Search results for ""Author Jeremy Dauber""

Starting with the Civil War and cartoonist Thomas Nast, creator of the lasting images of Uncle Sam and Santa Claus, author Jeremy Dauber whizzes readers through comics’ progress in the twentieth century and beyond: from the golden age of newspaper comic strips (Krazy Kat, Yellow Kid, Dick Tracy) to the midcentury superhero boom (Superman, Batman, Wonder Woman); from the moral panic of the Eisenhower era to the underground comix movement; from the grim and gritty Dark Knights and Watchmen to the graphic novel’s brilliant rise (Art Spiegelman, Alison Bechdel, Joe Sacco). Dauber’s story shows not only how comics have changed, but how American politics and history have changed them. Throughout, he describes the origins of beloved comics, champions neglected masterpieces and argues that we can understand how America sees itself through whose stories comics tell.

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In a work of scholarship both erudite and funny, Jeremy Dauber traces the origins of Jewish comedy and its development from biblical times to the age of Twitter. Organising his book thematically into what he calls the seven strands of Jewish comedy (including the Satirical, the Witty and the Vulgar), Dauber explores the ways Jewish comedy has dealt with persecution, assimilation and diaspora through the ages. He explains the rise and fall of popular comic archetypes such as the Jewish mother, the JAP, and the schlemiel and schlimazel. He also explores a range of comic masterpieces, from the Book of Esther, Talmudic rabbi jokes, Yiddish satires, Borscht Belt skits and Seinfeld to the work of such masters as Sholem Aleichem, Franz Kafka, the Marx Brothers, Woody Allen, Joan Rivers, Philip Roth, Sarah Silverman and Jon Stewart.

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Comics have conquered America. From our cinemas, where Marvel and DC movies reign supreme, to our television screens, where comics-based shows like The Walking Dead have become among the most popular in cable history, to convention halls, best-seller lists, Pulitzer Prize-winning titles and MacArthur Fellowship recipients, comics shape American culture, in ways high and low, superficial and deeply profound. In American Comics, Columbia professor Jeremy Dauber takes readers through their incredible but little-known history, starting with the Civil War and cartoonist Thomas Nast, creator of the lasting and iconic images of Uncle Sam and Santa Claus; the golden age of newspaper comic strips and the first great superhero boom; the moral panic of the Eisenhower era, the Marvel Comics revolution, and the underground comix movement of the 1960s and ’70s, before turning finally into the twenty-first century, taking in the grim and gritty Dark Knights and Watchmen alongside the brilliant rise of the graphic novel by acclaimed practitioners like Art Spiegelman and Alison Bechdel. Dauber’s story shows not only how comics have changed over the decades but how American politics and culture have changed them. Throughout, he describes the origins of beloved comics, champions neglected masterpieces and argues that we can understand how America sees itself through whose stories comics tell. Striking and revelatory, American Comics is a rich chronicle of the last 150 years of American history through the lens of its comic strips, political cartoons, superheroes, graphic novels and more.

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A spirited dive into the life and career of a performer, writer, and director who dominated twentieth-century American comedy Mel Brooks, born Melvin Kaminsky in Brooklyn in 1926, is one of the great comic voices of the twentieth century. Having won almost every entertainment award there is, Brooks has straddled the line between outsider and insider, obedient and rebellious, throughout his career, making out-of-bounds comedy the American mainstream. Jeremy Dauber argues that throughout Brooks’s extensive body of work—from Your Show of Shows to Blazing Saddles to Young Frankenstein to Spaceballs—the comedian has seen the most success when he found a balance between his unflagging, subversive, manic energy and the constraints imposed by comedic partners, the Hollywood system, and American cultural mores. Dauber also explores how Brooks’s American Jewish humor went from being solely for niche audiences to an essential part of the American mainstream, paving the way for generations of Jewish (and other) comedians to come.

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In a work of scholarship both erudite and funny, Jeremy Dauber traces the origins of Jewish comedy and its development from biblical times to the age of Twitter. Organising his book thematically into what he calls the seven strands of Jewish comedy (including the Satirical, the Witty and the Vulgar), Dauber explores the ways Jewish comedy has dealt with persecution, assimilation and diaspora through the ages. He explains the rise and fall of popular comic archetypes such as the Jewish mother, the JAP, and the schlemiel and schlimazel. He also explores a range of comic masterpieces, from the Book of Esther, Talmudic rabbi jokes, Yiddish satires, Borscht Belt skits and Seinfeld to the work of such masters as Sholem Aleichem, Franz Kafka, the Marx Brothers, Woody Allen, Joan Rivers, Philip Roth, Sarah Silverman and Jon Stewart.

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What does Yiddish have to do with German? It is a question that has perplexed Jews and Germans alike for centuries. The relationship between the two languages - both originating from a common source and from a common location - has often become a metaphor for the relationship of German and Jewish societies, a relationship whose fraught and complex history is one of the most important in the study not only of Jews, but of modern European history. The two languages and their literary cultures have continued their intimate and mutually nourishing relationship and exchange over the course of a millennium, as is documented even from the earliest substantial corpus of Yiddish texts (ca. 1382), while during the last four centuries the relationship can be seen surprisingly clearly and profoundly in a broad range of texts and genres. A reevalution of this fraught cultural relationship is the focus of the present volume, whose panoramic approach suggests that the study of German culture is essential for those who wish truly to understand Yiddish literary culture - and, even more provocatively, vice versa.

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