Search results for ""Author Jack Finney""

Welcome to the Best of the Masterworks: a selection of the finest in science fictionMill Valley, Marin County, California. Dr Miles Bennell has lived there all his life. But one day Miles sees a patient who claims her Uncle isn't himself. He's a different person, despite being identical in every way except one: he is only pretending to have emotions.Miles dismisses this as delusions and refers her to a psychiatrist.Then he finds the pods. Giant seed pods, filled with a strange, grey substance. A strange grey substance that can slowly, slowly, become a perfect replica of a person.But what has happened to the people being replicated?Adapted for screen multiple times, The Body Snatchers is the origin of the phrase 'pod people', and a staple of pulp science fiction. Read by many as an allegory for the Cold War, or McCarthyism, it perfectly encapsulates the paranoia that comes with not knowing who around you can be trusted.'A good story, to be read and savoured' - Stephen King'Will chill you straight to the marrow' - Galaxy Science Fiction'Intensely readable and unpredictably ingenious' - The Magazine of Fantasy and Science Fiction

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Originally published in 1955 Jack Finney's sinister SF tale has outgrown the initial debate about whether it satirized Communism or the conformity of US society at the time, to become a classic of paranoia; an examination of our fear of 'the other'.Most people know the story from seeing THE INVASION OF THE BODY SNATCHERS, the classic 1978 remake (one of the few Hollwood remakes said to better than the original, made in 1956) starring Donald Sutherland. Here's your chance to read the original source; a story that has resonated with readers and viewers for more than 50 years.

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Si Morley is bored with his job as a commercial illustrator and his social life doesn't seem to be going anywhere. So, when he is approached by an affable ex-football star and told that he is just what the government is looking for to take part in a top-secret programme, he doesn't hesitate for too long. And so one day Si steps out of his twentieth-century, New York apartment and finds himself back in January 1882. There are no cars, no planes, no computers, no television and the word 'nuclear' appears in no dictionaries. For Si, it's very like Eden, somewhere he could find happiness. But has he really been back in time? The portfolio of tintype photographs and sketches that he brings back convince the government. But all Si wants is to return ...

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