Search results for ""Author Jarosław Płuciennik""
Cambridge Scholars Publishing Infinity in Language: Conceptualization of the Experience of the Sublime
The book Infinity in Language is a research monograph on the problem of the sublime in language. The authors use methods from cognitive semantics and poetics in order to thoroughly describe how the sublime is used in language. It is a unique attempt to account for one of the most fascinating problems of the human mind: the concept of infinity, and how the experience of infinity and enthusiasm is expressed in language. The book includes new findings in cognitive semantics relating to rhetorical figures such as hyperbole, gradation and accumulation. Cognitive semantics has focused so far on metaphor. This book fills the gap and gives an account of other rhetorical figures. It contains also a historical review of major theories of the sublime by Pseudo-Longinos, Boileau, Burke, Kant, Schiller, Hegel, Schopenhauer, Nietzsche and others, i.e. it spans a period from the first century AD till twentieth century. The authors answer the question how is it possible to present the unpresentable. It is an attempt to outline and develop a model of the rhetoric of the sublime. The model consists of three elements: antimimetic evocation of the unimaginable, a mimesis of emotions and figures of the discourse of the sublime. The books argues in favour of non-cartesian semantics which takes into account not only reason but also emotions, especially very intensive ones. However, the authors also express reservations regarding omnipresent rhetoric of the sublime. They follow those thinkers in the human history who argued against fanaticism and in favour of tolerance and empathy. The book is an original result of an interdisciplinary and international collaboration, lasting many years, between a cognitive scientist and a linguist and literary scholar.
£39.28
Uniwersytet Jagiellonski, Wydawnictwo Online/Offline – Between Text and Experience: Writing as a Lifestyle
This volume raises provocative questions about the status of words and literature in contemporary culture. It argues that words and images are equal and that the vast number of text messages, e-mails, tweets, comments, blogs, and daily social network posts confirms textuality's central role in new media. This is especially true of writing, as old and new forms mix online and off, reconfiguring so prolifically that no single theory can explain it, let alone project its future. This volume explores multiple questions in depth: are microblogs a new literary genre? What happens when Japanese haiku crosses cultures? Is writing still an act of individuality or has it become a modern technological innovation?
£40.50
