Search results for ""Author Jennifer Croft""

Women's Prize for Fiction 2023 FinalistThe coming of age story of an award-winning translator, Homesick is about learning to love language in its many forms, healing through words and the promises and perils of empathy and sisterhood.Sisters Amy and Zoe grow up in Oklahoma where they are homeschooled for an unexpected reason: Zoe suffers from debilitating and mysterious seizures, spending her childhood in hospitals as she undergoes surgeries. Meanwhile, Amy flourishes intellectually, showing an innate ability to glean a world beyond the troubles in her home life, exploring that world through languages first. Amy's first love appears in the form of her Russian tutor Sasha, but when she enters university at the age of 15 her life changes drastically and with tragic results."Croft moves quickly between powerful scenes that made me think about my own sisters. I love how the language displays a child's consciousness. A haunting accomplishment." Kali Fajardo-Anstine

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From the International Booker Prizewinning translator and Women's Prize finalist, a propulsive, beguiling novel about eight translators and their search for a world-renowned author who goes missing. Eight translators arrive at a house in a forest on the border of Belarus. It belongs to the writer Irena Rey, and they are there to translate her magnum opus, Grey Eminence. But within days of their arrival, Irena disappears without a trace. The translators, who hail from eight different countries but share the same reverence for their beloved author, begin to investigate where she may have gone while proceeding with work on her masterpiece. They explore this ancient, wooded refuge with its intoxicating slime moulds and lichens and study her exotic belongings and layered texts for clues. But doing so reveals secrets and deceptions of Irena Rey's that they are utterly unprepared for. Forced to face their differences as they grow increasingly paranoid in this fever dream of isolation and

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Flights, a novel about travel in the twenty-first century and human anatomy, is Olga Tokarczuk’s most ambitious to date. It interweaves travel narratives and reflections on travel with an in-depth exploration of the human body, broaching life, death, motion, and migration. From the seventeenth century, we have the story of the Dutch anatomist Philip Verheyen, who dissected and drew pictures of his own amputated leg. From the eighteenth century, we have the story of a North African-born slave turned Austrian courtier stuffed and put on display after his death. In the nineteenth century, we follow Chopin’s heart as it makes the covert journey from Paris to Warsaw. In the present we have the trials of a wife accompanying her much older husband as he teaches a course on a cruise ship in the Greek islands, and the harrowing story of a young husband whose wife and child mysteriously vanish on a holiday on a Croatian island. With her signature grace and insight, Olga Tokarczuk guides the reader beyond the surface layer of modernity and towards the core of the very nature of humankind.

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In the mid-eighteenth century, as new ideas begin to sweep the continent, a young Jew of mysterious origins arrives in a village in Poland. Before long, he has changed not only his name but his persona; visited by what seem to be ecstatic experiences, Jacob Frank casts a charismatic spell that attracts an increasingly fervent following. In the decade to come, Frank will traverse the Hapsburg and Ottoman empires, throngs of disciples in his thrall as he reinvents himself again and again, converts to Islam and then Catholicism, is pilloried as a heretic and revered as the Messiah, and wreaks havoc on the conventional order, Jewish and Christian alike, with scandalous rumours of his sect’s secret rituals and the spread of his increasingly iconoclastic beliefs. In The Books of Jacob, her masterpiece, 2018 Nobel Prize in Literature laureate Olga Tokarczuk writes the story of Frank through the perspectives of his contemporaries, capturing Enlightenment Europe on the cusp of precipitous change, searching for certainty and longing for transcendence.

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"His stories shimmer like revelations – the clarity, mystery, beauty, depth, and sheer, thrilling peculiarity of ordinary life when the veil lifts. They’re exhilarating to read, just as exhilarating to re-read." —Deborah EisenbergChildhood does not last long in the Argentine mountains of Córdoba, and adult lives fall apart quickly. In disarming, darkly humorous stories, Federico Falco explores themes of obsessive love, romantic attachment and the strategies we must find to cope with death and painful longing.In the middle of a blizzard a widow watches the ruin of her late-husband’s garden, until suddenly she sees a woman running naked in the falling snow. After telling her parents she is abandoning her Christian faith, a girl becomes infatuated with a Mormon missionary who reminds her of a boy killed in her village years before. When his family’s home is lost, a father desperately offers his daughter’s hand in marriage to anyone who will take them in. And a town’s mayor tries to fulfill his father’s dying wish – to design the perfect cemetery.

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Flights, a novel about travel in the twenty-first century and human anatomy, is Olga Tokarczuk’s most ambitious to date. It interweaves travel narratives and reflections on travel with an in-depth exploration of the human body, broaching life, death, motion, and migration. From the seventeenth century, we have the story of the Dutch anatomist Philip Verheyen, who dissected and drew pictures of his own amputated leg. From the eighteenth century, we have the story of a North African-born slave turned Austrian courtier stuffed and put on display after his death. In the nineteenth century, we follow Chopin’s heart as it makes the covert journey from Paris to Warsaw. In the present we have the trials of a wife accompanying her much older husband as he teaches a course on a cruise ship in the Greek islands, and the harrowing story of a young husband whose wife and child mysteriously vanish on a holiday on a Croatian island. With her signature grace and insight, Olga Tokarczuk guides the reader beyond the surface layer of modernity and towards the core of the very nature of humankind.

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'A searing tale of seduction and betrayal, both wryly comic and deeply serious' Sigrid Nunez, National Book Award-winning author of The Friend 'Intimate, irreverent, fast-paced and raw' Sunday Times Lucas Pereyra, an unemployed writer in his forties, embarks on a day trip from Buenos Aires to Montevideo to pick up a fifteen thousand dollar advance in cash. This small fortune might solve his problems, most importantly the unbearable tension in his marriage. While his wife spends her days at work and her nights out on the town – with a lover, perhaps – Lucas is stuck at home all day staring at the blank page, caring for his son Maiko and fantasizing about the one thing that keeps him going: the Uruguayan woman he recently met at a conference and who he longs to see on this trip. The Woman from Uruguay is the surprising and moving story of one transformative day in Lucas’ life. An international bestseller, it is the masterpiece of one of Latin America’s most beloved writers, translated by Man Booker International winner Jennifer Croft. 'At once a picaresque comedy and a penetrating study of a man on the verge of middle age' Colm Toibin

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How do you keep a friendship intact, when Alzheimer's has stolen the common ground of language, memory, and experience, that unites you?In brief, sharply drawn moments, Sylvia Molloy’s Dislocations records the gradual loss of a beloved friend, M.L., a disappearance in ways expected (forgotten names, forgotten moments) and painfully surprising (the reversion to a formal, proper Spanish from their previous shared vernacular). There are occasions of wonder, too—M.L. can no longer find the words to say she is dizzy, but can translate that message from Spanish to English, when it's passed along by a friend. This loss holds Molloy’s sense of herself too—the person she is in relation to M.L. fades as her friend’s memory does. But the writer remains: 'I’m not writing to patch up holes and make people (or myself) think that there’s nothing to see here, but rather to bear witness to unintelligibilities and breaches and silences. That is my continuity, that of the scribe.'

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Mount Everest, and all it means to royalty, explorers, imperialists, and two sherpas, perched on a cliffside, waiting for a man on the ledge below to move.A British climber has fallen from a cliffside in Nepal, and lies inert on a ledge below. Two sherpas kneel at the edge, stand, exchange the odd word, waiting for him to move, to make a decision, to descend. In those minutes, the world opens up to Kathmandu, a sun-bleached beach town on another continent, and the pages of Julius Caesar. Mountaineering, colonialism, obligation—in Sebastián Martínez Daniell's effortless prose each breath is crystalline, and the whole world is visible from here.

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