Search results for ""Author Jack Parlett""

A groundbreaking new history of urban cruising through the lenses of urban poets The Poetics of Cruising explores the relationship between cruising, photography, and the visual in the work of leading poets, from Walt Whitman in the nineteenth century to Eileen Myles in the twenty-first. What is it that happens, asks Jack Parlett, and what is it that is sought, in this often transient moment of perception we call cruising, this perceptual arena where acts of looking between strangers are intensified and eroticized? Parlett believes that this moment is not only optical in nature but visual: a mode of looking that warrants comparison with the ways in which we behold still and moving images. Whether it’s Whitman’s fixation with daguerreotypes, Langston Hughes’s hybrid photographic works, or Frank O’Hara’s love of Hollywood movie stars, argues Parlett, the history of poets cruising abounds with this intermingling between the verbal and the visual, the passing and the fixed. To look at someone in the act of cruising, this history suggests, is to capture, consider, and aestheticize, amid the flux and instantaneity of urban time. But it is also to reveal the ambivalence at the heart of this erotic search, where power may be unevenly distributed across glances, and gendered and racialized bodies are marked. Thus, in identifying for the first time this confluence of cruising, poetry, and visual culture, Parlett concludes that the visual erotic economy associated with gay cruising today, exemplified by the photographic grid of an app like Grindr, is not a uniquely contemporary phenomenon. Innovative, astute, and highly readable, and drawing on compelling archival material, The Poetics of Cruising is a must for scholars of queer and LGBTQ literature and culture, modern and contemporary poetry, visual studies, and the history of sexuality.

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"A beautiful, beguiling journey to the ultimate queer utopia" - Olivia Laing "Clued-up but insatiably thirsty, poignant, packed with literary intrigue, Fire Island is a beaming beach read" - Jeremy Atherton Lin --- Fire Island: a slim strip of land off the coast of New York, and a place of hedonism, reinvention, liberation. Arriving on the island after a break-up back home in England, scholar and poet Jack Parlett was beguiled by what he found. Here were the halcyon scenes of Frank O'Hara's poetry; the bars where Patricia Highsmith got drunk; the infamous cruising sites; and the dazzling beaches where couples had fallen in and out of love, free for a sun-kissed moment to be themselves in the time before gay liberation. Tracing Fire Island's rich history, Parlett leads the reader through the early days of the island's life as a discreet home for same-sex love, to the wild parties of the post-Stonewall disco era, to the residents' confrontation with the AIDS epidemic, and into a present where a host of new challenges threaten the island's future. Lyrical and vivid, Fire Island is a hymn to an iconic destination, and to the men and women whose ardour and determination spread freedom across its shores.

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A groundbreaking new history of urban cruising through the lenses of urban poets The Poetics of Cruising explores the relationship between cruising, photography, and the visual in the work of leading poets, from Walt Whitman in the nineteenth century to Eileen Myles in the twenty-first. What is it that happens, asks Jack Parlett, and what is it that is sought, in this often transient moment of perception we call cruising, this perceptual arena where acts of looking between strangers are intensified and eroticized? Parlett believes that this moment is not only optical in nature but visual: a mode of looking that warrants comparison with the ways in which we behold still and moving images. Whether it’s Whitman’s fixation with daguerreotypes, Langston Hughes’s hybrid photographic works, or Frank O’Hara’s love of Hollywood movie stars, argues Parlett, the history of poets cruising abounds with this intermingling between the verbal and the visual, the passing and the fixed. To look at someone in the act of cruising, this history suggests, is to capture, consider, and aestheticize, amid the flux and instantaneity of urban time. But it is also to reveal the ambivalence at the heart of this erotic search, where power may be unevenly distributed across glances, and gendered and racialized bodies are marked. Thus, in identifying for the first time this confluence of cruising, poetry, and visual culture, Parlett concludes that the visual erotic economy associated with gay cruising today, exemplified by the photographic grid of an app like Grindr, is not a uniquely contemporary phenomenon. Innovative, astute, and highly readable, and drawing on compelling archival material, The Poetics of Cruising is a must for scholars of queer and LGBTQ literature and culture, modern and contemporary poetry, visual studies, and the history of sexuality.

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To Die Alive conjures a hedonistic fever dream of Fire Island’s historic gay communities. The book contains 77 photographs by New York artist Matthew Leifheit taken by night over the past five years. The pictures show a world of desire layered in history, including the Ice Palace bar’s infamous underwear party, the men-only Belvedere Guesthouse, clandestine encounters in the Meat Rack, and landscapes in all seasons of the island’s delicate maritime forest. The wide-ranging subjects of Leifheit’s portraits are the intergenerational community who come to the island for refuge or employment, ranging from sugar daddies to bartenders and sex workers. The series takes the form of a tragedy, combining many nights and many histories to form an endless night of sex, death, and evolution towards new definitions of queerness. As homosexuality gains mainstream acceptance, many queer Americans no longer need to go to geographic extremes like Fire Island, Provincetown, Palm Springs or Key West to express themselves. But what is the cost of assimilation? To Die Alive is both romantic and grotesque, challenging the sun-bleached history of homoerotic representation on this fragile island, which itself is under constant threat of erosion into the sea.

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