seek to harness its incredible power.

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A revered classic of American design delights anew with the freshness and ingenuity of its approach Bradbury Thompson (1911–1995) remains one of the most admired and influential graphic designers of the twentieth century, having trained a generation of design students while on the faculty of the Yale School of Art for more than thirty years. The art director of Mademoiselle and design director of Art News and Art News Annual in the decades after World War II, Thompson was also a distinguished designer of limited-edition books, postage stamps, rationalized alphabets, corporate identification programs, trademarks, and sacred works (most notably the Washburn College Bible). Thompson also designed more than sixty issues of Westvaco Inspirations, a magazine that was published by the Westvaco Corporation and distributed to thousands of printers, designers, and teachers to show the range and versatility of printing papers. Thompson was especially revered for his ability to adapt classic typography for the modern world. Bradbury Thompson: The Art of Graphic Design is a landmark in the history of fine bookmaking. First published by Yale University Press in 1988 and designed by Thompson himself, it was praised by the New York Times as a book in which “art and design are gloriously and daringly mixed.” Original texts by the author and other notable designers, critics, and art historians, including J. Carter Brown, Alvin Eisenman, and Steven Heller, explore Thompson’s methods and design philosophy, and a newly commissioned afterword by Jessica Helfand attests to the enduring importance of his work. Both a retrospective and a manifesto, the book surveys Thompson’s timeless contributions to American graphic design, including his experimental work and his work in magazines, typography, books, simplified alphabets, and contemporary postage stamps. Published for the first time in paperback, this classic text is now available for a new generation of designers and students.

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