Search results for ""Author IAIN"

A clearly written, comprehensive critical introduction to one of the most original contemporary British writers, providing an overview of all of Sinclair’s major works and an analysis of his vision of modern London. This book places Sinclair in a range of contexts, including: the late 1960s counter-culture and the ‘British Poetry Revival’; London’s underground histories; the rise and fall of Thatcherism, and Sinclair’s writing about Britain under New Labour; Sinclair’s connection to other writers and artists, such as J.G. Ballard, Michael Moorcock and Marc Atkins.This book makes a significant contribution to the growing scholarship surrounding Sinclair’s work, offering the first critical text that covers in detail all of Sinclair’s work: his poetry, fiction, non-fiction (including his book on John Clare, Edge of the Orison), and his film work.

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The 1987 publication of Iain M. Banks's Consider Phlebas helped trigger the British renaissance of radical hard science fiction and influenced a generation of New Space Opera masters. The thirteen SF novels that followed inspired an avid fandom and intense intellectual engagement while Banks's mainstream books vaulted him to the top of the Scottish literary scene. Paul Kincaid has written the first study of Iain M. Banks to explore the confluence of his SF and literary techniques and sensibilities. As Kincaid shows, the two powerful aspects of Banks's work flowed into each other, blurring a line that critics too often treat as clear-cut. Banks's gift for black humor and a honed skepticism regarding politics and religion found expression even as he orchestrated the vast, galaxy-spanning vistas in his novels of the Culture. In examining Banks's entire SF oeuvre, Kincaid unlocks the set of ideas Banks drew upon, ideas that spoke to an unusually varied readership that praised him as a visionary and reveled in the distinctive character of his works. Entertaining and broad in scope, Iain M. Banks offers new insights on one of the most admired figures in contemporary science fiction.

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The 1987 publication of Iain M. Banks's Consider Phlebas helped trigger the British renaissance of radical hard science fiction and influenced a generation of New Space Opera masters. The thirteen SF novels that followed inspired an avid fandom and intense intellectual engagement while Banks's mainstream books vaulted him to the top of the Scottish literary scene. Paul Kincaid has written the first study of Iain M. Banks to explore the confluence of his SF and literary techniques and sensibilities. As Kincaid shows, the two powerful aspects of Banks's work flowed into each other, blurring a line that critics too often treat as clear-cut. Banks's gift for black humor and a honed skepticism regarding politics and religion found expression even as he orchestrated the vast, galaxy-spanning vistas in his novels of the Culture. In examining Banks's entire SF oeuvre, Kincaid unlocks the set of ideas Banks drew upon, ideas that spoke to an unusually varied readership that praised him as a visionary and reveled in the distinctive character of his works. Entertaining and broad in scope, Iain M. Banks offers new insights on one of the most admired figures in contemporary science fiction.

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Winner, Canadian Museums Association Outstanding Achievement in Publication and Melva J. Dwyer AwardIain Baxter legally changed his name to IAIN BAXTER& in 2005. He appended an ampersand to his name to underscore that art is about connectivity — about contingency and collaboration with a viewer. He also effected the name change to perpetuate a strategy of self re-definition that is central to his creative project. BAXTER& began making art in the late-1950s under his birth name but quickly realized that the name itself was creative material, to be deployed, manipulated, and shared. In 1965, he formed a collaborative art-making entity which evolved into N.E. Thing Company, a corporate-styled entity whose co-presidents were BAXTER& and his wife Ingrid. Producing a diverse array of projects that encompassed conceptually based photography, pioneering works of appropriation art, and gallery transforming installations, the N.E. Thing Company offered a new model of art making, allowing the artists to remain anonymous and masquerade in the guise of business people. Following the dissolution of N.E. Thing Company in 1978, BAXTER& produced extensive bodies of work with Polaroid film, created numerous installations that blended painting and sculpture, and made pedagogy a focus of his creative enterprise. Consistent themes permeate his work and vector through his thinking. And by assessing these themes — a relentless emphasis on reaching out to the viewer, a core concern with ecology and the environment, and a belief that art must assume plural means and media — one discerns BAXTER&'s creative credo, understanding that "art is all over." This comprehensive book reviews BAXTER&'s remarkable career across all media. It accompanies a major international touring exhibition, which opened at the Museum of Contemporary Art, Chicago in November 2011 and at the Art Gallery of Ontario in April 2012. Featuring more than 160 reproductions of BAXTER&'s work, it also includes essays by the exhibition's curator, David Moos, along with contributions by Michael Darling (James W. Alsdorf Chief Curator, Museum of Contemporary Art, Chicago), Alex Alberro (Associate Professor, University of Florida), and others. The book will also feature a comprehensive bibliography compiled by Adam Lauder (W.P. Scott Chair for Research in E-Librarianship, York University).

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As a child Iain Crichton Smith was raised speaking Gaelic on the island of Lewis. At school in Stornoway he spoke English. Like many islanders before and since, his culture was divided: two languages and two histories entailing exile. His divided perspective delineated the tyranny of history and religion, of the cramped life of small communities, and gave him a compassionate eye for the struggle of women and men in a world defined by denials. After the Dance proves that big themes – love, history, power, submission, death – can be addressed without the foil of irony and acquire resonance when given a local habitation and a voice that risks pure, humane, impassioned speech. This updated edition includes the story ‘Home’

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CONSIDER PHLEBASThe war raged across the galaxy. Billions had died, billions more were doomed. Moons, planets, the very stars themselves, faced destruction, cold-blooded, brutal, and worse, random. The Idirans fought for their Faith; the Culture for its moral right to exist. Principles were at stake. There could be no surrender.Within the cosmic conflict, an individual crusade. Deep within a fabled labyrinth on a barren world, a Planet of the Dead proscribed to mortals, lay a fugitive Mind. Both the Culture and the Idirans sought it. It was the fate of Horza, the Changer, and his motley crew of unpredictable mercenaries, human and machine, actually to find it, and with it their own destruction.USE OF WEAPONSThe man known as Cheradenine Zakalwe was one of Special Circumstances'' foremost agents, changing the destiny of planets to suit the Culture through intrigue, dirty tricks or military action.The woman known as Diziet Sma had plucked him from obscur

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This collection of 12 new essays draws together prominent literary experts to explore the importance of Scottish writer Iain (M.) Banks, both his mainstream and science fiction work. The book considers Banks as an habitual border crosser who makes things fresh and new by subversive and transgressive strategies. The essays are divided into four thematic areas: the Scottish context, the geographies of his writing, the impact of genre, and a combined focus on gender, games and play. The essays will be of particular interest to scholars of contemporary literature, Scottish literature and science fiction.

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Since 2004, London's Elms Lesters Painting Rooms has become a major exhibition space for street and graffiti art, exhibiting such artists as Ron English, Space Invader and Kaws. Graphic designer Iain Cadby has enjoyed a unique collaboration with the gallery and this book documents the work he created for their exhibitions from 2008- 2014. Divided into 12 sections examining different projects, the book contains not just beautifully photographed work, but also drawings, proofs, early designs, rejected designs, gallery shots and detailed descriptions his creative process.

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In a career that spanned over thirty years, Iain M. Banks became one of the best-loved and most prolific writers in Britain, with his space opera series concerned with the pan-galactic utopian civilisation known as "the Culture" widely regarded as his most significant contribution to science fiction. The Culture of "The Culture" focuses solely on this series, providing a comprehensive, thematic analysis of Banks’s Culture stories from Consider Phlebas to The Hydrogen Sonata. It explores the development of Banks’s political, philosophical and literary thought, arguing that the Culture offers both an image of a harmonious civilisation modelled on an alternative socialist form of globalisation and a critique of our neo-liberal present. As Joseph Norman explains, the Culture is the result of an ongoing utopian process, attempting through the application of technoscience to move beyond obstacles to progress such as imperialism, capitalism, the human condition, religious dogma, patriarchy and crises in artistic representation. The Culture of "The Culture" defines Banks’s creation as culture: a utopian way of doing, of being, of seeing: an approach, an attitude and a lifestyle that has enabled, and is evolving alongside, utopia, rather than an image of a static end-state.

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The discovery of archaeological structures in North Uist in 1974 after storm damage led to the identification by Iain Crawford of a kerb cairn complex, with a cist and human remains. Six years later he went back, and over the next three years excavated another cist with human remains in its kerbed cairn, many bowl pits dug into the blown sand, and down to two late Neolithic structures and a ritual complex. He intensively studied the environmental conditions affecting the site and was among the first archaeologists in Scotland to understand the climate changes taking place at the transition between late Neolithic and the early Bronze Age. The deposition of blown sand and the start of the machair in the Western Isles, including the rise in sea-level and inundations into inhabited and farmed landscapes, are all part of the complex story of natural events and human activities. Radiocarbon dating and modern scientific analyses provide the detail of the story of periods of starvation suffered by the people that were buried on the site, of the movement away of the community, of their attempts of bringing the ‘new’ land back into cultivation, of a temporary tent-like structure, and of marking their territory by the construction of enduring monuments to the dead.

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George Campbell Hay (Deorsa Mac Iain Dheorsa) has been hailed as an important voice in Scottish literature and as a crucial figure in the renaissance of Gaelic poetry in the twentieth century. Yet with his collections long out of print, only a small proportion of his work has been available to the public. This book gathers together for the first time George Campbell Hay's complete original poems, in Gaelic, Scots, English, French, Italian and Norwegian. Volume I presents all of the poems chronologically, with accompanying English translations. Volume II provides annotations to each poem, including a full list of sources; a detailed biography, heavily reliant on Hay's own correspondence, which sheds new light on the social, political and literary context of his work; an outline of Hay's main poetic concerns, in theme and in form; and some of Hay's own musical settings. The publication of this long-awaited scholarly edition is a landmark in Scottish and Gaelic publishing. The volumes represent a notable addition to the canon of twentieth-century Scottish literature and should permit a full evaluation of Hay's significance. Published as a two-volume set in a deluxe edition in association with the Lorimer Memorial Trust.

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This book marks the centenary of Neil MacLeod's death in 1913 with the republication of some of his work. It also publishes for the first time all of the identifiable work of his brother, Iain Dubh (1847 - 1901), and of their father, Domhnall nan Oran (c.1787 - 1873). Their contrasting styles mark a fascinating period of transition in literary tastes between the 18th and early 20th centuries at a time of profound social upheaval. Neil Macleod left Glendale in Skye to become a tea-merchant in Edinburgh. His songs were prized by his fellow Gaels for their sweetness of sentiment and melody, which placed a balm on the recent wounds of emigration and clearance. They are still very widely known, and Neil's collection Clarsach an Doire was reprinted four times. Professor Derick Thomson rightly described him as 'the example par excellence of the popular poet in Gaelic'. However, many prefer the earthy quality of the work of his less famous brother, Iain Dubh. This book contains 58 poems in all (32 by Neil, 14 by Iain and 22 by Domhnall), with translations, background notes and the melodies where known. Biographies are given of the three poets, while the introduction reflects on the difference in style between them and places each in his literary context. An essay in Gaelic by Professor Norman MacDonald reflects on the social significance of the family in the general Gaelic diaspora.

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The houses in Saffron Lane are being filled with artists thanks to the efforts of Nell and Angus. Ginger doesn't win a place there, but gets a job running the small café/art gallery, taking refuge there from her abusive bully of a son. When she meets Iain, sparks fly between them, the first time she's felt attracted to anyone for years. But will her son spoil it? Emil is in town to open the small museum in Saffron Lane and run his father's business. This throws new opportunities in his path, and new problems too. Will the newcomers manage to build new lives or will selfish people destroy their attempts to find happiness?

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'Gibson is having tremendous fun' Independent --------------THE THIRD NOVEL IN THE BLUE ANT TRILIOGY - READ PATTERN RECOGNITION AND SPOOK COUNTRY FOR MORE Hubertus Bigend, the Machiavellian head of global ad-agency Blue Ant, wants to uncover the maker of an obscurely fashionable denim that is taking subculture by storm. Ex-musician Henry Hollis knows nothing about fashion, but Bigend decides she is the woman for the job anyway. Soon, though, it becomes clear that Bigend's interest in underground labels might have sinister applications. Powerful parties, who'll do anything to get what they want, are showing their hand. And Hollis is about to find herself in the crossfire.A gripping spy thriller by William Gibson, bestselling author of Neuromancer. Part prophesy, part satire, Zero History skewers the absurdity of modern life with the lightest and most engaging of touches. Readers of Neal Stephenson, Ray Bradbury and Iain M. Banks won't be able to put this book down. -------------- 'An ideas-swarm, coated with a hipster glaze' Herald 'Gibson's writing is thrillingly tight' New York Times Book Review

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'Among our most fascinating novelists ... unmissable' Daily Telegraph-------THE SECOND NOVEL IN THE BLUE ANT TRILIOGY - READ PATTERN RECOGNITION AND ZERO HISTORY FOR MOREIn New York, a young Cuban called Tito is passing iPods to a mysterious old man. Such activities do not go unnoticed, however, in these early days of the War on Terror, and Tito's movements are being tracked. Meanwhile, in LA, journalist Hollis Henry is on the trail of Bobby Chombo, who appears to know too much about military systems for his own good. With Bobby missing and the trail cold, Hollis digs deeper and is drawn into the final moves of a chilling game . . .A gripping spy thriller by William Gibson, bestselling author of Neuromancer. Part prophesy, part satire, Spook Country skewers the absurdity of modern life with the lightest and most engaging of touches. Readers of Neal Stephenson, Ray Bradbury and Iain M. Banks won't be able to put this book down.-------'A cool, sophisticated thriller' Financial Times 'Superb, brilliant. A compulsive and deeply intelligent literary thriller' New Statesman 'A neat, up-to-the-minute spy thriller' Metro

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A GRIPPING TECHNO-THRILLER BY THE BESTSELLING AUTHOR OF NEUROMANCER, THE THIRD NOVEL IN THE BRIDGE TRILOGY'With more insight, wit and sheer style than any of his contemporaries Gibson continues to patrol the nebulous zones that separate science fiction, contemporary thrillers and genuine literature' Independent----- The Bridge, San Francisco, after the quake: Ex-cop Berry Rydell has been hired by Colin Laney - who is hooked deep into the network of things - to go to San Francisco and act in such a way that he comes to the attention of a certain unspecified individual. This, Laney promises Rydell, could prove life-threatening. And now Rydell's been sent a package. Something that belonged to Laney, something that others with guns, blades and very bad attitudes want. And suddenly Rydell's running, trying get to the old Bridge, the shantytown where a man can get lost, be forgotten and wait for the end of the world - which is the other thing that Laney promised . . . William Gibson is a prophet and a satirist, a black comedian and an outstanding architect of cool. Readers of Neal Stephenson, Ray Bradbury and Iain M. Banks will love this book. This is the third novel in the Bridge trilogy - read Virtual Light and Idoru for more. ----- 'Scintillating . . . probably the most important novelist of the past two decades' Guardian 'Writing at flame intensity, Gibson conjures a world that seems just a breath away from the here and now' Salon

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“It was my own fault, of course. I realized that when it was too late. “ Crime writer Iain Carter has recently married and is struggling to make a decent living as an author. His brother-in-law is a likable but slightly indiscreet constable, and Iain decides to use this inside knowledge to write a satirical series featuring a pompous dictatorial police superintendent. To protect his identity, Iain creates an elaborately designed pseudonym, 'John Ky Lowell', that can’t be traced back to him. When the first book by Lowell, The Undetective, proves to be a huge success, Iain finds he must take increasingly convoluted steps to protect his secret from the press, the police and the taxman. But the real trouble begins when a local bookmaker is killed, and Iain finds his mysterious alter-ego is the prime suspect.

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'Reads like a house on fire' - the extraordinary new novel by Iain Reid, the acclaimed author of I’m Thinking of Ending Things You think you know everything about your life. Long-married couple Junior and Henrietta live a quiet, solitary life on their farm, where they work at the local feed mill and raise chickens. Their lives are simple, straightforward, uncomplicated.Until everything you think you know collapses. Until the day a stranger arrives at their door with alarming news: Junior has been chosen to take an extraordinary journey, a journey across both time and distance, while Hen remains at home. Junior will be gone for years. But Hen won't be left alone.Who can you trust if you can't even trust yourself? As the time for his departure draws nearer, Junior finds himself questioning everything about his life - even whether it's really his life at all. An eerily entrancing page-turner, Foe churns with unease and suspense from the first words to its shocking finale. Perfect for fans of Humans, Westworld and Black Mirror, Foe is a book you will never forget.*** Praise for FOE *** ‘I couldn’t put it down. It infected my dreams. A creepy and brilliant book’ Zoe Whittall, author of The Best Kind of People 'The narrative is so eerie and disturbing… fuelling the reader’s unease; Reid pulls off a wonderful twist in the tail’ Guardian ‘From the opening page, you’ll have an uneasy feeling as you settle into Iain Reid’s brilliant new novel.. A masterful and breathtakingly unique read. I can’t stop thinking about it ‘ Amy Stuart, author of Still Mine and Still Water ‘Spare, consuming, unforgettable. Foe is a dark arrow from a truly original mind. Page by eerie page, Iain Reid pulls the unknown world out from under you, and leaves you trapped inside a marriage’s most haunting question: can I be replaced? This is a book that seeps into your bloodstream – and crowns Iain Reid the king of deadpan, philosophical horror’ Claudia Dey, author of Heartbreaker ‘Movie producers are simply confirming what the literary community already knows: Iain Reid just might be the most exciting and excitingly unclassifiable author working in Canadian fiction today’ - The Globe and Mail (Canada)‘Foe reads like a house on fire, and is almost impossible not to finish in one sitting...an otherworldly hothouse of introversion and fantasy’ – The Toronto Star

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There are few more beautiful places than Scotland’s winter mountains. But even when most of the snow has melted, isolated patches can linger well into summer and beyond. In The Vanishing Ice, Iain Cameron chronicles these remarkable and little-seen relics of the Ice Age, describing how they have fascinated travellers and writers for hundreds of years, and reflecting on the impact of climate change.Iain was nine years old when snow patches first captured his imagination, and they have been inextricably bound with his life ever since. He developed his expertise through correspondence (and close friendship) with research ecologist Dr Adam Watson, and is today Britain’s foremost authority on this weather phenomenon.Iain takes us on a tour of Britain which includes the Scottish Highlands, the Southern Uplands, the Lake District and Snowdonia, seeking elusive patches of snow in wild and often inaccessible locations. His adventures include a perilous climb in the Cairngorms with comedian Ed Byrne, and glorious days spent out on the hills with Andrew Cotter and his very good dogs, Olive and Mabel.Based on sound scientific evidence and personal observations, accompanied by stunning photography and wrapped in Iain’s shining passion for the British landscape, The Vanishing Ice is a eulogy to snow, the mountains and the great outdoors.

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There are few more beautiful places than Scotland’s winter mountains. But even when most of the snow has melted, isolated patches can linger well into summer and beyond. In The Vanishing Ice, Iain Cameron chronicles these remarkable and little-seen relics of the Ice Age, describing how they have fascinated travellers and writers for hundreds of years, and reflecting on the impact of climate change.Iain was nine years old when snow patches first captured his imagination, and they have been inextricably bound with his life ever since. He developed his expertise through correspondence (and close friendship) with research ecologist Dr Adam Watson, and is today Britain’s foremost authority on this weather phenomenon.Iain takes us on a tour of Britain which includes the Scottish Highlands, the Southern Uplands, the Lake District and Snowdonia, seeking elusive patches of snow in wild and often inaccessible locations. His adventures include a perilous climb in the Cairngorms with comedian Ed Byrne, and glorious days spent out on the hills with Andrew Cotter and his very good dogs, Olive and Mabel.Based on sound scientific evidence and personal observations, accompanied by stunning photography and wrapped in Iain’s shining passion for the British landscape, The Vanishing Ice is a eulogy to snow, the mountains and the great outdoors.

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Iain Grahame, author of five previous books, gives us an amusing but authoritative account of the establishment of a garden, nature reserve and environmental education centre on the Suffolk Essex border. Children of all ages benefit from this hidden gem, while gardeners can draw inspiration from the outstanding collection of rare trees and shrubs, plus a superb collection of old roses.

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On 21 October 1966, 116 children and 28 adults died when a mountainside coal tip collapsed, engulfing homes and part of a school in the village of Aberfan below. It is a moment that will be forever etched in the memories of many people in Wales and beyond. Aberfan - Government & Disaster is widely recognised as the definitive study of the disaster. Following meticulous research of public records - kept confidential by the UK Government’s 30-year rule - the authors, in this revised second edition, explain how and why the disaster happened and why nobody was held responsible. Iain McLean and Martin Johnes reveal how the National Coal Board, civil servants, and government ministers, who should have protected the public interest, and specifically the interests of the people of Aberfan, failed to do so. The authors also consider what has been learned or ignored from Aberfan such as the understanding of psychological trauma and the law concerning ‘corporate manslaughter’. Aberfan - Government & Disaster is the revised and updated second edition of Iain McLean and Martin Johnes’ acclaimed study published in 2000, which now solely focuses on Aberfan.

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Renowned author Iain Sinclair follows in the footsteps of photographer John Deakin, whose chronicles of Soho life - and the world of Francis Bacon and his friends - has so influenced our perception of that generation''s work. In this bold fictionalisation, Sinclair enters the underworld of Deakin''s life and imagination. The result is an engrossing, utterly unique portrait of a man who some felt was a fallen angel, and others, the devil himself.

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The first guide to Gaelic fiction - covering the full expanse of the canon Tracing the history of Gaelic fiction over the last century, Moray Watson looks at the work of well-known authors such as Iain Moireach, Tormod Caimbeul and Iain Mac a' Ghobhainn, as well as lesser-known authors, and focuses on the major developments that have led to the recent flourishing in Gaelic fiction publishing. Watson examines novels and novellas from DA'n-Aluinn to Dileas Donn and Shrapnel, alongside short story collections, uncollected fiction and short fiction from magazines such as Gairm. The final chapters focus on the current state of criticism of Gaelic fiction and discuss the most recent initiatives that have sustained the viability of fiction in the Gaelic language. Key Features * The only introduction to Gaelic fiction available * Analyses all novels and novellas, all short story collections, and much of the uncollected fiction * Places Gaelic fiction within a wider context * Examines the critical approaches taken to the fiction so far and introduces research areas that must be explored

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'Reads like a house on fire' - the extraordinary new novel by Iain Reid, the acclaimed author of I’m Thinking of Ending Things You think you know everything about your life. Long-married couple Junior and Henrietta live a quiet, solitary life on their farm, where they work at the local feed mill and raise chickens. Their lives are simple, straightforward, uncomplicated.Until everything you think you know collapses. Until the day a stranger arrives at their door with alarming news: Junior has been chosen to take an extraordinary journey, a journey across both time and distance, while Hen remains at home. Junior will be gone for years. But Hen won't be left alone.Who can you trust if you can't even trust yourself? As the time for his departure draws nearer, Junior finds himself questioning everything about his life - even whether it's really his life at all. An eerily entrancing page-turner, Foe churns with unease and suspense from the first words to its shocking finale. Perfect for fans of Humans, Westworld and Black Mirror, Foe is a book you will never forget.*** Praise for FOE *** ‘I couldn’t put it down. It infected my dreams. A creepy and brilliant book’ Zoe Whittall, author of The Best Kind of People 'The narrative is so eerie and disturbing… fuelling the reader’s unease; Reid pulls off a wonderful twist in the tail’ Guardian ‘From the opening page, you’ll have an uneasy feeling as you settle into Iain Reid’s brilliant new novel.. A masterful and breathtakingly unique read. I can’t stop thinking about it ‘ Amy Stuart, author of Still Mine and Still Water ‘Spare, consuming, unforgettable. Foe is a dark arrow from a truly original mind. Page by eerie page, Iain Reid pulls the unknown world out from under you, and leaves you trapped inside a marriage’s most haunting question: can I be replaced? This is a book that seeps into your bloodstream – and crowns Iain Reid the king of deadpan, philosophical horror’ Claudia Dey, author of Heartbreaker ‘Movie producers are simply confirming what the literary community already knows: Iain Reid just might be the most exciting and excitingly unclassifiable author working in Canadian fiction today’ - The Globe and Mail (Canada)‘Foe reads like a house on fire, and is almost impossible not to finish in one sitting...an otherworldly hothouse of introversion and fantasy’ – The Toronto Star

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James Newman is Senior Lecturer in Media Communications and Cultural Studies at Bath Spa University, UK. His previous books include Videogames (2004) and Teaching Videogames (2006). Iain Simons is a writer and Director of the GameCity Festival at Nottingham Trent University, UK. He is the author of Inside Game Design (2007) and co-editor of Difficult Questions About Videogames (2004) with James Newman.

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A New Statesman Book of the Year, 2021 ‘Follow Iain Sinclair into the cloud jungles of Peru and emerge questioning all that seemed so solid and immutable.’ Barry Miles From the award-winning author of The Last London and Lights Out for the Territory, a journey in the footsteps of our ancestors. Iain Sinclair and his daughter travel through Peru, guided by – and in reaction to – an ill-fated colonial expedition led by his great-grandfather. The family history of a displaced Scottish highlander fades into the brutal reality of a major land grab. The historic thirst for gold and the establishment of sprawling coffee plantations leave terrible wounds on virgin territory. In Sinclair’s haunting prose, no place escapes its past, and nor can we. ‘The Gold Machine is a trip, a psychoactive expedition in compelling company.’ TLS

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A New Statesman Book of the Year, 2021 ‘Follow Iain Sinclair into the cloud jungles of Peru and emerge questioning all that seemed so solid and immutable.’ Barry Miles From the award-winning author of The Last London and Lights Out for the Territory, a journey in the footsteps of our ancestors. Iain Sinclair and his daughter travel through Peru, guided by – and in reaction to – an ill-fated colonial expedition led by his great-grandfather. The family history of a displaced Scottish highlander fades into the brutal reality of a major land grab. The historic thirst for gold and the establishment of sprawling coffee plantations leave terrible wounds on virgin territory. In Sinclair’s haunting prose, no place escapes its past, and nor can we. ‘The Gold Machine is a trip, a psychoactive expedition in compelling company.’ TLS

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In this evocative book Iain and Anne Fraser take the reader, both visitor and resident, on a personal journey through the centre of one of the world's most unforgettable cities. Working with four talented local artists (Irina Cucu, Cat Outram, Keli Clark and Catherine Stevenson) they reflect the character and cultural history of Edinburgh through 80 pages and 150 beautiful and original illustrations.Their narrative describes the split personality of Scotland's capital city, from the subdued sophistication of a dreich' February day to the flouncy and frivolous fun of the summer festival season. The dramatic character of Edinburgh and its history are world renowned. The authors highlight their favourite parts of the city centre and include a series of quirky stories discovered during their research gleaned from some of the many books written about the city.''Iain and Anne are just the guides you need for this tour. Their love for this city and their knowledge of its moods shine through .

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A heartbreaking betrayal. A secret life. A love that deserves a second chance. Iain MacInnes, Duke of Balgair, has spent the last thirteen years believing his wife is dead—until he receives word that she is very much alive and living under an assumed name on the remote Isle of Synne. He sets off with only one goal in mind: bring his wife back to Scotland where he can divorce her and expose her for the liar she is. After a devastating deception by the man who was supposed to love her, Seraphina did what was necessary to keep herself and her sisters safe. And though she’s still haunted by the events that tore her world apart all those years ago, she’s made a happy life on Synne, surrounded by loyal friends and building a secret career as a popular author. Now that Iain has found her, however, all that is at risk. Despite their long separation, the attraction between Iain and Seraphina still burns strong. But with so much hurt a

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Sir Arthur Conan Doyle's A Study in Scarlet is the literary debut of the world's most famous fictional detective, Sherlock Holmes, introduced by Iain Sinclair with notes by Ed Glinert in Penguin Classics.Convalescing in London after a disastrous experience of war in Afghanistan, Dr John Watson finds himself sharing rooms with his enigmatic new acquaintance, Sherlock Holmes. But their quiet bachelor life at 221B Baker Street is soon interrupted by the grisly discovery of a dead man in a grimy 'ill-omened' house in south-east London, his face contorted by an expression of horror and hatred such as Watson has never seen before. On the wall, the word rache - German for 'revenge' - is written in blood, yet there are no wounds on the victim or signs of a struggle. Watson's head is in a whirl, but the formidable Holmes relishes this challenge to his deductive powers, and so begins their famous investigative partnership.In his introduction, Iain Sinclair discusses the links between Sherlock Holmes mysteries and the Jack the Ripper murders, Conan Doyle's narrative style and his depiction of London. This edition also includes further reading, a chronology and notes.Sir Arthur Conan Doyle (1859-1930) was born in Edinburgh where he qualified as a doctor, but it was his writing which brought him fame, with the creation of Sherlock Holmes, the first scientific detective. He was also a social reformer who used his investigative skills to prove the innocence of individuals. Iain Sinclair is the author of Downriver (winner of the James Tait Black Memorial Prize and the Encore Award), and his latest book Ghost Milk: Calling Time on the Grand Project is published by Penguin.Ed Glinert writes a regular column for Time Out magazine, and is the author of The Literary Guide to London. Glinert's latest book, The London Compendium, is published by Penguin.If you liked A Study in Scarlet you might enjoy The Hound of the Baskervilles, also available in Penguin Classics.

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The works of Iain M. Banks have forever changed the face of modern science fiction. With breathtaking imagination and extraordinary storytelling, they have secured his reputation as one of the most extraordinary and influential writers in the genre.'Banks is a phenomenon' William Gibson The State of the Art is the only collection of Iain M. Banks's short ­fiction and includes the acclaimed Culture novella of the same name.From science ­fiction to horror, dark fantasy to twisted comedy, all eight stories bear the inde­finable stamp of Banks's staggering talent.Praise for the novels of Iain M. Banks:'Epic in scope, ambitious in its ideas and absorbing in its execution' Independent on Sunday'Banks has created one of the most enduring and endearing visions of the future' Guardian'Jam-packed with extraordinary invention' Scotsman'Compulsive reading' Sunday Telegraph The novels of Iain M. Banks: The Culture seriesConsider PhlebasThe Player of GamesUse of WeaponsExcessionInversionsLook to WindwardMatterSurface DetailThe Hydrogen SonataThe State of the ArtOther books by Iain M. BanksAgainst a Dark BackgroundFeersum EndjinnThe AlgebraistAlso now available: The Culture: The Drawings - an extraordinary collection of original illustrations faithfully reproduced from sketchbooks Banks kept in the 1970s and 80s, depicting the ships, habitats, geography, weapons and language of Banks' Culture series of novels in incredible detail.

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The books in the Everyday Modifications series are designed to guide classic van and car owners through the workshop skills needed to make their vehicles easier to use and enjoy. This book is concerned with improving the 4-cylinder Spitfire and Herald, and the 6-cylinder Vitesse and GT6, with engines ranging in size from 948cc to 1998cc. Classic car author and journalist Iain Ayre gives his hands-on advice on maintaining and modifying the Triumph Herald/Vitesse and Spitfire/GT6, covering both keeping them going and either subtly or dramatically improving them, with additional rescue options offered for Triumphs deemed economically terminal.

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This is not just another Nessie tale, it’s a MONSTER story… Best-selling author Sara Sheridan teams up with her daughter Molly to produce this fantastic and topical adventure about friendship and teamwork, and why discarding plastics and our waste in lochs, lakes and waterways is not good for us, the planet AND for all the monsters trying to visit their friends. The darkly quirky and fun illustrations are by first-time picture book illustrator Iain Carroll.

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Hackney, that Rose-Red Empire is Iain Sinclair's foray into one of London's most fascinating boroughs'As detailed and as complex as a historical map, taking the reader hither and thither with no care as to which might be the most direct route'ObserverHackney, That Rose-Red Empire is Iain Sinclair's personal record of his north-east London home in which he has lived for forty years. It is a documentary fiction, seeking to capture the spirit of place, before Hackney succumbs to mendacious green papers, eco boasts, sponsored public art and the Olympic Park gnawing at its edges. It is a message in a bottle, chucked into the flood of the future.'An explosion of literary fireworks'Peter Ackroyd, The Times'Gloriously sprawling, wonderfully congested, one of the finest books about London in recent decades'Daily Telegraph'Sinclair adopts the roles of pedestrian, pilgrim and poet, magnificently illuminating the borough's historical and spiritual life'The Times'Remarkable, compelling, bristles with unexpected, frequently lurid life. On Sinclair's territory there's nobody to touch him . . . a gonzo Samuel Pepys'Sunday TimesIain Sinclair is the author of Downriver (winner of the James Tait Black Memorial Prize and the Encore Award); Landor's Tower; White Chappell, Scarlet Tracings; Lights Out for the Territory; Lud Heat; Rodinsky's Room (with Rachel Lichtenstein); Radon Daughters; London Orbital, Dining on Stones, Hackney, that Rose-Red Empire and Ghost Milk. He is also the editor of London: City of Disappearances.

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Iain Hutchison's book traces the major developments in a particularly turbulent phase ofScottish history.

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Iain Hutchison's book traces the major developments in a particularly turbulent phase ofScottish history.

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'A moving read - honest, funny and sad' Woman and Home'wonderful, moving, humorous ... extremely poignant' Charlie Mortimer, Dear Lupin'Iain's love for his son shines through every sentence of this affecting account, as does his guilt. He blames himself for being unable to demonstrate or verbalise his affection ... This is a wonderfully entertaining and moving book, with lessons for every parent.' Daily Mail'Raising the issue of men's mental health is important ... loving and well meant mix of letters and commentary.' ExpressDear Michael, Moving your whatnots et al into the flat has put paid to any improvements in my back. Still, at least it's done now. Your mother is already worrying how you'll cope and is at work on reams of notes on all sorts of matters from how to tel if meat has gone off to washing whites. Smell it and wear black is my advice. When Iain Maitland's eldest son left home for university he wrote regularly to him: funny, curmudgeonly letters chronicling their family life and giving Michael unsolicited advice on everything from car maintenance to women. He never expected a reply. What Iain didn't realise was that away from home his beloved boy was suffering from depression and anorexia. Only much later did it become apparent to Iain and his wife just how oblivious they had been, and for how long. Told through Iain's letters and the unfolding truth of Michael's situation, Dear Michael, Love Dad is a frank and moving account of how we may unwittingly fail our loved ones, despite our best intentions. Above all it offers the hope of reparation and expresses the unbreakable bond between a father and son.

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A GRIPPING HISTORICAL THRILLER SET IN INVERNESS IN THE WAKE OF THE 1746 BATTLE OF CULLODEN.'This slice of historical fiction takes you on a wild ride' THE TIMESAfter Culloden, Iain MacGillivray was left for dead on Drummossie Moor. Wounded, his face brutally slashed, he survived only by pretending to be dead as the Redcoats patrolled the corpses of his Jacobite comrades.Six years later, with the clan chiefs routed and the Highlands subsumed into the British state, Iain lives a quiet life, working as a bookseller in Inverness. One day, after helping several of his regular customers, he notices a stranger lurking in the upper gallery of his shop, poring over his collection. But the man refuses to say what he's searching for and only leaves when Iain closes for the night.The next morning Iain opens up shop and finds the stranger dead, his throat cut, and the murder weapon laid out in front of him - a sword with a white cockade on its hilt, the emblem of the Jacobites. With no sign of the killer, Iain wonders whether the stranger discovered what he was looking for - and whether he paid for it with his life. He soon finds himself embroiled in a web of deceit and a series of old scores to be settled in the ashes of war.******************PRAISE FOR THE BOOKSELLER OF INVERNESS'Fresh and intriguing . . . Her best yet' ANDREW TAYLOR'Everything you could ask for from a historical thriller' ANTONIA HODGSON'An intricately wrought, compulsively page-turning tale' CRAIG RUSSELL'A first rate historical thriller' 5* READER REVIEW'From the moment I began reading I was hooked' 5* READER REVIEW'Hugely entertaining . . . fast paced, twisting and turning' 5* READER REVIEW

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Once upon a time, there lived a happy family called the Maitlands. Iain, the father, was a writer. Tracey, the mother, worked at a nearby school. They had three bright and charming children, Michael, Sophie and Adam. It looked like the perfect family life. Until October 2012, when Iain received a message. Michael had been taken to hospital. Years of depression, anxiety and anorexia had taken their toll, and he had pneumonia and a collapsed lung. The doctors weren't sure if he would make it.Told with humour and frankness through Michael's diary entries and Iain's own reflections, Out of the Madhouse charts Michael's journey to recovery from entering the Priory and returning home, to becoming a mental health ambassador for young people. Sharing tips and techniques that have helped them and others to self-manage, this is an essential resource for anyone experiencing depression, anxiety, OCD and similar issues.

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