Search results for ""Author James"

One of Ireland's greatest contemporary writers turns her attention to one of the country's greatest novelists: James Joyce - in celebration of the 100th anniversary of the iconic classic ULYSSES.'As skilful, stylish and pacy as one would expect from so adept a novelist' Sunday Telegraph'A delight from start to finish . . . achieves the near impossibility of giving a thoroughly fresh view of Joyce' Sunday Times'Accessible and passionate, it is a book which should bring Joyce in all his glory and agony to a new and very wide audience' Irish Independent Edna O'Brien depicts James Joyce as a man hammered by Church, State and family, yet from such adversities he wrote works 'to bestir the hearts of men and angels'. The journey begins with Joyce the arrogant youth, his lofty courtship of Nora Barnacle, their hectic sexuality, children, wanderings, debt and profligacy, and Joyce's obsession with the city of Dublin, which he would re-render through his words. Nor does Edna O'Brien spare us the anger and isolation of Joyce's later years, when he felt that the world had turned its back on him, and she asks how could it be otherwise for a man who knew that conflict is the source of all creation.

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The 1940s offered ever-increasing outlets for writers in book publishing, magazines, radio, film, and the nascent television industry, but the standard rights arrangements often prevented writers from collecting a fair share of the profits made from their work. To remedy this situation, novelist and screenwriter James M. Cain (The Postman Always Rings Twice,Double Indemnity, Mildred Pierce) proposed that all professional writers, including novelists, playwrights, poets, and screenwriters, should organize into a single cartel that would secure a fairer return on their work from publishers and producers. This organization, conceived and rejected within one turbulent year (1946), was the American Authors' Authority (AAA).In this groundbreaking work, Richard Fine traces the history of the AAA within the cultural context of the 1940s. After discussing the profession of authorship as it had developed in England and the United States, Fine describes how the AAA, which was to be a central copyright repository, was designed to improve the bargaining position of writers in the literary marketplace, keep track of all rights and royalty arrangements, protect writers' interests in the courts, and lobby for more favorable copyright and tax legislation.Although simple enough in its design, the AAA proposal ignited a firestorm of controversy, and a major part of Fine's study explores its impact in literary and political circles. Among writers, the AAA exacerbated a split between East and West Coast writers, who disagreed over whether writing should be treated as a money-making business or as an artistic (and poorly paid) calling. Among politicians, a move to unite all writers into a single organization smacked of communism and sowed seeds of distrust that later flowered in the Hollywood blacklists of the McCarthy era.Drawing insights from the fields of American studies, literature, and Cold War history, Fine's book offers a comprehensive picture of the development of the modern American literary marketplace from the professional writer's perspective. It uncovers the effect of national politics on the affairs of writers, thus illuminating the cultural context in which literature is produced and the institutional forces that affect its production.

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The Bible is the most important book in the history of Western civilization, and also the most difficult to interpret. It has been the vehicle of continual conflict, with every interpretation reflecting passionately-held views that have affected not merely religion, but politics, art, and even science. This unique edition offers an exciting new approach to the most influential of all English biblical texts - the Authorized King James Version, complete with the Apocrypha. Its wide-ranging Introduction and the substantial notes to each book of the Bible guide the reader through the labyrinth of literary, textual, and theological issues, using the most up-to-date scholarship to demonstrate how and why the Bible has affected the literature, art and general culture of the English-speaking world. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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James VI of Scotland and I of England participated in the burgeoning literary culture of the Renaissance, not only as a monarch and patron, but as an author in his own right, publishing extensively in a number of different genres over four decades. As the first monograph devoted to James as an author, this book offers a fresh perspective on his reigns in Scotland and England, and also on the inter-relationship of authorship and authority, literature and politics in the Renaissance.Beginning with the poetry he wrote in Scotland in the 1580s, it moves through a wide range of his writings, including scriptural exegeses, political, social and theological treatises and printed speeches, concluding with his manuscript poetry of the early 1620s. The book combines extensive primary research into the preparation, material form and circulation of these varied writings, with theoretically informed consideration of the relationship between authors, texts and readers. The discussion thus explores James’s responses to, and interventions in, a range of literary, political and religious debates, and reveals the development of his aims and concerns as an author.

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Take a trip down memory lane and read about the life of Britain's most beloved vet, who charmed us all with his bestselling tales of veterinary life in Yorkshire.'A wonderful, glorious insight into the life of the man behind the books' 5***** Reader Review'Moving . . . A book I shall treasure and read several times' 5***** Reader Review______ After qualifying as a vet in 1939, Alf Wight, aka James Herriot, moved to a veterinary practice in Thirsk, Yorkshire. It wasn't until he was over fifty when his first book of stories about life as a Yorkshire vet, If Only They Could Talk, was published, giving birth to some of Yorkshire's most famous and much-loved literary characters, and later becoming the popular BBC television series All Creatures Great and Small.Not only did his books have great success, but they also inspired many to take up the profession, in what was known as the 'Herriot effect'. Although he brought fame and fortune to himself and those around him, he remained an intensely private person, respected and trusted by those whose animals he cared for, and adored by millions of fans.Written by his son with touching insight, this illuminating biography reveals the real man behind the title 'The World's Most Famous Vet'.______Readers are captivated by The Real James Herriot:'Fascinating . . . A wonderful and worthy testament' 5***** Reader Review'A real insight into the life of someone you feel you knew and loved' 5***** Reader Review'Extremely poignant, gives great insight into those unforgettable tales of a Yorkshire Vet' 5***** Reader Review

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This beautifully-bound, white christening (or baptismal) Bible is an ideal presentation for the remembrance of significant events in ones faith life. The Bible uses the Authorized King James Version in a small, handy format.

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Longlisted for the Booker Prize 2024From the author of The Trees, shortlisted for the Booker Prize, and Erasure, adapted into the Oscar-winning film American Fiction.'Truly extraordinary books are rare, and this is one of them' – Roddy Doyle, Booker Prize-winning author of Paddy Clarke, Ha Ha HaEnthralling and ferociously funny, James by Percival Everett is a profound meditation on identity, belonging and the sacrifices we make to protect the ones we love. It is also a bold reimagining of Mark Twain’s Adventures of Huckleberry Finn, as the enslaved Jim emerges to reclaim his voice and defy the conventions that have consigned him to the margins.The Mississippi River, 1861. When the enslaved Jim overhears that he is about to be sold to a new owner in New Orleans and separated from his wife and daughter forever, he decides to hide on nearby Jackson’s Isla

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The King James Bible of 1611 has been one of the richest sources for English language and literature for nearly four centuries and is itself a work of the greatest poetic beauty. This beautifully designed edition is for the general reader, uncluttered by footnotes and set in full pages rather than the usual narrow columns. George Steiner's introduction illuminates the Bible's profound effect on the history of English literature and includes a moving personal reading of the greatest of texts. It also places the Bible within the history and development of Judaeo-Christian thought.

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James III is the most enigmatic of the Stewart kings of Scotland. Variously characterised as artistic, peace-loving, morbidly suspicious, treacherous, pious, lecherous and lazy, King James was much criticised by contemporaries and later chroniclers for his failure to do his job in the manner expected of him, and particularly for his reliance on low-born favourites to the exclusion of his 'natural' counsellors, the nobility. Specific complaints included debasement of the coinage, royal hoarding of money, failure to staunch feuds and to enforce criminal justice. Yet James III has also been seen as a major patron of the arts, as Scotland's first Renaissance king, and as the architect of an intelligent and forward-looking foreign policy. In this new study, the author explores all these areas and seeks to explain why King James was challenged by a huge rebellion in 1482, which he narrowly survived, and why he succumbed to a further rising in 1488, which placed his eldest son on the throne as James IV.

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As the old adage goes, you have to ask the right questions before you can get the right answers. And that's exactly what the Not Your Average Bible Study series helps you do. Rather than spoon-feeding you with individual facts, this study of James coaches you on how to think through the text as a whole. Tested and proven in Bible Study Magazine, it's perfect for group and individual studies alike.We can easily become entangled in the cares of this world and forget the important things in life. When we lose sight of the big picture, James reminds us what truly matters--the gospel. He challenges us to be "doers of the Word, and not hearers only." The gospel should define how we think, feel, and act.Each section of the guide begins with a concise introduction, providing context for the biblical passage. Next, you'll consider questions designed to prompt your own in-depth study. You'll also find specific prayer suggestions, along with ideas for further research. Experience the joy of discovering biblical insights for yourself--then apply these lessons to your everyday life.This is not your average Bible study!

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A Companion to James Madison and James Monroe features essays from leading academics that consider various aspects of the lives and legacies of our fourth and fifth presidents. Provides historians and students of history with a wealth of new insights into the lives and achievements of two of America’s most accomplished statesmen, James Madison and James Monroe Features 32 state-of-the field historiographic essays from leading academics that consider various aspects of the lives and legacies of our fourth and fifth presidents Synthesizes the latest findings, and offers new insights based on original research into primary sources Addresses topics that readers often want to learn more about, such as Madison and slavery

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Rona Munro's vividly imagined historical cycle brings to life three generations of Stewart kings who ruled Scotland in the tumultuous fifteenth century. James I: The Key Will Keep the Lock explores the complex character of the colourful Stewart King – poet, lover and law-maker. Captured at the age of 13 and crowned King of Scots in an English prison, James I of Scotland is delivered home 18 years later with a ransom on his head and a new English bride. The nation he returns to is poor: the royal coffers empty and his nobles ready to tear him apart at the first sign of weakness. Determined to bring the rule of law to a land riven by warring factions, James faces terrible choices if he is to save himself, his Queen and the crown. James II: Day of the Innocents depicts a violent royal playground from the perspective of the child King and his contemporaries, in a terrifying arena of sharp teeth and long knives. James II becomes the prize in a vicious game between Scotland’s most powerful families. Crowned when only six, abandoned by his mother and separated from his sisters, the child King is little more than a puppet. There is only one friend he can trust: William, the future Earl of Douglas. As James approaches adulthood in an ever more threatening world, he must fight to keep his tenuous grip on the crown while the nightmares of his childhood rise up once more. James III: The True Mirror, like the King himself, is colourful and unpredictable, turning its attention to the women at the heart of the royal court. Charismatic, cultured, and obsessed with grandiose schemes that his nation can ill afford, James III is by turns loved and loathed. Scotland thunders dangerously close to civil war, but its future may be decided by James’ resourceful and resilient wife, Queen Margaret of Denmark. Her love and clear vision can save a fragile monarchy and rescue a struggling people. Each play stands alone as a unique vision of a country tussling with its past and future; viewed together the cycle creates an intricate and compelling narrative on Scottish culture and nationhood, full of playful wit and boisterous theatricality. The James Plays premiered at the Festival Theatre, Edinburgh, in August 2014 as part of the Edinburgh International Festival, before transferring to the National Theatre, London. The original three-play cycle was named Best New Play at the Evening Standard Theatre Awards 2014.

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Dan McCartney, a highly regarded New Testament scholar and an expert on biblical interpretation, offers a substantive yet accessible commentary on James in this latest addition to the award-winning BECNT series. With extensive research and thoughtful chapter-by-chapter exegesis, McCartney leads readers through all aspects of the book of James--sociological, historical, and theological--to help them better understand its meaning and relevance. As with all BECNT volumes, this commentary features the author's detailed interaction with the Greek text and an acclaimed, user-friendly design. It admirably achieves the dual aims of the series--academic sophistication with pastoral sensitivity and accessibility.

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A beautifully illustrated and designed book of the important Pop artist's previously unpublished working studiesThis book sheds new light on the fascinating working processes of American Pop artist James Rosenquist. Using the techniques of billboard painting and the visual language of advertising, Rosenquist's paintings explore consumer culture, politics, war, and other themes through startling juxtapositions of powerful imagery, including of cars, women, celebrities, food, appliances, a fighter jet, and the mushroom cloud of an atomic bomb. James Rosenquist: Collages, Drawings, and Paintings in Process presents previously unpublished preparatory work by the artistquick sketches to capture ideas, detailed studies, color keys, source materials, and photographsalongside the iconic paintings that resulted.

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James IV is the best-known of all the late medieval Scottish rulers. Widely praised by his contemporaries, he combined the qualities of successful medieval monarch with a wide interest in the arts and sciences, while remaining acutely conscious of the need to enhance the prestige of his dynasty throughout Europe. This excellent study examines all aspects of James IV's sovereignty, explains his popularity and his highly successful kingship and assesses reasons for the disastrous end to the reign when the king and a large population of the Scottish nobility were eliminated in a single afternoon in 1513 at Flodden. This book represents Scottish historical research at its very best. It is meticulously researched and sensitively written.

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For the past decade, the same remarkable players have been dominating the headlines for soccer, but, finally, they have met their match! Colombia's young star James Rodriguez burst onto the scene in the 2014 World Cup in Brazil, where he was awarded the Golden Boot as the tournament's top scorer, with six impressive goals-he is the one to watch. In this entertaining and informative book, we follow Rodriguez from his humble beginnings in Ibagué, Colombia, to his meteoric superstardom as a midfielder with Spain's Real Madrid. Learn about his personality, family, and favourite hobbies, along with his strengths and playing style. Get to know the major star of tomorrow-James Rodriguez!

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Discusses the life and work of William James, a founder of the study of psychology. William James (1842-1910) was elder brother to the novelist Henry James and a founder of the study of psychology. But he was also a thinker who sought to work across conventional boundaries, and did not believe in separate disciplines or over-professionalized ways of thinking. James was above all interested in those moments when thoughts suddenly come into being, 'hot' and 'alive'. William James is for anyone who has experienced the personal need for such thinking and feels the excitement of ideas. It concerns the personal experience of reading James, involving extensive quotation from his work in relation to Philip Davis' own inner life and the lives of other readers of James--a thinker who is defiantly convinced of the fundamental validity of the inner life in the making of the Real. This book is about William James's life-writing, writing for the sake of existence, that puts together a mix of literature, psychology, philosophy, and biography in the search for purpose and human flourishing, in place of formal religion. It includes James' interest in his brother's novels and in Shakespearean drama, as well as Thomas Hardy's pessimistic challenge to James. Davis is a reader of literature who feels that readers of novels and poems also need the help of psychology and philosophy, to get the thinking out, to make it into a working part of a life. His book is for readers, especially readers of literature, seeking to create, like William James, a literary way of thinking outside the realm of literature.

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Introduction by Rachel Greene. Filled with over 150 raucous drawings and paintings, Todd James is a dense catalogue of recent work from the internationally known artist and designer. James's commercial work over the last fifteen years has helped shape the aesthetic of contemporary youth culture, and his logos for clients like The Source, Eminem, Mobb Deep, the Beastie Boys and Redman remain some of Hip-Hop's most enduring icons.

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James V suffered the fate of many a son of a famous father in being somewhat overshadowed not only by his father James IV but also by his internationally renowned daughter Mary Queen of Scots. But no-one would deny the importance of his reign, embracing as it did the establishment of the Court of Session, the birthpangs of religious dissent, and the growth of royal power to such a remarkable extent that this king could leave his kingdom for nine months in 1536-7 without fear of rebellion. Jamie Cameron concentrates on James V's style of government and relations with his nobility, and challenges the widely held view of a vindictive and irrational king, motivated largely by greed, who antagonised most of his leading magnates and met his just deserts when they refused to support him in 1542. This book offers a different view, and presents us with a rounded picture of a king whose approach to government, in spite of some personal defects, closely resembles that of his supposedly more popular father; and, like James IV himself, retained impressive magnate support to the end of his reign.

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James II (1633–1701) lacked the charisma of his father, Charles I, but shared his tendency to dismiss the views of others when they differed from his own. Failing to understand his subjects, James was also misunderstood by them. In this highly-regarded biography, John Miller reassesses James II and his reign, drawing on a wide array of primary sources from France, Italy, and Ireland as well as England. Miller argues that the king had many laudable attributes--he was brave, loyal, honorable, and hard-working, and he was at least as benevolent toward his people as his father had been. Yet James’s conversion to Catholicism fueled the distrust of his Protestant subjects who placed the worst possible construction on his actions and statements. Although James came to see the securing of religious freedom for Catholics in the wider context of freedom for all religious minorities, his people naturally doubted the sincerity of his commitment to toleration.The book explores James’s relations with the state and society, focusing on the political, diplomatic, and religious issues that shaped his reign. Miller discusses the human failings, the gulf of understanding between the king and his subjects, and the sheer bad luck that led to James’s downfall. He also considers the reasons for James’s lack of interest in recovering his kingdom after his flight to France in 1688. This revised edition of the book includes a substantial new foreword assessing recent work on the reign.“This is a first-class essay in historical biography. . . . It must displace all previous lives of James II.”—J. P. Kenyon, Observer

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It is brimming with strange and amusing stories about the Bond actors, from Sean Connery to Daniel Craig, behind the scenes at the film set, and amazing facts about Ian Fleming's original novel. Whether you want to learn about the casting of the six personifications of Bond and their respective success, discover Fleming's lesser known literary achievement, Chitty Chitty Bang Bang (aka James Bond for children), or unearth the mystery surrounding the true composer of the James Bond theme, there is something for every enthusiast to dip into.

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As leader of the Jerusalem church, what words of encouragement would James write to these persecuted Christians? Perhaps a little surprisingly, his key message was: faith works. Genuine belief inevitably transforms our speech, suffering, compassion for the poor, humility, prayers, priorities, and, frankly, every other aspect of life. In 5 chapters James introduces and briefly touches upon a whole variety of issues that concern the new believers. In a simple, forthright style he urges them to live out their faith, knowing that God's grace is sufficient for every trial and that there is a value and purpose to their suffering. James' own life illustrated this message. He had grown up with Jesus and was naturally sceptical about his brother's Messianic claims. But a post-resurrection encounter with Jesus revolutionised his life. He was transformed from a vocal critic into a key leader of the early church and prime mover in the Jerusalem Council (Acts 15).

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Throughout the last 30 years, Los Angeles–based painter James Hayward’s (born 1943) practice has focused exclusively on the monochrome, developing from flatter works into thicker, impasto abstractions. This monograph compiles Hayward’s most recent monochromatic paintings, exploring their sculptural peaks and fissures.

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A complete monograph on the work of the influential British-born, Milan-based furniture and product designer James Irvine (1958-2013).James Irvine is an intimate look into the work and life of a design legend. Previously unpublished drawings, sketches, models and images from Irvine's archives and personal anecdotes and texts from the designers who worked directly with him, including Jasper Morrison, Marc Newson, Konstantin Grcic and Naoto Fukasawa, reveal Irvine's passions, interests and idiosyncracies like never before.

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This unique commentary on James by an outstanding New Testament specialist, provides a broad range of original perspectives of how people have interpreted, and been influenced by, this important epistle. The author explores a vast array of interpretations extending far beyond theological commentary, sermons, and hymns , which also embraces the epistle’s influences on literature, art, politics, and social theory. The work includes examples of how successive generations have portrayed the historical figure of James the Just, in both pictorial and textual form. Contextualizing his analysis with excerpts from key documents, including visual and artistic representations of James, the author reviews the dynamic interactions between the James and Jesus traditions and compares James’s epistle with those of Paul. The volume highlights James’s particular concern for the poor and marginalized, charting the many responses to this aspect of his legacy. Drawing on sources as varied as William Shakespeare, John Calvin, Charles Schultz’s Peanuts, and political cartoons, this is an exhaustive study of the theological and cultural debates sparked by the Epistle of James.

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James Tissot is best known for his paintings of fashionable women and society life in the late 19th century. Born in Nantes, France, he trained at the École des Beaux-Arts in Paris where he befriended James McNeill Whistler and Edgar Degas. Tissot’s career defies categorization and he never formally belonged to the Impressionist circle despite an invitation from Degas. An astute businessman, Tissot garnered commercial and critical success on both sides of the English Channel while defying traditional conventions. He received recognition at the time from patrons and peers, and even his society portraits reveal a rich and complex commentary on Victorian and fin-de-siècle culture. This lavishly illustrated book, featuring paintings, enamels, and works on paper, explores Tissot’s life and career from his early period in Nantes to his later years when he made hundreds of spiritual and religious works. The volume also includes essays that introduce new scholarship to redefine Tissot’s placement within the narratives of the 19th-century canon.

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A concise survey of the pioneering work of London-based Ghanaian photographer James Barnor. With a practice spanning six decades and two continents, ranging from street to studio and fashion to documentary, Ghanaian photographer James Barnor (b.1929) is now recognised as a pivotal figure in the history of photography. Moving between Accra and London throughout his life, Barnor's photographic portraits visibly map societies in transition: Ghana winning independence from Britain, and London embracing the freedoms of the swinging sixties. He has said: 'I was lucky to be alive when things were happening ... when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the sixties, so I call myself Lucky Jim.' Barnor's photographs have been described as 'slices of history, documenting race and modernity in the post-colonial world', and he has been the subject of several major retrospectives over the last fifteen years. This concise survey in the Photofile series is the perfect overview of his multifaceted work.

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The first monograph on an American abstract artist of unparalleled subtlety. James Howell (1935-2014) was an American abstract artist who used infinite variations of the colour grey to explore the fundamentals of light, space, time, and [kinesthetic] perception. He appreciated the colour’s mystery, softness, simplicity, and capaciousness. His precise, systematic methods, developed over many years, yielded accomplished square paintings and works on paper. Their subtle revelations — absent of illusion, narrative, and symbolic references — expand in the viewer’s consciousness. In this comprehensive first monograph, Alistair Rider traces Howell’s artistic evolution, from the beginnings of his career in the early 1970s through the artist’s greatest achievement — the group of abstractions called Series 10, which occupied the last two decades of his life. Rider’s multi-faceted essay also chronicles Howell’s biography, including his early studies and accomplishments in architecture, and offers several interpretive frameworks for Howell’s oeuvre, notably a connection to East Asian philosophies. The beautifully produced book presents dozens of full-colour plates of artworks and exhibitions, and Rider’s essay is thoroughly illustrated with archival images and documents from the James Howell Foundation. This publication makes a critical contribution to the reevaluation of an artist whose studies of light into shadow have for many years been in a dynamic conversation with recognised trends in contemporary art.

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No more than a promising actor with a handful of films to his name when he died in 1955, James Dean has since been elevated to an iconic status surpassed only by Elvis Presley and Marilyn Monroe. And his image - a blend of ''50s cool and tough-guy charm - has been vigorously marketed in the race to cash in on a legend that, forty years later, shows no sign of abating. But until now, no serious biography has looked beyond the studio-manufactured cliches to the volatile polarities of this complex star. Was he bisexual or gay? A neurotic con-man or a lost boy trying to find himself? And to what extent did his sexuality fire his performances? Drawing on many new and documented sources, and featuring previously unpublished photographs, Paul Alexander''s revisionist and passionate biography will explode many people''s myths about a rare acting genius.

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James Joyce remains a mysterious figure, and yet his books concern his own life: his friends, loves, and above all the city of Dublin. Professor Chester Anderson here examines Joyce as one of the greatest modern writers, but also explores his life, visiting all the places where he lived and worked, and showing how closely all these biographical details are related to Joyce's four great books: Dubliners, A Portrait of the Artist as a Young Man, Ulysses and Finnegan's Wake. This unity of work and life is illuminated by passages quoted from these masterpieces and from Joyce's letters and other writings. The fascinating photographs of Joyce, his family and his surroundings cover every phase of his life.

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James Loeb (1867 – 1933), the son of a German - Jewish banker in New York, followed his artistic and art historical inclinations and used his tremendous financial wealth for the purpose of cultural and social philanthropism. This publication examines the patron’s life and work and outlines his scholarly achievements. Classical scholar, art collector, and philanthropist – James Loeb is one of the impressive personal ities of the twentieth century. Coming from a well - off family, he lived for his artistic interests and owned an outstanding collection of Greek, Etruscan, and Roman artworks, which nowadays is kept in the State Collection of Antiquities in Munich. He is th e founder of the Loeb Classical Library and provided extensive support for educational and social institutions. In this publication, renowned German and American authors for the first time take a comprehensive look at the life and work of the collector and patron who was active in Munich and Murnau.

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Der belgische Maler und Grafiker James Ensor (1860–1949) nimmt in der Kunstgeschichte des 20. Jahrhunderts einen besonderen Rang ein. Als „Maler der Masken" kategorisiert, stilisierte er sich selbst als Einzelgänger und Außenseiter, war aber auch Vorläufer und Impulsgeber künftiger Generationen. Die Publikation zur Ausstellung in der Kunsthalle Mannheim stellt das Schicksal eines Bildes, Die Masken und der Tod von 1897, das einst zur Sammlung gehörte, 1937 von den Nationalsozialisten beschlagnahmt wurde und sich heute im Musee des Beaux-Arts Lüttich befindet, in den Fokus. Um dieses und als Ersatz in den 1950ern erworbene Bild Stillleben mit Hahn gruppieren sich zahlreiche weitere Werke zum Motivkreis „Selbstbildnis – Maske – Tod – Stillleben", die zeigen, wie eng verflochten diese Themen in Ensors Œuvre waren. Ensorjahr 2024 Überblick über das gesamte Schaffen des Künstlers mit Fokus auf Maskenmotiv als Objekt und Symbol, das Spiel mit Identität und Inszenierung Neuer Blick auf seine Rezeption in Deutschland Ausstellung: Kunsthalle Mannheim 2021 Blick ins Buch

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FUN FOR BOND FANS OF ALL AGES – the whole family will love this high-stakes game featuring 64 characters, gadgets and locations from all the James Bond movies PLAY AND LEARN – this board game comes with a leaflet packed with 007 trivia. Learn about Bond''s most memorable nemeses, Q''s craziest gadgets and more! GREAT GIFT – perfect for dedicated James Bond fans, lovers of cinema and families who enjoy spending quality time together SOMETHING TO TREASURE – this is a quality product made to last, with photography from the Bond archives and sleek and stylish packaging EXPLORE THE ENTIRE SERIES – this game is part of the bestselling bingo series, a collection of games for nature lovers and enthusiastic board gamers. Other games in the series include Bug Bingo, Cat Bingo, Dog Bingo, Monkey Bingo, Ocean Bingo and Royal BingoThe name''s Bond. James Bond.Grab Q''s gadgets, buckle up in the Aston Martin DB

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One of the most powerful and provocative writers to have emerged in Britain in recent years, James Kelman has engendered a good deal of controversy over his widely reported, but often misconceived use of ‘bad’ language words. This introduction to the whole range of his works, from the early short stories through the plays and essays to the Booker Prize winning novel How Late it Was, How Late and the latest experimental fiction, examines the embattled Kelman’s literary politics. H. Gustav Klaus pays close attention to the Scottish culture in which Kelman’s writing was nurtured, to the uncompromising treatment of the ‘underclass’, the intricacies of the narrative voice and the existentialist anguish behind it. A writer of international reputation now, Kelman’s principled anti-authoritarianism raises uncomfortable questions about the continuing reality of class, dominant social and literary values and the role of writers in our time.

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Concentrate on the biblical author’s message as it unfolds.Designed to assist the pastor and Bible teacher in conveying the significance of God’s Word, the Zondervan Exegetical Commentary on the New Testament series treats the literary context and structure of every passage of the New Testament book in the original Greek.With a unique layout designed to help you comprehend the form and flow of each passage, the ZECNT unpacks: The key message. The author’s original translation. An exegetical outline. Verse-by-verse commentary. Theology in application. While primarily designed for those with a basic knowledge of biblical Greek, all who strive to understand and teach the New Testament will benefit from the depth, format, and scholarship of these volumes.

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Over 250 photos and eloquent text reveal the majesty of Virginia's James River. Explore the river from its humble beginnings on private property to the point where it meets one of the nation's busiest seaports. See Class V rapids in the heart of Richmond as nowhere else in America. The text includes a final interview of country music legend Jimmy Dean, which took place a short time before his death, and whose estate and final resting place are on the James River. Read remarks from U.S. Senator Mark Warner and other government officials about the river's importance to Virginia. Learn the historical significance of this beautiful natural resource through anecdotal notes and period photographs.

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In this addition to the well-received Paideia series, two respected New Testament scholars offer a practical commentary on James and Jude that is conversant with contemporary scholarship, draws on ancient backgrounds, and attends to the theological nature of the texts. This commentary, like each in the projected eighteen-volume series, proceeds by sense units rather than word-by-word or verse-by-verse. Paideia commentaries explore how New Testament texts form Christian readers by • attending to the ancient narrative and rhetorical strategies the text employs • showing how the text shapes theological convictions and moral habits • commenting on the final, canonical form of each New Testament book • focusing on the cultural, literary, and theological settings of the text • making judicious use of maps, photos, and sidebars in a reader-friendly format Students, pastors, and other readers will appreciate the historical, literary, and theological insight that John Painter and David deSilva offer in interpreting James and Jude.

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This book gives attention to the language and style of the letter of James, with a hypothesis about its rhetorical purpose in mind. It focuses on what we can learn about the author of James, by reading the text in light of a guiding research question: How does the author establish and assert authority? The letter builds literary authority for a number of purposes, one of which is to address socioeconomic disparity, a major concern for the author. The author of James presents a speech-in-character in the shape of a letter to establish his ethos (Ch. 2), employing vocabulary and style to signal his education implicitly (Ch. 3 & 4) and includes himself in the categories of sage, teacher and exegete explicitly (Ch. 5). From this standpoint, the author can address the rich as equals, rebuke them and admonish both rich and poor to receive Gods wisdom (Ch. 6).The comparison with ancient literary criticism shows that the categories at play are the same. The insight that language and ethos are inseparable categories in antiquity provides us with renewed ways to interpret the literary production of early Christianity. Both James and the Classicists present a competing epic in the context of the early imperium, the former with an Israelite piety that is superior to contemporary economic and moral categories and the latter with the supremacy of Greek culture as a foundation for Rome. The letter of James emerges as a document that builds educational ethos as a balance against the rich and powerful, a strategy that calls for a revision of both its rhetoric and socio-economic situation.

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In this study of the reign of James II of Scotland, the king is viewed in the context of the Stewart monarchy, from his struggles to overcome his early adversity and the legacy of his father's style of kingship, to the serious political crises of his reign. The relations between the king and his subjects, and the complex balance of power in medieval Scotland are examined, particularly the significant crisis precipitated by James II's attack on the Black Douglases, the greatest of all late medieval magnate families. The changing nature of political involvement among the nobility and the role of Parliament in influencing events are explored, as are the efforts of the king to recover and promote royal authority in the final years of his reign. The role of James II in the wider European context is also studied with a view to shedding light on contemporary perceptions of the Stewart monarchy both at home and abroad. The study is based on contemporary chronicle and official sources, and consideration is also given to later, highly coloured views of James II, which have influenced popular views of the king to the present day.

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Lauded by photographers, artists, and critics for his influence on the contemporary generation of art photographers, James Welling has created beautiful and uncompromising photographs for over thirty-five years. Operating in the hybrid ground between painting, sculpture, and traditional photography, Welling is first and foremost a photographic practitioner enthralled with the possibilities of the medium. James Welling: Monograph will provide the most thorough presentation of the artist’s work to date, as well as offer an indispensible resource for those interested in this artist’s remarkable, foundational practice. Since the mid-1970s, Welling’s work has fluidly explored a mercurial set of issues and ideas: the tenets of realism and transparency, abstraction and representation, optics and description, personal and cultural memory, and the material and chemical nature of photography. To date, the artist has been the subject of numerous catalogs addressing his more than twenty-five different bodies of work—Welling’s “substantive investigation of the spectrum of abstract to figurative,” as one curator has described it. Yet no book has appeared with the ambition of linking these bodies of work together by examining the primary threads that run through them all. That is, until now. Sumptuously produced, James Welling: Monograph, presents a large selection of recent series, from 2000 through to the present, comingled with important early and iconic works made in the preceding decades. Chief curator of the Cincinnati Art Museum, James Crump, working closely with the artist, contributes an extensive introductory essay, and the volume will also include text contributions by Mark Godfrey, Thomas Seelig, and an interview with Eva Respini, associate curator in the Department of Photography at MoMA.

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James Merrill once called his poetic works 'chronicles of love and loss', and in twenty books written over four decades he used the details of his life - comic and haunting, exotic and domestic - to shape a compelling, sometimes intensely moving, personal portrait. Sophisticated, witty and ironic, his poetry also engages passionately with topical issues - war, terrorism, political corruption, AIDS, climate change and the destruction of nature. An admirer of Wallace Stevens, Elizabeth Bishop and W. H. Auden, Merrill, like them, has left a legacy that will speak to readers for years to come.

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For ten years between 1965 and 1975, James Brown was the most popular and cutting-edge of any black artist. As one journalist put it, "before Brown, there was music with a beat. After Brown music had found a groove." The drawing out of this "groove," leveraged on "the one," - or the first and third beats of a 4/4 bar, - would provide the key to much of Brown's subsequent musical success and instil within popular music an unprecedented drive that would characterize not only the funk style, but also provide the rhythmic blueprint for dance music up to the present day. This book explores how funk emerged in the mid-1960s at the very apex of the civil rights movement and shows how this music mirrored the broader changes taking place within the African-American community at a crucial political time and continues to this day to underpin remix culture. It traces the extent of the Brown legacy, musically, culturally and otherwise articulating decisive links between Brown's work and the DJ culture that embraced it so emphatically that Brown is now considered to be the most widely sampled African-American recording artist in history; indeed, we seem to have reached a point where many of Brown's refrains - the screams, the horn stabs, the "funky drummer" breakbeats - have been sampled so often as to have seemingly become part of the public domain. Traversing the past forty years of popular music, the book explores how the ubiquitous presence of Brown's groove, the affective and transformative capacities of a grunt or a well-timed "Good God" or punctuating scream take over where language fails and compel even the most sedate listener to take to the floor.

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