Search results for ""Author Isabel Waidner""

SHORTLISTED FOR THE ARTHUR C. CLARKE AWARD SCIENCE FICTION BOOK OF THE YEAR 2024A radical, joyful novel from Goldsmiths Prize-winning author Isabel WaidnerIn flight from a traumatic rural childhood, Corey Fah has come to earth in a one-bed council flat in the capital. Trapped, with partner Drew, in the limited world which late capitalism has allotted them, they are modestly happy but practically futureless.Until, one day, Corey is offered a life-changing prize from out of the blue. Things are looking up but as Corey soon finds, it's one thing winning a prize in life's lottery, and quite another being able to collect it especially if you are a queer, working class immigrant with all of History working against you.Corey Fah's pursuit of the elusive prize and an escape from precarity is a whirlwind, epic journey through the streets of the city and the time-loops of the past, written with boundless energy and invention.Social mobility,

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The radical, joyful follow-up to the Goldsmiths Prize-winning Sterling Karat Gold.This is the story of Corey Fah, a writer on the cusp of a windfall, courtesy of the Social Evils prize committee, for whom the actual gong - and with it the prize money - remains tantalizingly out of reach.Neon beige, with UFO-like qualities, the elusive trophy leads Corey, with partner Drew and surprise eight-legged companion Bambi Pavok, on a spectacular detour through their childhood in the Forest - via an unlikely stint on reality TV. Navigating those twin horrors, through wormholes and time loops, Corey learns - the hard way - the difference between a prize and a gift.Both radiant and revolutionary, Isabel Waidner's fiction gleefully takes a hammer to false binaries, boundaries and borders, turning walls into bridges and words into wings. Fierce, fluid and funny, they free us to imagine another way of being.This is a novel about coming into one's own, the labour of love, the tendency of history to repeat itself and the pitfalls of social mobility. It's about watching TV with your lover.'A head-spinning, mind-bending roller coaster of fun, horror, and subversion. I love it' Kamila Shamsie 'Reading Waidner is like plugging into an electric socket of language and ideas' Guardian

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Shortlisted for the Goldsmiths Prize and the Republic of Consciousness Prize Polar bears emerge from t-shirts. Reeboks come to life. Nothing is normal in the house of Mother Normal. In Isabel Waidner’s second novel, we follow an unnamed narrator who looks like Eleven from Stranger Things, but is in fact a 36-year-old migrant working for minimum wage in a run-down hotel on the Isle of Wight. Along with their best friend, Shae, the narrator faces Ukip activists, shapeshifting creatures, and despotic bosses while trying to hold down their job and preparing for their Life in the UK test. This is fiction that extends the avant-garde tradition beyond the upper-class experience that it usually chronicles – making it over as an ally of working-class queer experience. Set against a backdrop of austerity and decline, We Are Made of Diamond Stuff is an irreverent, boundary-erasing piece of work that celebrates the radical potential of resistance, ingenuity, and friendship.

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Aspiring writer Sterling is arrested one morning, without having done anything wrong. Plunged into a terrifying and nonsensical world, Sterling - with the help of their three best friends - must defy bullfighters, football legends, spaceships, and Google Earth tourists in order to exonerate themselves and to hold the powers that be to account. Sterling Karat Gold is Kafka's The Trial written for the era of gaslighting, a surreal inquiry into the very real effects of state violence and coercion on gender-nonconforming, working-class, and Black bodies.

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Intertitles is an anthology of work situated at the intersection of writing and the visual arts. The anthology aims to explore their confluence and is conceived in response to a twofold observation: the increased presence of written, spoken and performed language in the work of visual artists and the simultaneous increase in visibility and circulation of the work and voices of writers in the visual arts arena.Bringing together a substantial and significant collection of work, the anthology recognises that both writers and artists are attracted to the possibilities of language as a material. Through essays, performance texts, scores, poetry and more, Intertitles plots a course through contemporary writing practices and lends perspective to the question of why this might be of particular interest at this moment in time.In art as in poetry, meaning is made in the very conditions of the encounter itself. The knowledge produced is not instructive or strictly informational but subjective and relational. Artists build the worlds that viewers may inhabit temporarily in the moment of their becoming. The physicality of these temporary utopias, however, is frequently realised in the contested spaces of our museums and galleries. This anthology asks if poetry, and the world it is capable of building outside of these normative structures, is poised to be the most constitutive form of all. Putting poetry into the social milieu, as a shared goal of artists and writers, might be understood as a gesture towards a truly radical reimagining.

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