Search results for ""Author Jeffrey Wainwright""

'I wish to God that I were more intelligent and everything would finally become clear to me - or else that I didn't live much longer!' "Clarity or Death!" takes its title from this letter of Wittgenstein's. That desire for clarity in our knowledge of the world, the universe and ourselves is the linking preoccupation of Jeffrey Wainwright's collection. Five poems develop the physicist Richard Feynman's proposition that through scientific study 'we may be able to reduce the number of different things'. Others ponder infinity and number. These poems are both playful and intellectually rigorous, exploring not only ideas but the experience of having and articulating them. They play alongside other aspects of personal experience. Central to Wainwright's writing is a fascination with what Wallace Stevens called 'the uncertain light of single, certain truth', an uncertain light embodied in the sensuousness of language given poetic form.

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Geoffrey Hill has said that some great poetry 'recognises that words fail us'. These essays explore Hill's struggle over fifty years with the recalcitrance of language. This book seeks to show how all his work is marked by the quest for the right pitch of utterance whether it is sorrowing, angry, satiric or erotic. It shows how Hill's words are never lightly 'acceptable' but an ethical act, how he seeks out words he can stand by - words that are 'getting it right'.This book is the most comprehensive and up-to-date critical work on Geoffrey Hill so far, covering all his work up to ‘Scenes from Comus’ (2005), as well as some poems yet to appear in book form. It aims to contribute something to the understanding of his poetry among those who have followed it for many years and students and other readers encountering this major poet for the first time.

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As Best We Can, Jeffrey Wainwright's seventh collection, marks a change of key for the poet. After the elegiac tone of The Reasoner (2016), the poems and sequences included here settle for the poet's present world. They listen to what dreams have to tell, and (with humour underwriting their concentration) they worry at the labour and release of creative work. As always in Wainwright, history - personal and political - is alive in the present. The rendering of simple elements in 'The Window-Ledge', without commentary, is among his most lucid and radical poems. By effacing the 'I' he shares experience most fully with the reader, making and sharing a place.

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The title poem is accompanied by the 24-part sequence "Free Rein," with its broad political and human perspectives. The author has also written "Heart's Desire" (1978) and "Selected Poems" (1985).

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We are still here on earth. With a troubled sense of wonder, Jeffrey Wainwright's new book witnesses to that earth's ordinariness, profusion and mystery. The collection begins with his beginning, a poem that evokes his own birth: 'Here I Come'. He concludes inevitably with 'Here I Go'. In between are poems that describe and contemplate on the variety of life, ranging from a fleeing mouse to geology and gravity. History features, as so often in his poetry, with the earth's transition from inanimate matter to the fearsome and various place we know. There is a sequence on contemporary Manchester, another on the domestic and wider presence of coal, and a series on the iniquities of the British Empire – histories that connect and contend with one another. Describing this last sequence, Shirley Chew notes the poet's 'preoccupation with words and history', his 'self-reflexive wit' and the 'wry look' he takes at the poet's art itself. He is a master of tones of voice, of registers, of patterns and rhythms, and his characteristic inventiveness is everywhere to be found in this book which touches on so many timely and timeless concerns Here on Earth.

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