Search results for ""Author James Fox""

'Extraordinary. An intellectual feast as well as a visual one'Edmund de Waal, author of The Hare with Amber EyesThe world comes to us in colour. But colour lives as much in our imaginations as it does in our surroundings, as this scintillating book reveals. Each chapter immerses the reader in a single colour, drawing together stories from the histories of art and humanity to illuminate the meanings it has been given over the eras and around the globe. Showing how artists, scientists, writers, philosophers, explorers and inventors have both shaped and been shaped by these wonderfully myriad meanings, James Fox reveals how, through colour, we can better understand their cultures, as well as our own. Each colour offers a fresh perspective on a different epoch, and together they form a vivid, exhilarating history of the world. 'We have projected our hopes, anxieties and obsessions onto colour for thousands of years,' Fox writes. 'The history of colour, therefore, is also a history of humanity.'

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A beautifully told, sensitive, often funny and very moving storythat shines a light on families in tough circumstances. For fansof Jacqueline Wilson, Helen Rutter and The Boy at the Back of theClass.

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Just before 3am on January 24th, 1941, when Britain was preoccupied with surviving the Blitz, the body of Josslyn Hay, Earl of Erroll, was discovered lying on the floor of his Buick, at a road intersection some miles outside Nairobi, with a bullet in his head. A leading figure in Kenya's colonial community, the Earl had recently been appointed Military Secretary, but he was primarily a seducer of other men's wives. Sir Henry Delves Broughton, whose wife was Erroll's current conquest, had an obvious motive for the murder, but no one was ever convicted and the question of who killed him became a classic mystery, a scandal and cause celebre. Among those who became fascinated with the Erroll case was Cyril Connolly who joined up with James Fox for a major investigation of the case in 1969 for the Sunday Times magazine. After his death James Fox inherited the obsession and a commitment to continue in pursuit of the story both in England and Kenya in the late 1970s. One day, on a veranda overlooking the Indian Ocean, Fox came across a piece of evidence that seemed to bring all the fragments and pieces together and convinced him that he saw a complete picture...

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This ground-breaking new history of modern art explores the relationship between art and knowledge from the beginning of the twentieth century to the present day. Each chapter examines artistic responses to a particular discipline of knowledge, from quantum theory and theosophy to cybernetics and ethnic futurisms. The authors argue that art’s incursion into other intellectual disciplines is a defining characteristic of both modernism and postmodernism. Throughout, the volume poses a series of larger questions: is art a source of knowledge? If so, what kind of knowledge? And, ultimately, can it contribute to our understanding of the world in ways that thinkers from other fields should take seriously?

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Few people know that Ypres, centre of First World War remembrance, was once home to a thriving British community that played a heroic role in the Second World War. This expatriate outpost grew around the British ex-servicemen who cared for the war memorials and cemeteries of 'Flanders Fields'. Many married local women and their children grew up multi-lingual, but attended their own school and were intensely proud to be British. When Germany invaded in 1940 the community was threatened: some children managed to escape, others were not so lucky. But, armed with their linguistic skills and local knowledge, pupils of the British Memorial School were uniquely prepared to fight Hitler in occupied territory and from Britain. Still in their teens, some risked capture, torture and death in intelligence and resistance operations in the field. An exceptional patriotism spurred them on to feats of bravery in this new conflict. Whilst their peers at home were being evacuated to the English countryside, these children were directly exposed to danger in one of the major theatres of war.James Fox was a pupil at the British Memorial School in 1940 and he has made it his mission to trace his former school friends. The Children Who Fought Hitler is their story: a war story about people from an unusual community, told from a fresh and human perspective.Gardens of Stone: My Boyhood in the French Resistance, published recently by Hodder & Stoughton, tells the story of one of James's former school friends, Stephen Grady, and his role in the French Resistance.

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Sotto Voce maps the historical progression of the abstract white relief from the 1930s to the 1970s. It includes works by Jean Arp, Ben Nicholson, Lucio Fontana, Piero Manzoni, Sergio Camargo, Enrico Castellani, Henri Laurens, Fausto Melotti, Günther Uecker, Luis Tomasello and Mira Schendel.

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