Search results for ""Author Ian A. C. Dejardin""

Throughout the 17th century, a steady stream of Dutch painters made the arduous journey to Italy, the acknowledged 'home of art'. But they were more inspired by the country itself than its artistic tradition. In their paintings, they recorded the glittering distances of the Roman campagna, the ruins of earlier civilisations, and the colourful characters of the streets and countryside. Hugely popular in their own time, and influential throughout the 18th century, the 'Dutch Italianates' fell out of favour in the late 19th and early 20th centuries. However, for Noel Desenfans and Sir Francis Bourgeois, founders of Dulwich Picture Gallery, artists like Nicolaes Berchem, Karel Du Jardin, Philips Wouwermans, Aelbert Cuyp and Adam Pynacker were names to mention in the same breath as Rembrandt and Ruisdael.This book once again celebrates the beauty, virtuosity, observation and humour of the Dutch Italianate vision while also telling the fascinating story of Dulwich Picture Gallery itself.

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The McMichael Canadian Art Collection has a unique mandate to celebrate the art of Canada, which it does within a great building in beautiful grounds overlooking the Humber River Valley. Originally a home completed in 1954 for entrepreneur Robert McMichael and his wife Signe, the building became an unofficial gallery when they began allowing passers-by and school parties inside to view their art collection. In 1965 they took the visionary step of donating their home, collection and land to the Province of Ontario and in 1966 the McMichael officially opened to the public. The permanent collection now consists of over 6,400 artworks. The iconic Canadian landscape artist Tom Thomson (1877-1917) features prominently, as do his colleagues the Group of Seven and their contemporaries. Historic and contemporary Indigenous art accounts for over a third of the total collection and is celebrated in the Gallery's dynamic exhibition program. Here, Ian Dejardin's personal selection of highlights offers a revelatory opportunity to engage with the essence of Canada as portrayed in the luminous works of its artists.

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A stunning display of the vibrant and wide-ranging talent of Vanessa Bell in the first catalogue devoted to the artist. Vanessa Bell (1879–1961) has been known as the still, quiet centre around which the Bloomsbury Group revolved,. She was renowned for her beauty, her complex romantic entanglements and, later, her domestic gravitas – and as the sister of Virginia Woolf. But Bell was also one of the most advanced British artists of her time, with her own distinctive vision, boldly interpreting new ideas about art which were brewing in France and beyond. This publication beautifully showcases Bell’s pioneering oil paintings, photographs, ceramics, fabrics, decorative screens and works on paper in a revelatory affirmation of her vibrant and wide-ranging talent. Including more than 180 colour plates, Vanessa Bell is a definitive record of Bell’s accomplishments. The book is enhanced with photography of Charleston, the Sussex farmhouse that she occupied with creative flair alongside Duncan Grant and the rest of her unconventional family. With sections devoted to portraiture, landscape, still life, design, domestic scenes and female subjects, the book gathers together a rich chorus of voices – from renowned Bloomsbury scholars to emerging experts – delivering a fresh view of an intrepid modern artist seen clearly on her own terms at last.

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This beautifully illustrated book documents the life and work of one of Canada's greatest modern painters. David Milne's (1882-1953), vast body of work shows him to be an artist of true originality and vision. Like the members of the Group of Seven, Milne primarily chose landscape as his subject matter. However, his true subject was the process of perception and representation, reducing his painting to its essentials and infusing it with his own distinctive modern sensibility. Drawing on paintings in Canadian public and private collections and on photographs and on Milne's own writings, the book presents an account of one man's spiritual and emotional voyage into modernity - from the bustling sidewalks of New York to the war-torn landscapes of northern France as an official war artist and back again to the woods, lakes, fields and skies of north-eastern USA and Canada. Pivoting on Milne's war art, the aftermath of which he recorded to sensitively and which brought a heightened sense of formal discipline to his work, the book follows the change in Milne's approach from the Post-Impressionist style of his New York years, with its vivid colours dynamic brushstrokes, to the more distilled visual language of his later work. With more than one hundred works in oil and watercolour, never-before-published photographs and drawings by the artist, this book provides unique and personal insights into this innovative artist and an appreciation of one of Canada's most sophisticated modern painters.

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