Search results for ""Author Hwang Sok-yong""

SHORTLISTED FOR THE INTERNATIONAL BOOKER PRIZE?International Bookernominated virtuoso Hwang Sok-yong is back with another powerful story an epic, multi-generational tale that threads together a century of Korean history. Centred on three generations of a family of rail workers and a laid-off factory worker staging a high-altitude sit-in, Mater 2-10 vividly portrays the lives of ordinary Koreans, starting from the Japanese colonial era, continuing through Liberation, and right up to the twenty-first century. It is at once a gripping account that captures a nation's longing to be free from oppression, a lyrical folktale that manages to reflect the realities of modern industrial work, and a culmination of Hwang's career a masterpiece thirty years in the making. A true voice of a generation, Hwang shows again why he is unmatched when it comes to depicting the struggles of a divided nation and bringing to life the trials and tribulations of the Korean people.

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Jeongho tiene catorce años y mirada felina. Lo llaman Ojos Saltones. La escasez de ingresos de su madre les obliga a ambos a trasladarse a Nanjido, la Isla de las Flores, un inmenso vertedero al oeste de Seúl donde las orquídeas cedieron lugar a la basura y millares de personas malviven en chabolas engarzadas a las montañas de desperdicios. Una sociedad muy jerarquizada y codificada en la que todo, desde el trabajo a la ropa y la manutención, proviene del vertedero, y gana más quien consigue posicionarse mejor en la recuperación de la basura.Ojos Saltones encuentra en Trasquilón, un niño medio calvo, a un amigo que le irá mostrando los secretos de tan sórdido y nauseabundo lugar, donde el alcohol, el juego y la violencia son cotidianos. De la mano de Trasquilón y de una pandilla de jóvenes marginados acudirá al encuentro de los espíritus de los antiguos moradores cuando el lugar era un fértil terreno de cultivo donde se rendía culto a las tradiciones chamánicas. Un mundo invisible d

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Al terminar la conferencia, una joven se acerca a Minwoo Park, director de un gran estudio de arquitectura, y le entrega una nota, con un nombre y un número de teléfono. La joven es Woohee Jeong, una directora de teatro que vive en un semisótano mohoso, quien para llegar a fin de mes trabaja todas las noches en un supermercado y se alimenta de la comida caducada que tendría que tirar.En el crepúsculo de su vida, Minwoo Park tiene la satisfacción de haber triunfado, contribuyendo a la modernización de su país, a pesar de haber nacido en la pobreza. Pero, con la nota, reaparecen los recuerdos del pasado, invitándole a sumergirse en un mundo que había olvidado. Se ve forzado entonces a interrogarse sobre la corrupción que reina en el ámbito de la construcción, su propia responsabilidad en el afeamiento del paisaje urbano y la violencia ejercida contra los expropiados.Hwang Sok-yong es uno de los escritores más famosos de Corea del Sur, muy sensibilizado con la problemática social

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A vibrant and enchanting novel from one of Korea’s most celebrated writers. When 14-year-old Bugeye and his mother arrive at Flower Island — a vast landfill site on the outskirts of Seoul — they soon become part of the eclectic community of impoverished outsiders who make their living weeding recyclables from the rubbish. Then, one night, Bugeye notices mysterious lights dancing around the landfill … Could it be the island’s ancient spirits? Is his luck about to change? Familiar Things depicts a society on the edge of dizzying economic and social change. It is a haunting reminder to us all to be careful of what we throw away.

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In the evening of his life, a wealthy man begins to wonder if he might have missed the point. Park Minwoo is, by every measure, a success story. Born into poverty in a miserable neighbourhood of Seoul, he has ridden the wave of development in a rapidly modernising society. Now the director of a large architectural firm, his hard work and ambition have brought him triumph and satisfaction. But when his company is investigated for corruption, he’s forced to reconsider his role in the transformation of his country. At the same time, he receives an unexpected message from an old friend, Cha Soona, a woman that he had once loved, and then betrayed. As memories return unbidden, Minwoo recalls a world he thought had been left behind — a world he now understands that he has helped to destroy. In At Dusk, one of Korea's most renowned and respected authors continues his gentle yet urgent project of evaluating Korea’s past, and examining the things, and the people, that have been given up in a never-ending quest to move forward.

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On 18th May 1980, student activists gathered in the South Korean city of Gwangju to protest the coup d'état and martial law government of General Chun Doo-hwan. The security forces responded with unmitigated violence, and over the next ten days hundreds of students, activists and citizens were arrested, tortured and murdered. The events of the uprising shaped over a decade of resistance to the repressive South Korean regime, and paved the way for the country's democratisation in the 1990s. The subject of right-wing conspiracy and controversy in South Korea, the texts of Gwangju Uprising survived in underground circulation and were recently republished. This fresh translation by Slin Jung of the original text, compiled from eye-witness testimonies, forms a gripping and full account of both the events of the uprising and the political situation which preceded and followed the violence of those days. The edition contains a preface by Hwang Sok-yong, material which situates the uprising in its longer-term local and international context. The resulting volume is an unrivalled account of the movement for democracy and freedom in South Korea in the tumultuous period of the 1980s dictatorship. A vital collection for those interested in East Asian contemporary history and the global struggle for democracy.

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Winner, 2020 Peter C Rollins Prize, given by the Northeast Popular & American Culture Association Enables a reckoning with the legacy of the Forgotten War through literary and cinematic works of cultural memory Though often considered “the forgotten war,” lost between the end of World War II and the start of the Cold War, the Korean War was, as Daniel Y. Kim argues, a watershed event that fundamentally reshaped both domestic conceptions of race and the interracial dimensions of the global empire that the United States would go on to establish. He uncovers a trail of cultural artefacts that speaks to the trauma experienced by civilians during the conflict but also evokes an expansive web of complicity in the suffering that they endured. Taking up a range of American popular media from the 1950s, Kim offers a portrait of the Korean War as it looked to Americans while they were experiencing it in real time. Kim expands this archive to read a robust host of fiction from US writers like Susan Choi, Rolando Hinojosa, Toni Morrison, and Chang-rae Lee, and the Korean author Hwang Sok-yong. The multiple and ongoing historical trajectories presented in these works testify to the resurgent afterlife of this event in US cultural memory, and of its lasting impact on multiple racialized populations, both within the US and in Korea. The Intimacies of Conflict offers a robust, multifaceted, and multidisciplinary analysis of the pivotal—but often unacknowledged—consequences of the Korean War in both domestic and transnational histories of race.

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Winner, 2020 Peter C Rollins Prize, given by the Northeast Popular & American Culture Association Enables a reckoning with the legacy of the Forgotten War through literary and cinematic works of cultural memory Though often considered “the forgotten war,” lost between the end of World War II and the start of the Cold War, the Korean War was, as Daniel Y. Kim argues, a watershed event that fundamentally reshaped both domestic conceptions of race and the interracial dimensions of the global empire that the United States would go on to establish. He uncovers a trail of cultural artefacts that speaks to the trauma experienced by civilians during the conflict but also evokes an expansive web of complicity in the suffering that they endured. Taking up a range of American popular media from the 1950s, Kim offers a portrait of the Korean War as it looked to Americans while they were experiencing it in real time. Kim expands this archive to read a robust host of fiction from US writers like Susan Choi, Rolando Hinojosa, Toni Morrison, and Chang-rae Lee, and the Korean author Hwang Sok-yong. The multiple and ongoing historical trajectories presented in these works testify to the resurgent afterlife of this event in US cultural memory, and of its lasting impact on multiple racialized populations, both within the US and in Korea. The Intimacies of Conflict offers a robust, multifaceted, and multidisciplinary analysis of the pivotal—but often unacknowledged—consequences of the Korean War in both domestic and transnational histories of race.

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