Search results for ""Author Jeet Thayil""

Shortlisted for the Man Booker Prize, Narcopolis is a rich and hallucinatory novel set around a Bombay opium den, as the city transforms itself over three decades.In Old Bombay, they say you introduce only your worst enemy to opium. But in Rashid's opium room on Shuklaji Street, the air is thick with voices and ghosts. A young woman holds a long-stemmed pipe over a flame, her hair falling across her eyes. Men sprawl and mutter in the gloom. And now there is an underworld whisper of a new terror: the Pathar Maar, the stone killer, whose victims are the nameless, invisible poor. In broken Bombay, there are too many to count. Stretching across three decades, with an interlude in Mao's China, Narcopolis portrays a city in collision with itself. With a cast of pimps, pushers, poets, gangsters and eunuchs, it is a journey into a sprawling underworld written in electric and utterly original prose.

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Jeet Thayil has compiled the definitive anthology of Indian poetry in English. This monumental undertaking, two decades in the making, brings together writers from across the world, a wealth of voices–in dialogue, in soliloquy, in rhetoric, and in play–to present an expansive, encompassing idea of what makes an ‘Indian’ poet. Included are lost, uncollected, or out of print poems by major poets, essays that place entire bodies of work into their precise cultural contexts, and a collection of classic black and white portraits by Madhu Kapparath.

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JEET THAYIL was born in 1959 into a Syrian Christian family in Kerala, and educated at Jesuit schools in Bombay, Hong Kong and New York. Kerala's Syrian Christians trace their church to St. Thomas, who arrived on the Malabar coast around 50 AD and converted thirteen Hindu families to Christianity, or so tradition has it. Jeet's grandmother, Chachiamma Jacob, was the last of the family who recited from memory the hour-long service in Aramaic, Malayalam and Sanskrit that still defines the faith.

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Over the coming days they embark on a whirlwind of self-destructive misadventures as Ullis attempts to mask his grief through excessive narcotics, resulting in episodes of increasing dysfunctionality that flirt with total self-obliteration - and perhaps a kind of resolution.

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'Dazzling' MARLON JAMES, BOOKER PRIZE WINNER'Original and thought-provoking' SPECTATOR'Electrifying' TESSA HADLEY Under a predawn sky, humming with starlight and the songs of birds, a group of determined women return to the cave where they have laid the body of their saviour. When they arrive, it is empty.Names of the Women tells the stories of fifteen women whose lives overlapped with the life of Christ. Women who stayed with Christ through the crucifixion, when his disciples had abandoned him, and who spread his radical message - one that made them equals and a profound threat to power within the church.Together, the voices of the women dare us to reimagine the story of the New Testament in a way it has never before been told.*A 'BOOKS OF 2021' PICK IN THE FINANCIAL TIMES AND NEW STATESMAN*

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Jeet Thayil's definitive selection covers 55 years of Indian poetry in English. It is the first anthology to represent not just the major poets of the past half-century - the canonical writers who have dominated Indian poetry and publishing since the 1950s - but also the different kinds of poetry written by an extraordinary range of younger poets who live in many countries as well as in India. It is a groundbreaking global anthology of 70 poets writing in a common language responding to shared traditions, different cultures and contrasting lives in the changing modern world.Thayil's starting-point is Nissim Ezekiel, the first important modern Indian poet after Tagore, who published his first collection in London in 1952. Aiming for "verticality" rather than chronology, Thayil's anthology charts a poetry of astonishing volume and quality. It pays homage to major influences, including Ezekiel, Dom Moraes and Arun Kolatkar, who died within months of each other in 2004. It rediscovers forgotten figures such as Lawrence Bantleman and Gopal Honnalgere, and it serves as an introduction to the poets of the future.The book also shows that many Indian poets were mining the rich vein of 'chutnified' (Salman Rushdie's word) Indian English long before novelists like Rushdie and Upamanyu Chatterjee started using it in their fiction. It explains why Pankaj Mishra and Amit Chaudhuri have said that Indian poetry in English has a longer, more distinguished tradition than Indian fiction in English. The Indian poet now lives and works in New York, New Delhi, London, Itanagar, Bangalore, Berkeley, Goa, Sheffield, Lonavala, Montana, Aarhus, Allahabad, Hongkong, Montreal, Melbourne, Calcutta, Connecticut, Cuttack and various other global corridors. While some may have little in common in terms of culture (a number of the poets have never lived in India), this anthology shows how they are all bound by the intimate histories of a shared English language.

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Ullis went to the bathroom and carefully unfolded the business card and placed it on the sink. Then he rolled up a note and snorted the last of his wife's ashes.Following the death of his wife, Dominic Ullis escapes to Bombay in search of oblivion and a dangerous new drug, Meow Meow. So begins a glorious weekend of misadventure as he tours the teeming, kaleidoscopic city from its sleek eyries of high-capital to the piss-stained streets, encountering a cast with their own stories to tell, but none of whom Ullis - his faculties ever distorted - is quite sure he can trust.Heady, heartbroken and heartfelt, Low is a blazing joyride through the darklands of grief towards obliteration - and, perhaps, epiphany.'Jeet Thayil delights not just in pushing the bounds of possibility, but in smashing them to smithereens.' John Burnside

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