Search results for ""Author Isaac Rosenberg""

An astonishing discovery was made in 1995 during the British Library's removal from the British Museum. Thirty-four letters and eighteen draft poems, including "Break of Day in the Trenches", "Dead Man's Dump", and "Returning, We Hear the Larks" by the poet and artist Isaac Rosenberg were found in a bundle of papers stored by former museum keeper Laurence Binyon, himself a poet and Rosenberg's mentor. After his death as a private soldier on the Western Front on 1 April 1918, Isaac Rosenberg, now regarded as a major poet of the First World War, was largely forgotten, and only the devotion of his family and the support of his fellow poets rescued his work for posterity. Binyon and another older poet, Gordon Bottomley, encouraged and corresponded with Rosenberg until his death, and then edited his poems and extracts from his letters for publication. The newly discovered papers include all Rosenberg's complete letters and draft poems to Binyon and Bottomley, together with material about Rosenberg from family, friends and mentors such as his sister Annie, Whitechapel librarian Morley Dainow, schoolteacher Winifreda Seaton, and patron Frank Emmanuel. All are published here, most for the first time. At first overshadowed by the more acceptably English war poets, Rosenberg's poetry did not fit the poetic ideals of the time, just as he, an East End Jew born of immigrant parents, did not present the accepted public image of the heroic soldier poet. The originality and strength of his poetry were rooted in the struggle with the opposing elements of his life, which did not follow the conventions of any role he played: East End Jew, poet, painter or soldier. In one unpublished letter from the trenches he reveals his difficulties, 'I don't suppose my poems will ever be poetry right and proper until I shall be able to settle down and whip myself into more expression. As it is, my not being able to get poetry out of my head & heart causes me sufficient trouble out here.' (Letter to Bottomley, postmarked 11 July 1917)

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'Death could drop from the dark as easily as song - But song only dropped, Like a blind man's dreams on the sand, By dangerous tides, Like a girl's dark hair for she dreams no ruin lies there, Or her kisses where a serpent hides' - from "Returning, We Hear the Larks' Selected Poems & Letters". Isaac Rosenberg's poems, such as "Dead Man's Dump" and "Break of Day in the Trenches", have been included in every significant war anthology and have earned him a place in Poets' Corner.He studied at the Slade School of Art at the same time as Stanley Spencer and Mark Gertler, showing great promise as a painter. His poverty, education and background made him an outsider, yet it was just that experience which equipped him to cope with the horror of war in the trenches: 'I am determined that this war, with all its powers for devastation, shall not master my poeting.' Inexplicably for such a major figure, Rosenberg's work has been out of print for many years. In this "Selected Poems and Letters", his biographer Jean Liddiard has made a substantial selection of his finest poems and most revealing letters, providing also an authoritative introduction and a detailed chronology.

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This new selection brings together the poetry of three of the most distinctive and moving voices to emerge from the First World War. Here are the controlled passion and rich metaphors of Wilfred Owen's celebrated verses such as 'Anthem for Doomed Youth' and 'Strange Meeting', along with many of his lesser-known works. The elegiac poems of Ivor Gurney, including 'Requiem' and 'The Silent One', reflect his love of language, music and landscape, while the visceral works of Isaac Rosenberg, such as 'Break of Day in the Trenches', are filled with stark imagery but also, as in 'Louse Hunting', with vitality and humour. Each poet reflects the disparate experiences of ordinary soldiers in war, and attempts to capture man's humanity in the most inhumane of circumstances.

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