Search results for ""Author Ilaria Bignotti""
Forma Edizioni Italia Minimal
This catalogue for the inaugural exhibition at Tornabuoni Art in Paris showcases works by the greatest exponents of contemporary Italian experimental art from the end of the 1950s to the late 1970s. It includes work by Vincenzo Agnetti, Alighiero Boetti, Agostino Bonalumi, Alberto Burri, Enrico Castellani, Mario Ceroli, Gianni Colombo, Dadamaino, Lucio Fontana, Emilio Isgrò, Jannis Kounellis, Sergio Lombardo, Piero Manzoni, Paolo Scheggi and Giuseppe Uncini. “Simplification is complex: it is an all-out choice. The Italian minimalist artists are the heavyweights in the boxing ring of art – and life.” Illaria Bignotti
£18.00
Silvana Paolo Scheggi: Making Spaces
“A point, a hole, a gap. A cut, a gash, a wound. The gaze stretches out towards openings, discovers small and large concavities, focal lines converge and branch out between chromatic shadows and traces of light: we go with our eyes towards what wants to be looked at, the object of perceptive desire. […] The work as the starting point of a venture between what exists and what can only be imagined.” This book is a moment of reflection on Paolo Scheggi’s (1940-1971) multidisciplinary research and his intense investigation developed over little more than a decade: a seemingly insignificant stretch of time in the slow and irrevocable evolution of the history of modern and contemporary Western art which defines him as a very young protagonist of the Italian spatialist and monochrome neo-avant-garde, and pioneer of contemporary languages. Text in English and Italian.
£50.00
Forma Edizioni Il Tempio. La nascita dell'Eidos: The Temple. Birth of the Eidos
Between 1970 and 1971, Italian artists Paolo Scheggi and Vincenzo Agnetti worked together on a project they called The Temple. Birth of Eidos. Due to Scheggi’s untimely death in 1971 at the age of 31, the project remained unfinished. These previously unpublished preparatory sketches, drawings, and notes, which were shown at the Museo Novecento in Florence, are examined in essays by Ilaria Bignotti and Bruno Corà and texts by Germana Agnetti and Cosima Scheggi, daughters of the two artists and directors of their respective archives. The concept of the project was to create a sacred place, a temple, to contain linguistic objects representing primary forms of community, subjectivity and power, linking these with the artistic and theoretical research the two artists were conducting at the time. Agnetti died 10 years after his friend and colleague. His research followed a new route but remained closely linked with that idea born in 1968, that “any work, any artistic object, any gesture is a critical reminder of reality and our existence”. (Germana Agnetti).
£22.95
