Search results for ""Author James Clarke""

Out walking Ada Robinson's dog while his wife drinks herself into a forgetful fug, Harry Maiden discovers an intricate system of caves beneath the wind turbines. Over at the Woolpack one night, Rosco re-encounters friendships he thought he'd left behind at the Stubbins paper mill. Mad old Gos leads a mysterious treasure hunt to the Bronze Age burial site at Whitelow Cairn. This is the Hollow in the Land: a corner of England teeming with mystery and intrigue and filled with real, flesh-and-blood characters, each of them at a different point along life's journey through childhood hopefulness, faded first love and middle-aged disillusionment. Hollow in the Land uncovers the small everyday mysteries of their lives - and ours.

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"When the pre-eminent portrait photographer of the day met the Cockney kid dominating the London film scene, magic was made." – Australian Women's Weekly Icons "Caine, the timeless gentleman." – Diego Armes, GQ Portugal “I had to be an actor,” Michael Caine once said. “[…] And of course, you have to remember with me, the alternative was a factory.” A working-class actor who broke through to stardom, Caine’s screen-time involves standout performances across multiple genres. To this day, he is synonymous with a certain kind of urbane cool. No camera has captured this quality over the decades better than that of his collaborator and long-time friend, Terry O’Neill. Michael Caine: Photographed by Terry O'Neill offers an immersive visual journey through Michael Caine’s career, immortalising Caine’s charm both in and out of character. Caine occupies a landmark position in cinema and O’Neill was there from the early days of his stellar career. From the comedy of Dirty Rotten Scoundrels to the European drama of Seven Times A Woman; from the miasma of The Magus to the British cult classic Get Carter, this book combines black and white and colour images and includes never-before-seen contact sheets. Featuring the following films: Mona Lisa, Midnight in Saint Petersburg / Bullet to Beijing, Dirty Rotten Scoundrels, Blue Ice, Without a Clue, Get Carter, Deadfall, Magus, Woman Times Seven, Funeral in Berlin.

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"Who doesn’t know Paul Newman? The man with the beautiful blue eyes, the chiselled face and body, the 50-plus years of memorable acting and directing roles, the awards, the movie-star marriage. Well, it turns out, there is lots more to know." — Parade Magazine "Newman’s preternaturally piercing baby blue eyes shine through in every picture, and he was well aware of how his fame rested on the colour of his irises." — Peter Sheridan, Daily Express "Hollywood Hunk Paul Newman as you've never seen him before." — Yahoo! News "Paired with raw and unvarnished commentary from the photographers themselves, Newman's incomparable authenticity and appealing persona bleed through each page." — Newsweek Once, when asked how he’d like to be remembered, Paul Newman replied: "I’d like to be remembered as a guy who tried. Tried to be part of his times, tried to help people communicate with one another, tried to find some decency in his own life, tried to extend himself as a human being." As an actor who became a film star, Newman repeatedly tapped into his times and in doing so redefined what movie stardom could be. Newman was a new kind of movie star, bringing a particular authenticity, intensity and sensitivity to his performances. Throughout his career, Newman was extensively photographed: these images enriched film audiences’ connection to him as a cool and graceful presence both on and off-screen. Milton Greene, Douglas Kirkland, Lawrence Fried, Terry O’Neill, Al Satterwhite and Eva Sereny are amongst the photographers who worked with Newman on and off-set across his career. From early stage work with his wife, Joanne Woodward, to his love of racing cars, to the essential 1980s drama Absence of Malice to the great success of the new western Butch Cassidy and the Sundance Kid and the cult favourites, Pocket Money and The Life and Times of Judge Roy Bean, Newman’s movies were an essential part of American culture. With comment and contributions from the photographers, Paul Newman: Blue Eyed Cool, gathers together portraits, stage, racing and on-set photography — including never before seen images — in a celebration of an actor who was always… cool. Paul Newman: Blue Eyed Cool is a must-have for fans who see in Newman’s work and in his life a true hero.

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One of the major icons of modern cinema, and hugely influential on pop-culture over the past three decades, Pixar Animation Studios has proved to be an endless source of imagination and delight for children and adults alike. From the Toy Story Trilogy to Brave, The Incredibles to Ratatouille, its films have played a vital role in reminding audiences around the globe of animation's capacity as both an entertainment and an art form. Every feature sits on the 'top 50 highest-grossing animated films of all-time' list, and with over 200 awards to their name, including numerous Oscars, they're as revered by critics as they are successful at the box-office. The Films of Pixar Animation Studio offers a one-stop guide to the studio's entire back catalogue, discussing in-depth the creative choices behind each film, and their place within the wider cinema landscape and animation history. It also offers an insight into their very particular way of working, and the role of the films' producers, writers, directors and animators on each project, examining their colourful and original use of a folk-tale sensibility, and their unique aesthetic.

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"Newman’s preternaturally piercing baby blue eyes shine through in every picture, and he was well aware of how his fame rested on the colour of his irises." — Peter Sheridan, Daily Express Once, when asked how he’d like to be remembered, Paul Newman replied: "I’d like to be remembered as a guy who tried. Tried to be part of his times, tried to help people communicate with one another, tried to find some decency in his own life, tried to extend himself as a human being." As an actor who became a film star, Newman repeatedly tapped into his times and in doing so redefined what movie stardom could be. Newman was a new kind of movie star, bringing a particular authenticity, intensity and sensitivity to his performances. Throughout his career, Newman was extensively photographed: these images enriched film audiences’ connection to him as a cool and graceful presence both on and off-screen. Milton Greene, Douglas Kirkland, Lawrence Fried, Terry O’Neill, Al Satterwhite and Eva Sereny are amongst the photographers who worked with Newman on and off-set across his career. From early stage work with his wife, Joanne Woodward, to his love of racing cars, to the essential 1980s drama Absence of Malice to the great success of the new western Butch Cassidy and the Sundance Kid and the cult favourites, Pocket Money and The Life and Times of Judge Roy Bean, Newman’s movies were an essential part of American culture. With comment and contributions from the photographers, Paul Newman: Blue-Eyed Cool, gathers together portraits, stage, racing and on-set photography — including never before seen images — in a celebration of an actor who was always… cool.

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"Newman’s preternaturally piercing baby blue eyes shine through in every picture, and he was well aware of how his fame rested on the colour of his irises." — Peter Sheridan, Daily Express Once, when asked how he’d like to be remembered, Paul Newman replied: "I’d like to be remembered as a guy who tried. Tried to be part of his times, tried to help people communicate with one another, tried to find some decency in his own life, tried to extend himself as a human being." As an actor who became a film star, Newman repeatedly tapped into his times and in doing so redefined what movie stardom could be. Newman was a new kind of movie star, bringing a particular authenticity, intensity and sensitivity to his performances. Throughout his career, Newman was extensively photographed: these images enriched film audiences’ connection to him as a cool and graceful presence both on and off-screen. Milton Greene, Douglas Kirkland, Lawrence Fried, Terry O’Neill, Al Satterwhite and Eva Sereny are amongst the photographers who worked with Newman on and off-set across his career. From early stage work with his wife, Joanne Woodward, to his love of racing cars, to the essential 1980s drama Absence of Malice to the great success of the new western Butch Cassidy and the Sundance Kid and the cult favourites, Pocket Money and The Life and Times of Judge Roy Bean, Newman’s movies were an essential part of American culture. With comment and contributions from the photographers, Paul Newman: Blue-Eyed Cool, gathers together portraits, stage, racing and on-set photography — including never before seen images — in a celebration of an actor who was always… cool.

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WINNER OF THE BETTY TRASK PRIZE 2019March, 1984. Britain’s miners face political opposition. Soon, the State will confront them, violent forces will be unleashed and the country will change forever.The Newmans have enough on their plate without a strike to contend with. Arthur hates working at the pit, his unhappy wife, Shell, doesn’t know what she wants and their lonely son Lawrence has no say in anything – especially a late night mission to Threndle House, home of disgraced politician Clive Swarsby and his two mysterious children. When Lawrence and Arthur take an abandoned rug from the house, their family is plunged into crisis. Then there is the small matter of the pickets . . .Taking in controversial events such as the Battle of Orgreave, The Litten Path is an exceptional debut set against the sunless landscapes of a country now lost in time. Grimly honest and tender, tough and lyrical, comic and painful, it is about class friction, the clash between the urban and the rural. It is about what happens when a decision is made, when one cannot turn back.

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"Newman’s preternaturally piercing baby blue eyes shine through in every picture, and he was well aware of how his fame rested on the colour of his irises." — Peter Sheridan, Daily Express Once, when asked how he’d like to be remembered, Paul Newman replied: "I’d like to be remembered as a guy who tried. Tried to be part of his times, tried to help people communicate with one another, tried to find some decency in his own life, tried to extend himself as a human being." As an actor who became a film star, Newman repeatedly tapped into his times and in doing so redefined what movie stardom could be. Newman was a new kind of movie star, bringing a particular authenticity, intensity and sensitivity to his performances. Throughout his career, Newman was extensively photographed: these images enriched film audiences’ connection to him as a cool and graceful presence both on and off-screen. Milton Greene, Douglas Kirkland, Lawrence Fried, Terry O’Neill, Al Satterwhite and Eva Sereny are amongst the photographers who worked with Newman on and off-set across his career. From early stage work with his wife, Joanne Woodward, to his love of racing cars, to the essential 1980s drama Absence of Malice to the great success of the new western Butch Cassidy and the Sundance Kid and the cult favourites, Pocket Money and The Life and Times of Judge Roy Bean, Newman’s movies were an essential part of American culture. With comment and contributions from the photographers, Paul Newman: Blue-Eyed Cool, gathers together portraits, stage, racing and on-set photography — including never before seen images — in a celebration of an actor who was always… cool.

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Movie Movements: Films That Changed the World of Cinema is a one-stop guide to the major movements that have shaped our sense of what cinema is and can be. It introduces the reader to definitions of the founding concepts in Film Studies such as authorship and genre, technological impacts and the rise of digital cinema, social influences and notions of the avant-garde, and cinema's emergence as a major art form that reflects and shapes the world. It explores, in concise and clear sections, how major works from the classic French realist La Regle de Jeu to the dazzling animation of Norman McLaren and the memorial documentary of Shoah, were conceived, developed and produced, and eventually received by the public, critics and film history. Offering a concise overview of a vast and compelling subject, it's a book for both the film enthusiast and the Film Studies student.

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'[An] engaging, inventive literary noir ... full of neat twists and potent writing' Independent Book of the Month 'A feisty, subversive countervision of England's lost futures and buried longings' Rob Doyle, author of Threshold A Burley Fisher Book of the Year 2023 1969. Thomas Speake comes to London to look for his father but finds Sanderson instead, a larger-than-life TV presenter who hosts 'midweek madness' parties where the punch is spiked with acid. There Speake meets Marnie and promises to help her find her adoptive child, who has been taken by her birth mother to live off-grid in a hippie commune in the Lake District. Forced to lie low after a violent accident, Speake joins Sanderson on a tour of the Lake District, where he's researching a book to accompany his popular TV series, Sanderson's Isle. Fascinated by local rumours about the hippies, Sanderson joins the search for their whereabouts. Amid the fierce beauty of the mountains, the cult is forming the kind of community that Speake - a drifter who belongs nowhere - is desperate to find but has been sent to betray. This is the follow up to James Clarke's Betty Trask Prize-winning debut novel. It is filled with gorgeous nature writing of the urban and the rural, and its portrayal of the moment when British society was unsettled and transformed by the counterculture of the 1960s is visionary and electrifying. 'Psychedelic 1960s London, TV personalities, counterculture in the Lake District, a lost child! Wasn't I always going to read this book? Magnificent' Wendy Erskine, author of Dance Move

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This timely volume explores the massively popular cinema of writer-director James Cameron. It couches Cameron's films within the evolving generic traditions of science fiction, melodrama, and the cinema of spectacle. The book also considers Cameron's engagement with the aesthetic of visual effects and the 'now' technology of performance-capture which is arguably moving a certain kind of event-movie cinema from photography to something more akin to painting. This book is explicit in presenting Cameron as an authentic auteur, and each chapter is dedicated to a single film in his body of work, from The Terminator to Avatar. Space is also given to discussion of Strange Days as well as his short films and documentary works.

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The Atlantic Pilot Atlas provides a complete guide to the weather of the North and South Atlantic, the Mediterranean and the Caribbean. Now revised for the fifth edition, it includes weather forecasting, global warming and hurricane avoidance information as well as wind and current charts, wave heights, tropical cyclone tracks and shipping routes. Any skipper contemplating an ocean crossing needs to know what conditions he is likely to meet en route, in order to plan a safe and comfortable passage, and this book provides exactly what is needed. 40 specially drawn colour charts show detailed information on the winds, currents, gale frequencies, rough sea conditions, hurricane tracks and recommended sailing routes for each month of the year for all these oceans. 'This is what every yachtsman contemplating an extended cruise needs in one book... No serious offshore bookshelf should be without one.' Yachting Monthly 'Without doubt the most useful guide for anyone planning a Transatlantic voyage.' Ships & Ports

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"Newman’s preternaturally piercing baby blue eyes shine through in every picture, and he was well aware of how his fame rested on the colour of his irises." — Peter Sheridan, Daily Express Once, when asked how he’d like to be remembered, Paul Newman replied: "I’d like to be remembered as a guy who tried. Tried to be part of his times, tried to help people communicate with one another, tried to find some decency in his own life, tried to extend himself as a human being." As an actor who became a film star, Newman repeatedly tapped into his times and in doing so redefined what movie stardom could be. Newman was a new kind of movie star, bringing a particular authenticity, intensity and sensitivity to his performances. Throughout his career, Newman was extensively photographed: these images enriched film audiences’ connection to him as a cool and graceful presence both on and off-screen. Milton Greene, Douglas Kirkland, Lawrence Fried, Terry O’Neill, Al Satterwhite and Eva Sereny are amongst the photographers who worked with Newman on and off-set across his career. From early stage work with his wife, Joanne Woodward, to his love of racing cars, to the essential 1980s drama Absence of Malice to the great success of the new western Butch Cassidy and the Sundance Kid and the cult favourites, Pocket Money and The Life and Times of Judge Roy Bean, Newman’s movies were an essential part of American culture. With comment and contributions from the photographers, Paul Newman: Blue-Eyed Cool, gathers together portraits, stage, racing and on-set photography — including never before seen images — in a celebration of an actor who was always… cool.

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Reeds Superyacht Manual, published in association with Bluewater Training, is the first and the best reference manual for everyone involved with yachts large and small, under sail or power, from deckhands to skippers and owners. There is extensive coverage for leisure and professional yachtsmen including: - key information for all required courses at all levels from STCW crew basic training through RYA Yachtmaster™ Offshore to MCA Officer of the Watch (Yacht) - comprehensive treatment of: safety, sea survival, first aid, fire fighting, navigation, seamanship, meteorology, marine radio and general ship knowledge - additional section on marine law including international and flag state requirements - easy guide to the Collision Regulations as well as their full text Well illustrated and user-friendly, this is the complete reference for all those involved with private or commercial yachts worldwide.

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A unique and essential guide to Media Labs. Gives advice on where they are, what they offer and how to apply. Includes history and discussion of Media Labs and how they will play a key part in the digital world of the future for both film and games development.

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In this frank and moving memoir, the author recalls growing up in a poor and alcohol-ridden neighborhood of a small city before and during World War II. Following his experiences after the war, the narrative relates the shattering of his mother’s dreams and his own inability to bridge the gulf between himself and his alcoholic father, casting a dark shadow over his childhood. The account reveals how the protagonist never permitted his rocky beginnings to affect his hope for the future, portraying his survival in a bleak environment and of the early road traveled in becoming a man of honor, reputation, and respect as a judge of the Superior Court of Ontario. Also featuring a diverse selection of the author’s poetry, this anthology reflects not only the author’s experiences on the bench but the empathy and compassion for the underdog that he learned while growing up on Simcoe Street.

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Bring together a French explorer, a Scottish engineer, a New Zealand-born TV presenter, a murderer, a medical writer, an international tennis star, a professor, a judge, an Australian-born farmer, an Afrikaans playwright, a Jewish diamond prospector, a frantic mother, two famous African writers, a variety of white and black novelists, editors and journalists, not forgetting a San/Bushman mother - and something amusing should result. These men and women of different races, different centuries, different cultures (ranging from American-Irish to Zulu), have one distinction in common - each has been identified as among the most entertaining writers of English-language humour in South Africa in the last 200 years.

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“Any man that loves Bond will love to get this amazing book in their life.” – Men’s Journal "A great coffee table book filled with amazing photos of everyone’s favourite spy." – Tom Lorenzo, Men's Journal "No fan of 007 will want to miss this coffee-table album..." – Michael Dirda, The Washington Post "Shy, lascivious, self-confident or sometimes completely private - O'Neill always knows. The photographs are all very aesthetic, somehow magical and an absolute must for all Bond fans." – Lovely Books Germany Terry O'Neill was given his first chance to photograph Sean Connery as James Bond in the film Goldfinger. From that moment, O'Neill's association with Bond was made: an enduring legacy that has carried through to the era of Daniel Craig. It was O'Neill who captured gritty and roguish pictures of Connery on set, and it was O'Neill who framed the super-suave Roger Moore in Live and Let Die. His images of Honor Blackman as Pussy Galore are also important, celebrating the vital role of women in the James Bond world. But it is Terry O'Neill's casual, on-set photographs of a mischievous Connery walking around the casinos of Las Vegas or Roger Moore dancing on a bed with co-star Madeline Smith that show the other side of the world's most recognisable spy. Terry O'Neill opens his archive to give readers - and viewers - the chance to enter the dazzling world of James Bond. Lavish colour and black and white images are complemented by insights from O'Neill, alongside a series of original essays on the world of James Bond by BAFTA-longlisted film writer, James Clarke; and newly conducted interviews with a number of actors featured in O'Neill's photographs.

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Written as part of the Worthing WOW festival celebrations, Electric Pictures commemorates 120 years of film in the Sussex coastal towns of Worthing and Shoreham, capturing the region’s rich cinematic legacy and its place in British film history. From film-making pioneers through to blockbuster films and key events in the film history of the coast, this volume draws on research from film archives and local history resources to tell the story of the south coast film world. Richly illustrated and featuring contributions from local historians and film and theatre specialists, this book also includes an additional Heritage Trail guide that reveals key filming locations and the towns’ cinemas.

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Published to coincide with the World Summit on Sustainable Development, this book is a current comprehensive and holistic assessment of the social and environmental challenges facing a developing African state within the global context. An up-to-the-minute review of the state of the South African environment, Coming Back to Earth will shock and surprise you as it covers what we've achieved and where we need urgent action in fields of biodiversity, air, water, soil, marine life, nature conservation, urban environment, population dynamics including HIV-AIDS, solid waste management, GM crops, policies and attitudes history...and possibilities for change.

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The daughter of a river god, raised by a human father and bound to a tragic destiny. An African fantasy-adventure graphic novel inspired by the mythology of the Zambezi River and the history of the Kariba Dam, one of the largest dams ever constructed.From the director of Aau’s Song, a Star Wars: Visions film from Lucasfilm, and the director of the 2023 NYICFF award-winning The Smeds and the SmoosSiku has always called the Zambezi River her home. She understands the water – and strangely enough, it seems to understand her, too, bending to her will and coming to her aid in times of need. But things are changing on the river – a great dam is being built, displacing thousands of Shonga people – and things are changing in Siku, too, as her ability to manipulate water grows out of control, and visions of a great serpent pull her further from reality and her loving father, Tongai.When Tongai ventures to the Kariba Dam to find a cure for Siku and never returns, she sets off to find him with the help of Amedeo, the young son of Kariba’s chief engineer. Together, they traverse elephant graveyards, rugged jungles, and ancient ruins, outrunning pirates, bootleggers, and shape-shifting prophets ready to use Siku to their own advantage. But Siku soon discovers that her father has been shielding a terrible secret: Siku is actually the daughter of the Great River Spirit, Nyaminyami, and the only way to bring about the necessary rumuko - a ritual which has brought balance to the Zambezi for centuries - is for Siku to give up the only life she's ever known.With the future of the Shonga resting on her shoulders, Siku must journey to the source of the river to understand the ancient power hidden within her.

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