Search results for ""Author Ivan Klíma""

More than a memoir, My Crazy Century explores the ways in which the epoch and its dominating totalitarian ideologies impacted the lives, character, and morality of Klíma's generation. Klíma's story begins in the 1930s, in the Terezin concentration camp outside of Prague, where he was forced to spend almost four years of his childhood. He reveals how the postwar atmosphere supported and encouraged the spread of Communist principles over the next few decades and how an informal movement to change the system developed inside the Party. These political events form the backdrop to Klíma's personal experiences, with the arrest and trial of his father; the early revolt of young writers against socialist realism; his first literary successes; and his travels to the free part of Europe, which strengthened his awareness of living as part of a colossal lie. Klíma also captures the brief period of liberation during 1968's Prague Spring, in which he played an active role; the Soviet invasion that crushed its political reforms; the rise of the dissident movement; and the collapse of the Communist regime in the middle of the Velvet Revolution of 1989. Including insightful essays on topics related to social history, political thinking, love, and freedom, My Crazy Century provides a profoundly rich and moving personal history of national evolution. Ivan Klíma's first autobiography and perhaps his most significant work, it encapsulates a remarkable life largely lived under occupation.

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The narrator of Love and Garbage has temporarily abandoned his work-in-progress - an essay on Kafka - and exchanged his writer's pen for the orange vest of a Prague road-sweeper. As he works, he meditates on Czechoslovakia, on Kafka, on life, on art and, obsessively, on his passionate and adulterous love affair with the sculptress Daria. Gradually he admits the impossibility of being at once an honest writer and an honest lover, and with that agonising discovery comes a moment of choice.

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Czech writer Vitezslav Nezval (1900-58) was one of the leading Surrealist poets of the 20th century. "Prague with Fingers of Rain" is his classic 1936 collection in which Prague's many-sided life - its glamorous history, various weathers, different kinds of people - becomes symbolic of what is contradictory and paradoxical in life itself. Mixing real and surreal, Nezval evokes life's contradictoriness in a series of psalm-like poems of puzzled love and generous humanity. Nezval was perhaps the most prolific writer in Prague during the 1920s and 30s. An original member of the avant-garde group of artists Devetsil ("Butterbur", literally: "Nine Forces"), he was a founding figure of the Poetist movement. His numerous books included poetry collections, experimental plays and novels, memoirs, essays and translations. His best work is from the interwar period. Along with Karel Teige, Jindrich Aetyrsku, and Toyen, Nezval frequently travelled to Paris, engaging with the French surrealists. Forging a friendship with Andre Breton and Paul Aeluard, he was instrumental in founding The Surrealist Group of Czechoslovakia in 1934 (the first such group outside of France), serving as editor of the group's journal Surrealismus. His mastery of language and prosody was unparalleled - contemporaries referred to it as wizardry. Alongside with surrealist poetry, he wrote poems that sounded like genuine folksongs and for some time he teased the Czech literary public by the anonymous publication of three books attributed to a fictitious Robert David - one of 52 Villonesque ballades, another of 100 sonnets, all in strict classical form. His identity was guessed by the critics only because 'no one else would be able to do that'. This selection from his seminal collection has a specially commissioned foreword by Ivan Klima.

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A visionary work of science fiction that introduced the word "robot"Written in 1920, premiered in Prague in 1921, and first performed in New York in 1922—garnered worldwide acclaim for its author and popularized the word robot. Mass-produced as efficient laborers to serve man, Capek’s Robots are an android product—they remember everything but think of nothing new. But the Utopian life they provide ultimately lacks meaning, and the humans they serve stop reproducing. When the Robots revolt, killing all but one of their masters, they must strain to learn the secret of self-duplication. It is not until two Robots fall in love and are christened “Adam” and “Eve” by the last surviving human that Nature emerges triumphant.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

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