Search results for ""Author Jane H M Taylor""

First comprehensive examination of the ways in which printers, publishers and booksellers adapted and rewrote Arthurian romance in early modern France, for new audiences and in new forms. Arthurian romance in Renaissance France has long been treated by modern critics as marginal - although manuscripts and printed volumes, adaptations and rewritings, show just how much writers, and especially publishers, saw its potential attractions for readers. This book is the first full-length study of what happens to Arthur at the beginning of the age of print. It explores the fascinations of Arthurian romance in the sixteenth and early seventeenth centuries, from the magnificent presentation volumes offered by Antoine Vérard or Galliot du Pré in the early years of the century to the perfunctory abbreviated Lancelot published by Benoît Rigaud in Lyon in 1591; from PierreSala's dutiful "translation" of Yvain to Jean Maugin's exuberant rewriting of the prose Tristan; from attempts at "new" romance like the little-known Giglan to the runaway best-seller Amadis de Gaule.The book's primary focus is the techniques and stratagems employed by publishers and their workshops to renew Arthurian romance for a new readership: the ways in which the publishers, the translators and the adapters of the Renaissance tailor romance to fit new cultural contexts. Their story - which is the story of the rise and fall of one of the great genres of the Middle Ages - allows privileged insights into socio-cultural and ideological attitudes in the France of the Renaissance, and into issues of literary taste, particular patterns of choice and preference. Jane H.M. Taylor is Emeritus Professor of French at Durham University.

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First English translation of the chivalric biography of one of France's leading figures of the middle ages. Jean le Meingre, Maréchal Boucicaut (1364-1421), was the very flower of chivalry. From his earliest years at the royal court in Paris, he distinguished himself in knightly pursuits: sorties against seditious French nobles, ceremonial jousts against the English enemy, crusading in Tunisia and Prussia, the composition of courtly verses, and the establishment of a chivalric order for the defence of ladies, the Order of the Enterprise of the White Lady of theGreen Shield. He was named Marshal of France at the age of only 27. His chivalric biography, finished in 1409, is one of the most important accounts of the life of a knight from the Middle Ages. Whilst full of praise, it isalso highly partisan and carefully selective; it glosses over the darker, much less successful, side of his career - in particular his participation in the catastrophic Nicopolis crusade (1396) and his governorship of Genoa, whichcame to an end shortly after the completion of the biography, when a rebellion forced him to leave the city, five years before his capture at the battle of Agincourt in 1415 and death in England in 1421. This first English translation makes available to a wider audience a text that sheds light on the history of France, on crusading in Prussia and the Mediterranean, and on the complicated politics of Italy and the papacy during the Great Schism. It isa highly important contribution to our understanding of chivalric mentalities and attitudes in late-medieval France. It is presented with an introduction and notes. Dr CRAIG TAYLOR is Reader in Medieval History at theUniversity of York; JANE H.M. TAYLOR is Emeritus Professor of French at Durham University.

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The 15 original essays in this volume represent only a few of the paths that Glyn Burgess’s research career has taken: lays, by Marie de France and unknown authors; manuscript collections of lays and fabliaux; episodic narratives, from ancestral/​outlaw romance and Norman vernacular historiography; transformations of the Brendan legend; and authorial voice in religious texts, including Wace’s. The diversity of content and approaches has created a volume which will serve both as a fitting tribute to Burgess’s continuing influence and expertise, as well as a contribution to the growing theoretical and applied work in the area of the short narrative, which the authors extend to a very broad range of works, from fabliau to hagiography, from history to myth. This breadth of interest, within a close and analytical focus on short narrative, make this an important, indeed unique, collection.

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First full English translation of a major text, narrating the adventures of the Jouvencel whilst interweaving them with advice on military tactics and strategies. Le Jouvencel is one of the most important and revealing sources for the study of medieval warfare and chivalry. It tells the story of a poor young soldier whose skill at arms enables him to rise through the ranks and eventually marry a foreign princess. Jean de Bueil (1406-1477 wrote the book around 1466, following his retirement from military service, drawing heavily upon his own experiences as one of the most prominent French soldiers of the fifteenth century. The pages of Le Jouvencel are filled with unusually detailed descriptions of military campaigns, sieges and battles, capturing the tactics, weapons and everyday life of the soldier with a vivid eye for detail. Many of the characters, places and events described in the apparently fictional story were actually inspired by recent history, as was revealed in a Commentary written just a few years after Bueil's death by one of his squires, Guillaume Tringant. Jean de Bueil wrote Le Jouvencel to provide future generations of soldiers and military leaders with advice on chivalry, knighthood and the art of warfare. As a result, this remarkable chivalric narrative offers a window into the martial culture of French soldiers during the final stages of the Hundred Years War. This first English translation is presented with an introduction to the text and to Jean de Bueil, and explanatory notes.

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Papers on women and religion in the middle ages, drawn from archive, manuscipt and early printed sources. Taking a variety of critical approaches, the papers in Women, the Book and the Godlyanalyse the subject of women and religion, illustrating clearly the wealth of previously untapped material on this topic, whether in archive, manuscript or early printed source. The volume examines writing by women, writing which excludes women, and writing which ignores them, as well as women readers, women patrons, and women who were read to. Archaeology, canon and civil law, and trial depositions are all represented. The common determinants of marital and social status are, of course, explored, but so also are the problems of women and language, women's various roles as creators, recipients, and objects, and women's positions on the sliding scale between the orthodox, the reforming, and the heterodox churches. The essays thus represent something of the variety and range of work being done on medieval women today. Contributors: ALCUIN BLAMIRES, JACQUELINE MURRAY, WYBREN SCHEEPSMA, ANNEM. DUTTON, ROSALYNN VOADEN, GRACE JANTZEN, ELIZABETH A. ANDERSEN, THOMAS LUONGO, BENEDICTA WARD, GOPA ROY, GEORGES WHALEN, CATHERINE INNES-PARKER, HELENPHILLIPS, SHANNON McSHEFFREY, PETER BILLER

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Studies of women's roles in the secular literary world, as patrons, authors, readers, and characters in secular literature. This second volume of proceedings from the `Women and the Book' conference, held at St Hilda's College, Oxford in 1993, brings together fifteen papers dealing with women's experience in the secular literary world. It covers the whole variety of roles women might take, as patrons, authors, readers, and characters in secular literature; encompassed in its range are well-known characters, real and fictional, such as Christine de Pisan and the Wife of Bath, and the more obscure but no less fascinating topic of women in Chinese medieval court poetry. Like its predecessor Women, the Book, and the Godly(Brewer, 1995), this volume illuminates the world of medieval women with carefulscholarship and attention to sources, producing new readings and new materials which shed fresh light on an increasingly important field of study. Contributors: PATRICIA SKINNER, PHILIP E. BENNETT, JENNIFER GOODMAN, CHARITY CANNON-WILLARD, BENJAMIN SEMPLE, ANNE BIRRELL, JEANETTE BEER, MARK BALFOUR, CAROL HARVEY, HEATHER ARDEN, KAREN JAMBECK, JULIA BOFFEY, JENNIFER SUMMIT, MARGARITA STOCKER

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Epitomises what is best in Arthurian scholarship today. ZEITSCHRIFT FÜR ROMANISCHE PHILOLOGIE This latest issue of Arthurian Literaturecontinues the tradition of the journal, combining critical studies with editions of primary Arthurian texts. Varied in their linguistic and chronological coverage, the articles dealwith major areas of Arthurian studies, from early French romance through late medieval English chronicle to contemporary fiction. Topics include Béroul's Tristan, Tristan de Nanteuil, the Anglo-Norman Brut, and the Morte, while an edition of the text of an extrait of Chrétien's Erec et Enide prepared by the eighteenth-century scholar La Curne de Sainte-Palaye offers important insights into both scholarship on Chretien, and our understanding of the Enlightenment. The volume is completed with an encyclopaedic treatment of Arthurian literature, art and film produced between 1995 and 1995, acting as an update to The New Arthurian Encyclopedia.Contributors: RICHARD ILLINGWORTH, JANE TAYLOR, CARLETON CARROLL, MARIA COLOMBO TIMELLI, RALUCA RADULESCU, JULIA MARVIN, NORRIS LACY, RAYMOND THOMPSON.

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Written in 1456 and purporting to be the biography of the actual fourteenth-century knight of its title, Jean de Saintré has been called the first modern novel in French and one of the first historical novels in any language. Taken in hand at the age of thirteen by an older and much more experienced lady, Madame des Belles Cousines, the youth grows into an accomplished knight, winning numerous tournaments and even leading a crusade against the infidels for the love of Madame. When he reaches maturity, Jean starts to rebel against Madame's domination by seeking out chivalric adventures on his own. She storms off to her country estates and takes up with the burly abbot of a nearby monastery. The text moves into darker and uncourtly territory when Jean discovers their liaison and lashes out to avenge his lost love and honor, ruining Madame's reputation in the process. Composed in the waning years of chivalry and at the threshold of the print revolution, Jean de Saintré incorporates disquisitions on sin and virtue, advice on hygiene and fashion, as well as lengthy set pieces of chivalric combat. Antoine de La Sale, who was, by turns, a page, a royal tutor, a soldier, and a judge at tournaments, embellished his text with wide-ranging insights into chivalric ideology, combat techniques, heraldry and warfare, and the moral training of a young knight. This superb translation—the first in nearly a hundred years—contextualizes the story with a rich introduction and a glossary and is suitable for scholars, students, and general readers alike. An encyclopedic compilation of medieval culture and a window into the lost world of chivalry, Jean de Saintré is a touchstone for both the late Middle Ages and the emergence of the modern novel.

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