Search results for ""Author Isobel Maddison""

'To Those who Appreciate Wistaria and Sunshine. Small medieval castle on the shores of the Mediterranean to be let For the month of April, above a bay on the Italian Riviera.' Four very different women--the dishevelled and downtrodden Mrs Wilkins, the sad, sweet-faced Mrs Arbuthnot, the formidable widow Mrs Fisher, and the ravishing socialite Lady Caroline Dester--are drawn to the shores of the Mediterranean that April. As each, in turn, blossoms in the warmth of the Italian spring and finds their spirits stirring, quite unexpected changes occur. The Enchanted April (1922) is a deceptive and timely novel immured in a post-war context, a period noted for its wistful and sometimes satiric writings. Von Arnim's novel is part of this oeuvre and portrays an escape to a carefully described pastoral enclave away from encroaching urbanisation and the spread of new technologies, in an era when the Great War had left many emotionally and physically starved. The journey to San Salvatore by four unhappy women is an escape from stifling parochialism, constraining social and gendered expectations as well as stultifying insularity, but the evocation of an extraordinarily aesthetic and 'enchanted' location suggests more than personal recuperation. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Explores the literary connection between Katherine Mansfield and Elizabeth von Arnim Elizabeth von Arnim is best remembered as the author of Elizabeth and Her German Garden (1898) and The Enchanted April (1922), as well as being the elder cousin of Katherine Mansfield. Recently, new research into the complex relationship between these writers has extended our understanding of the familial, personal and literary connections between these unlikely friends. We know that they were an influential presence on one another and reviewed each other's work. By bringing the work of Mansfield and von Arnim together including on matters of artistry, on mourning, on gardens, on female resistance this book establishes shared preoccupations in ways that refine and extend our knowledge of writing in the period. It also deepens our understanding of the historical and literary contexts within which both of these extraordinary authors worked.

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