Search results for ""Author Ivan Goncharov""

Set at the beginning of the nineteenth century, when idleness was still looked upon by Russia’s serf-owning rural gentry as a plausible and worthy goal, Ivan Goncharov’s Oblomov follows the travails of an unlikely hero, a young aristocrat incapable of making a decision. Indolent, inattentive, incurious, given to daydreaming and procrastination, Oblomov clearly predates the ideal of the industrious modern man, yet he is impossible not to admire through Goncharov’s masterful prose. Translator Marian Schwartz breathes new life into this Russian masterpiece in this, the first translation from the generally recognized definitive edition of the original, as well the first to attempt to replicate in English Goncharov’s wry humor and all-embracing humanity. Replete with ingenious social satire and cutting criticism of nineteenth-century Russian society, this edition of Oblomov will introduce new readers to the novel that Leo Tolstoy praised as “a truly great work, the likes of which one has not seen for a long, long time.”

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Goncharov was the leading Russian writer of the 1850s and, as the author of The Same Old Story, was regarded as “the real heir to Nikolai Gogol”. But the publication of Turgenev’s first full-length novel, A Nest of the Gentry, in 1859, at around the same time as Goncharov’s Oblomov, which had been more than ten years in the making, suddenly changed the public’s perception. Turgenev’s success was eyed with suspicion by his rival, who started to believe that his work in progress, Malinovka Heights, had been plagiarized by his former friend. Goncharov had in fact discussed in detail with Turgenev the plot of his new novel, and the latter later admitted that, being very impressionable, he may have been influenced by some of its elements, but his friend’s charges went further: he accused the younger writer of stealing his ideas, his characters and even some of his plotlines. As Turgenev’s success increased over the years, so did Goncharov’s resentment, and the two novelists, although later reconciled, stopped communicating with each other. An Uncommon Story, published posthumously in 1924, contrary to its author’s wishes, is an extraordinary document that lays bare the jealousies felt but rarely expressed by writers, and an eternal monument to literary paranoia.

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After his university studies and a short stint in the army and the civil service, thirty-something Boris Pavlovich Raisky enjoys the life of an artist, frequenting St Petersburg’s elegant circles, dabbing at his paintings, playing a little music and entertaining thoughts of writing a novel. But for a man like him, who has achieved nothing so far and by his own admission is “not born to work”, the bustle of the capital proves too much, so he decides to visit his country estate of Malinovka. There he hopes to rediscover the joys of a simpler and more authentic life – but when he becomes emotionally involved with his beautiful cousin Vera and meets the dangerous freethinker Mark Volokhov, the scene is set for a chain of events that will lead to disappointment, confrontation and, ultimately, tragedy. Conceived twenty years before its initial publication in 1869, and regarded by its author as his best work, Malinovka Heights (previously translated in English as The Precipice) is Goncharov’s crowning achievement as a novelist and a triumph of psychological insight. Here presented for the first time in unabridged form in a sparkling new translation by Stephen Pearl, Goncharov’s final novel deserves to be reassessed as one of the most important classics of nineteenth-century Russian literature.

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First published in 1859, Oblomov is an indisputable classic of Russian literature, comparable in its stature to such masterpieces as Gogol’s Dead Souls, Tolstoy’s Anna Karenina and Dostoevsky’s Brothers Karamazov. The book centres on the figure of Ilya Ilyich Oblomov, a member of the dying class of the landed gentry, who spends most of his time lying in bed gazing at life in an apathetic daze, encouraged by his equally lazy servant Zakhar and routinely swindled by his acquaintances. But this torpid existence comes to an end when, spurred on by his crumbling finances, the love of a woman and the reproaches of his friend, the hard-working Stoltz, Oblomov finds that he must engage with the real world and face up to his commitments. Rich in situational comedy, psychological complexity and social satire, Oblomov – here presented in Stephen Pearl’s award-winning translation, the first major English-language version of the novel in more than fifty years – is a timeless novel and a monument to human idleness.

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It is a winter evening, and Yegor Aduyev, the scion of a wealthy family from the landed gentry, slips into the house of Baron Neyleyn with the intention of asking his beautiful daughter, the eighteen-year-old Yelena, to be his wife. Will the besotted lover be successful in his pursuit or will the young coquette - who seems at times to reciprocate his feelings, but who lavished lingering looks on two dashing princes during a recent ball - shatter his hopes, his dreams and his entire world? A Serendipitous Error, written in 1839, when Goncharov was still in his twenties, is accompanied here by another early novella, An Evil Malady and a short fictional fragment. Taken together, these stories - translated for the first time into English - are further proof of the eclectic narrative skills of the celebrated author of Oblomov.

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Filled with dreams of pursuing a career as a poet, the young Alexander Aduev moves from the country to St Petersburg, where he takes up lodgings next to his uncle Pyotr, a shrewd and world-weary businessman. As his ideals are challenged by disappointment in the fields of love, friendship and poetical ambition, Alexander must decide whether to return to the homely values he has left behind or adapt to the ruthless rules and morals of city life. Told in the author's trademark humorous style and presented in a sparkling new translation by Stephen Pearl, The Same Old Story - Goncharov's first novel, preceding his masterpiece Oblomov by twelve years - is a study of lost illusions and rude spiritual awakening in the modern world.

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Ilya Ilyich Oblomov is a member of Russia's dying aristocracy - a man so lazy that he has given up his job in the Civil Service, neglected his books, insulted his friends and found himself in debt. Too apathetic to do anything about his problems, he lives in a grubby, crumbling apartment, waited on by Zakhar, his equally idle servant. Terrified by the bustle and activity necessary to participate in the real world, Oblomov manages to avoid work, postpone change and - finally - risks losing the love of his life. Written with sympathetic humour and compassion, Oblomov made Goncharov famous throughout Russia on its publication in 1859, as readers saw in this story of a man whose defining characteristic is indolence, the portrait of an entire class in decline.

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Goncharov's gentle satire on the failings of 19th-century Russian gentry and bureaucracy turns into something deeper and richer than satire, as he probes the character of a protagonist whose constitutional lethargy becomes a symbol for the malaise of the human spirit in an alienating world.

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