Search results for ""Author James Chapman""
Columbia University Press Licence to Thrill: A Cultural History of the James Bond Films
The James Bond epic is the most popular film series in silver screen history: it is estimated that a quarter of the world's population has seen a Bond feature. The saga of Britain's best-loved martini hound (who we all know prefers his favorite drink "shaken, not stirred") has adapted to changing times for four decades without ever abandoning its tried-and-true formula of diabolical international conspiracy, sexual intrigue, and incredible gadgetry. James Chapman expertly traces the annals of celluloid Bond from its inauguration with 1962's Dr. No through its progression beyond Ian Fleming's spy novels to the action-adventure spectaculars of GoldenEye and Tomorrow Never Dies. He argues that the enormous popularity of the series represents more than just the sum total of the films' box-office receipts and involves questions of film culture in a wider sense. Licence to Thrill chronicles how Bond, a representative of a British Empire that no longer existed in his generation, became a symbol of his nation's might in a Cold War world where Britain was no longer a primary actor. Chapman describes the protean nature of Bond villains in a volatile global political scene-from Soviet scoundrels and Chinese rogues in the 1960s to a brief flirtation with Latin American drug kingpins in the 1980s and back to the Chinese in the 1990s. The book explores how the movies struggle with changing societal ethics-notably, in the evolution in the portrayal of women, showing how Bond's encounters with the opposite sex have evolved into trysts with leading ladies as sexually liberated as Bond himself. The Bond formula has proved remarkably durable and consistently successful for roughly a third of cinema's history-half the period since the introduction of talking pictures in the late 1920s. Moreover, Licence to Thrill argues that, for the foreseeable future, the James Bond films are likely to go on being what they have always been, a unique and very special kind of popular cinema.
£33.31
Andrews McMeel Publishing Sounds All Around: A Guide to Onomatopoeias Around the World
Did you know that in German, a pig doesn’t say oink, it says gruntz, and when you sneeze in Japanese it’s hakushon, not achoo? With vibrant comics and fun facts, Sounds All Around will teach you interesting and funny onomatopoeias from all over the world!Words that imitate sounds are known as onomatopoeia, and they are a wonderfully strange and interesting part of language. After all, we all hear the same sounds, but we interpret and write them differently in different languages. Sounds All Around is a fun and funny illustrated guide to how people say many of these sounds all around the globe. Inside you’ll learn what a cat sounds like in French, what a yawn sounds like in Norwegian, what a bell sounds like in Hindi, and much, much more!
£9.99
Edinburgh University Press The Money Behind the Screen
Provides the first comprehensive history of the politics of film finance in Britain from the end of the Second World War to 1985
£29.99
Andrews McMeel Publishing A World of Wisdom
A brightly illustrated comic guide to sayings and expressions from around the world, comparing the ways different cultures interpret the same ideas.You might say that an annoying person is called “a bad apple,” but Venezuelans would call them “a pineapple under the arm.” On a wet day, you might think “it’s raining cats and dogs,” but the rest of the world has some different ideas on what’s falling from the sky. This book looks at the unique ways different languages express common ideas like “too many cooks spoil the broth” and getting stuck “between a rock and a hard place,” as well as unique sayings about cats, beards, dancing, and much, much more. With over 330 illustrated phrases from Vietnam to Venezuela, A World of Wisdom is a fun and funny guide to all the phrases you might ever need!
£13.11
Edinburgh University Press The Money Behind the Screen: A History of British Film Finance, 1945-1985
Provides the first comprehensive history of the politics of film finance in Britain from the end of the Second World War to 1985
£120.00
Columbia University Press Dr. No: The First James Bond Film
When Dr. No premiered at the London Pavilion on October 5, 1962, no one predicted that it would launch the longest-running series in cinema history. It introduced the James Bond formula that has been a box-office fixture ever since: sensational plots, colorful locations, beautiful women, diabolical villains, thrilling action set pieces, and a tongue-in-cheek tone. An explosive cocktail of action, spectacle, and sex, Dr. No transformed popular cinema.James Chapman provides a lively and comprehensive study of Dr. No, marshaling a wealth of archival research to place the film in its historical moment. He demonstrates that, contrary to many fan myths, the film was the product of a carefully considered transnational production process. Chapman explores the British super-spy’s origins in Ian Fleming’s snobbery-with-violence thrillers, examining the process of adaptation from page to screen. He considers Dr. No in the contexts of the UK and Hollywood film industries as well as the film’s place in relation to the changing social and cultural landscape of the 1960s, particularly Cold War anxieties and the decline of the British Empire. The book also analyzes the film’s problematic politics of gender and race and considers its cultural legacy.This thorough and insightful account of Dr. No will appeal to film historians and Bond fans alike.
£22.00
Columbia University Press Dr. No: The First James Bond Film
When Dr. No premiered at the London Pavilion on October 5, 1962, no one predicted that it would launch the longest-running series in cinema history. It introduced the James Bond formula that has been a box-office fixture ever since: sensational plots, colorful locations, beautiful women, diabolical villains, thrilling action set pieces, and a tongue-in-cheek tone. An explosive cocktail of action, spectacle, and sex, Dr. No transformed popular cinema.James Chapman provides a lively and comprehensive study of Dr. No, marshaling a wealth of archival research to place the film in its historical moment. He demonstrates that, contrary to many fan myths, the film was the product of a carefully considered transnational production process. Chapman explores the British super-spy’s origins in Ian Fleming’s snobbery-with-violence thrillers, examining the process of adaptation from page to screen. He considers Dr. No in the contexts of the UK and Hollywood film industries as well as the film’s place in relation to the changing social and cultural landscape of the 1960s, particularly Cold War anxieties and the decline of the British Empire. The book also analyzes the film’s problematic politics of gender and race and considers its cultural legacy.This thorough and insightful account of Dr. No will appeal to film historians and Bond fans alike.
£82.80
Bloomsbury Publishing (UK) Licence to Thrill
James Chapman is Professor of Film Studies at the University of Leicester, UK. He is the editor of the Historical Journal of Film, Radio and Television, and his most recent books include Dr No: The First James Bond Film (2022), Contemporary British Television Drama (Bloomsbury Academic, 2020) and Hitchcock and the Spy Film (I.B. Tauris, 2018).
£19.99
Bloomsbury Publishing (UK) Licence to Thrill
James Chapman is Professor of Film Studies at the University of Leicester, UK. He is the editor of the Historical Journal of Film, Radio and Television, and his most recent books include Dr No: The First James Bond Film (2022), Contemporary British Television Drama (Bloomsbury Academic, 2020) and Hitchcock and the Spy Film (I.B. Tauris, 2018).
£65.00
Reaktion Books British Comics
A unique cultural history of British comic papers and magazines.
£15.00
Royal Society of Chemistry Nanoparticles in Anti-Microbial Materials: Use and Characterisation
Many nanomaterials exhibit anti-microbial properties and demand for such materials grows as new applications are found in such areas as medicine, environmental science and specialised coatings. This book documents the most up to date research on the area of nanoparticles showing anti-microbial activity and discusses their preparation and characterisation. Further materials showing potential anti-microbial properties are also discussed. With its user-friendly approach to applications, this book is an excellent reference for practical use in the lab. Its emphasis on material characterisation will benefit both the analytical and materials scientist. Frequent references to the primary literature ensure that the book is a good source of information to newcomers and experienced practitioners alike. Chapters devoted to nanoparticles, microbial impacts on surfaces and molecular biology are essential reading, while chapters on characterisation ensure this book stands out in the field.
£144.99
