Search results for ""Author Jay L. Halio""
Rowman & Littlefield Romeo and Juliet: Parallel Texts of Quarto I (1597) and Quarto 2 (1599)
Using this edition, the reader may see at once how Shakespeare's manuscript of the play, upon which the second quarto (Q2) is based, was adapted for the Elizabethan stage by the author and/or his colleagues. Q1 is considerably shorter than Q2. While many long speeches are cut, abbreviated, or revised, the structure of the play remains essentially as Shakespeare originally conceived it. Q1 is thus quite different, for instance, from Q1 Hamlet, whose provenance is still open to debate. While both of these early quartos were once believed to be memorial reconstructions, and thus 'Bad' quartos, the theory of memorial reconstructions has now been seriously disputed. One of the essays appended to Halio's edition, 'Handy-Dandy: Q1/Q2 Romeo and Juliet,' discusses this issue and brings fresh evidence to bear to show that Q1 Romeo is not truly a 'Bad' quarto, as A. W. Pollard long maintained. In another essay, Halio offers a brief stage history of Romeo and Juliet. Many non-authorial changes in the texts of Shakespeare's play were common in the eighteenth century. For example, Garrick introduced Juliet's spectacular funeral procession at the end of act 4, along with many new songs. Later, the American actress Charlotte Cushman removed many of these interpolations and restored much of Shakespeare's original text. Modern-dress productions of the play have often been staged, which introduced a good deal of modern technology into the action.
£93.21
Rowman & Littlefield Shakesperean Illuminations: Essays in Honor of Marvin Rosenberg
Topics in this collection include discussions of acting the 'Big Four,' as well as studies on politics, language, and history. Contributors include Bernice Kliman, Gnter Walch, Lois Potter, and Dunbar Ogden.Shakespearean Illuminations
£108.05
Rowman & Littlefield Playful and Serious: Philip Roth as a Comic Writer
Few contemporary American writers have stirred the minds and emotions of their readers as Philip Roth has done. Even fewer writers have excelled in various forms of the comic as Roth has for over a half-century. Playful and Serious assembles a group of outstanding Roth scholars and critics who focus their attention on the different ways Roth brings his comic tendencies to bear on essentially serious topics. The term 'comic' is used in the broadest sense to include humor, irony, satire, comedy, black comedy, and their variations. As co-editor Ben Siegel points out, Roth's special humor often appears to grow 'more surrealistic and obsessive, as in each new fiction he tries not merely to surpass the daily news but to touch what is deeply private and dark in the modern psyche.' In the process, he targets 'his society's most deeply embedded pieties and hypocrisies, enthusiasms, and lunacies.' This collection takes account of the majority of Roth's works, beginning with some of his earliest stories and ending with several of his most recent novels. It also includes an account of several relatively neglected works, such as 'Novotny's Pain' and 'On the Air,' but the essays in this volume deal mainly with the major works of fiction.
£105.79
Oxford University Press King Henry VIII: The Oxford Shakespeare: or All is True
The Oxford Shakespeare offers authoritative texts from leading scholars in editions designed to interpret and illuminate the plays for modern readers. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
£8.42
Oxford University Press The Merchant of Venice: The Oxford Shakespeare
What was Shakespeare's attitude to Semitism? The Introduction to this edition of The Merchant of Venice opens by addressing this vital issue raised by the play, and goes on to study the sources, background, and date, includuing a discussion of Sigmund Freud's essay on 'The Three Caskets'. Professor Halio interprets the play's contradictions, inconsistencies, and complementarities, especially as these relate to the overarching theme of bonds and bondage. A survey of the play's stage history ranges from discussions of its early staging to important twentieth-century productions and performances outside England, particularly in Israel. The text, based on a fresh examination of the early editions, is presented in modernized spelling and punctuation. Unfailingly lucid and helpful, this is an ideal edition for students, actors, and the general reader. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
£8.42
