Search results for ""Author James L. Neibaur""

Charlie Chaplin produced some of the greatest films of all time, including The Gold Rush, The Circus, City Lights, Modern Times, and The Great Dictator. Before making a name for himself as an undisputed master of cinema, however, Chaplin first developed his acting, writing, and directing skills at Keystone Studios. Mack Sennett, who attended one of Chaplin’s music hall shows, thought the entertainer would be a good fit at his newly established studio, where they specialized in the roughhouse slapstick Chaplin performed on stage. Intrigued with the idea of preserving comedy on film, Chaplin began work for Sennett in 1913. While some of the first efforts were crudely filmed, they allowed Chaplin to understand the rudiments of performing for the camera. As he became more interested in directing his own films, Chaplin learned techniques that set his work apart from other comedies. The films Chaplin made at Keystone were the catalyst for a significant motion picture career, and a character that he would create and develop at the studio would become among the most iconic images in the history of entertainment. In Early Charlie Chaplin: The Artist as Apprentice at Keystone Studios, James Neibaur examines each of these films, assessing the important early work of a comedian who became a timeless icon. From his debut as a fast talking con man in Making a Living to his role in the six-reel Marie Dressler vehicle, Tillie’s Punctured Romance, Chaplin displays many of the characteristics that would endear him to audiences around the world. The majority of these films have been made available on DVD, allowing the reader to appreciate the background behind these works. Early Charlie Chaplin is a must, not only for fans of silent cinema and Chaplin, but for anyone who appreciates film history.

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Born into a family of vaudevillians, Buster Keaton made his first film appearance in 1917 at the age of 21. By the early 1920s, he had established himself as one of the geniuses of silent cinema with such films as Sherlock, Jr. and The Navigator and his 1925 work, The General, placed at number 18 in the American Film Institute's poll of the 100 greatest features, the highest ranked silent film on the survey. But with the advent of sound in the late 1920s, silent stars like Keaton began to fall out of favor and the great comedian's career began to decline. In The Fall of Buster Keaton, James Neibaur assesses Keaton's work during the talking picture era, especially those made at MGM, Educational, and Columbia studios. While giving some attention to the early part of Keaton's career, Neibaur focuses on Keaton's contract work with the three studios, as well as his subsequent work as a gagman, supporting player, and television pitchman. The book also recounts the resurgence of interest in Keaton's silent work, which resulted in a lifetime achievement Oscar and worldwide recognition before his death in 1966. This fascinating account of an artist's struggle and triumph during the more challenging period of his career will be of interest to anyone wanting to learn about one of film's most influential performers.

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