Search results for ""Author Jan Boelen""

The ability to use imagination and envision future needs is crucial in art, design and architecture. Future thinking and making require imagination and capability to create narratives for near and far futures and the capacity to compose proposals to meet the imagined future needs. Future-oriented creative practices also require future literacy-understanding the temporal continuum in which the future-oriented work is created and being aware of underlying incentives, motivations and structures of the self-initiated works or commissions. Similarly, viewing or consuming the speculative creative works requires some level of understanding of the context of the works. Studio Time: Future Fictions in Art and Design approaches these questions with essays from international design and art thinkers, reflective shorter essays and a selection of art, design and architecture projects. The book consists of three parts that each focus on future fictions in art and design from different perspectives: future fictions and imagination in creative practices, future literacy, and future ethics. Each part consists of two essays, two practical, reflective contributions from artists and designers and a selection of art and design projects from practitioners around the world. The book is a closing chapter of Studio Future, which is one of the research studios developed by Belgian-based Z33 House for Contemporary Art. Since 2012, Studio Future has focused on a variety of aspects on future-oriented art and design practices through different research and exhibition projects, which have been accompanied by online and offline publishing.

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BIO 50, the 24th edition of the Biennial of Design in Ljubljana is taking place in September to December 2014 at the Slovenian capital's Museum of Architecture. BIO has moved recently from an awards-based competition to an experimental process that rewards collaboration. Within the framework of BIO 50, around 120 international designers and multidisciplinary agents have engaged in a six-month collaborative effort devising possible futures for design. Guided by a group of mentors, eleven teams each tackled a specific topic about how design affects and determines our life and environment. This new book compiles notes, essays, and interviews, along with rich visual material. It aggregates the manifold dimensions of each team's collaborative process, and illuminates strategies and roles for design in a contemporary world. Designing Everyday Life also features reflections on BIO as a meeting point for design between East and West in Central Europe, and interviews with design critic Alice Rawsthorn and with industrial designers Konstantin Grcic and Sasa Machtig.

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