Search results for ""Author Jenn Ashworth""

I'm sitting on my couch, watching the local news. There's Chloe's parents, the mayor, the hangers on, all grouped round the pond for the ceremony. It's ten years since Chloe and Carl drowned, and they've finally chosen a memorial - a stupid summerhouse. The mayor has a spade decked out in pink and white ribbon, and he's started to dig.You can tell from their faces that something has gone wrong. But I'm the one who knows straightaway that the mayor has found a body. And I know who it is.This is the tale of three fourteen-year-old girls and a volatile combination of lies, jealousy and perversion that ends in tragedy. Except the tragedy is even darker and more tangled than their tight-knit community has been persuaded to believe.Blackly funny and with a surreal edge to its portrait of a northern English town, Jenn Ashworth's gripping novel captures the intensity of girls' friendships and the dangers they face in a predatory adult world they think they can handle. And it shows just how far that world is willing to let sentiment get in the way of the truth.

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Annie is obese, lonely and hopeful. Armed with self-help books, her cat and a collection of cow-shaped milk jugs, she moves into her new home and sets about getting to know the neighbours, especially the man next door. She ignores her neighbour's inconvenient girlfriend, but it's not quite as easy for Annie to dismiss her own past. As Annie's murky history of violence, secrets and sexual mishaps catches up with her, she cannot see that she has done anything wrong. She's just doing what any good neighbour would do, after all...

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SHORTLISTED FOR THE PORTICO PRIZE 2022 'Unnerving, absorbing . . . Laurie is a miraculous creation . . . Piercingly human and darkly funny' Sunday TimesOne ordinary morning, Laurie's husband disappears, leaving behind his phone and wallet. For weeks she tells no one, carrying on her cleaning job at the university, visiting her tricky, dementia-suffering father and holing up in her high-rise flat with a bottle to hand. When she finally reports him as missing, the police are suspicious. What took her so long?Laurie can't fully explain her behaviour even to herself, or the strange presence she senses in the flat. Only when she looks back on the ensuing wreckage does she begin to understand, and see how she might repair the damage.

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* SHORTLISTED FOR THE PORTICO PRIZE 2022 *A deeply affecting and unconventional love story, shot through with anger, black humour and grief. One ordinary morning, Laurie's husband Mark vanishes, leaving behind his phone and wallet. For weeks, she tells no one, carrying on her job as a cleaner at the local university, visiting her tricky, dementia-suffering father and holing up in her tower-block flat with a bottle to hand. When she finally reports Mark as missing, the police are suspicious. Why did she take so long? Wasn't she worried?It turns out there are many more mysteries in Laurie's account of events, though not just because she glosses over the facts. At the time, she couldn't explain much of her behaviour herself. But as she looks back on the ensuing wreckage - the friendships broken, the wild accusations she made, the one-night stand - she can see more clearly what lay behind it. And if it's not too late, she can see how she might repair the damage and, most of all, forgive herself.

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'Dark, compelling, beautifully written'Andrew Michael HurleyIn this eerie, atmospheric and mysterious tale, a woman returns to the house in Morecambe Bay where she grew up in the 1960s to find it falling apart, undermined by the roots of two huge sycamores. She is unaware that she has awoken the spirits of her parents, Jack and Nettie Clifford, who watch anxiously as their daughter Annette is overwhelmed by the state of the house and realise too late how far they neglected her as a child. As their memories come alive, the story unfolds of a crucial summer when Annette was 8 and Nettie became too ill to run their boarding house. The lodgers have to go - all except the newly arrived butcher's apprentice, because he seems to have miraculous healing powers and is Jack and Nettie's last, desperate hope. But is he who he says he is? Why do those he lays his hands on feel an erotic charge? And why does he despise his own gift? As everything comes to a head, so too does Annette's story in the present. But this time, someone is looking out for her and comes to her rescue. Finally, the spirits of her parents can let go.

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It's Friday in the Leeke household, but this is no ordinary Friday and the Leekes are a little unusual: they are Lancastrian Mormons, and this evening their son Gary will return from 2 years as a missionary in Salt Lake City.His mother is planning a celebratory dinner - with difficulty, since she's virtually housebound with an undiagnosed, embarrassing condition. What she doesn't realise is that the rest of the family - her meek husband, disturbed oldest son, and teenage daughter - have other plans for the evening, each involving drastic and irrevocable action.As the narrative baton passes from one Leeke to the next, disaster inexorably looms. Except that nothing goes according to plan, and the outcome is as unexpected as it is shocking. Giving a fascinating insight into the Mormon way of life, this blackly funny tale of innocence betrayed shows the havoc religion can wreak.

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Original tales by remarkable writersHometown Tales is a series of books pairing exciting new voices with some of the most talented and important writers at work today. Some of the tales are fiction and some are narrative non-fiction - they are all powerful, fascinating and moving, and aim to celebrate regional diversity and explore the meaning of home. In these pages on Lancashire, you'll find two unique tales. 'After the Funeral, the Crawl' is an arresting portrait of a couple forced to confront a dark secret over the course of a pub crawl one night in Preston, by award-winning novelist Jenn Ashworth. 'JUDAS!' is a vivid, coming-of-age story that traces the political and cultural history of Manchester, from its industrial past to its eventual separation from the county, by Benjamin Webster.

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How do you write a novel?Practising novelists and teachers of creative writing reveal their working methods and offer practical advice. Subjects covered range from magic realism to characterisation, surrealism to historical fiction, via perspective, plot twists and avoiding being boring, among many others.This book is forcreative writing studentswriters and readers of novelsteachers of creative writingWith contributions from Leone Ross, Tom Bromley, Jenn Ashworth, AJ Dalton, Nikesh Shukla, Stella Duffy, Mark Morris, Alison Moore, Nicholas Royle, Alice Thompson, Kerry Hudson, Toby Litt, Livi Michael, Joe Stretch, James Miller, Sarah Butler, Will Wiles, Graeme ShimminFeaturingEighteen specially commissioned essaysCreative writing exercisesTop tipsLists of recommended novels

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The genre of creative non-fiction has never been more playful with form, and so this issue of Hinterland celebrates the art of experimentation. Headlining the issue we have an epistolary essay from Jenn Ashworth (Ghosted, Notes Made While Falling) written to her younger self’s favourite author. We also sit down to chat with Doireann Ní Ghríofa about her hybrid work of non-fiction and auto-fiction, A Ghost in the Throat. Also featuring writing by Chris Beckett, Chris Cusack, Pune Dracker, Jacqueline Ellis, Jordan Harrison-Twist, Alice Kent, Laura Knott, Aaron Landsman, Carla Montemayor and Jon Paul Roberts.

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