Search results for ""Author Hugo Williams""

Hugo Williams's new collection summons the poet's past selves in order of appearance, as in an autobiography, showing in poems as clear as rock pools that the plain truth is only as plain as the props and make-up needed to stage it. Childhood and school time offer up the amateur theatricals of themselves, in poems of vertiginous retrospect; other poems itemize the professional selves of the poet's actor-father Hugh Williams (by now as familiar and frequently depicted as Cezanne's mountain), while the narrator - 'waiting to step into my father's shoes as myself' - teases out the paradoxes of identity and inheritance After this searching portraiture of the poet's parents, the chronology opens onto the broad secular thoroughfares of adulthood, including a limpid arrangement of pillow poems which tell the same erotic bedtime story in twelve different ways. Other poems strike out decisively along roads not taken: meticulous misremembering, sinister and fecklessly unfinished narratives about the parallel lives of desire, re-enacting lost futures and accommodating the irrepressible past as it keeps bouncing back onstage. In these fastidious and sardonic investigations of the fault-line between voice and projection, we admire once more the droll fearlessness, the art of candour as practised by Hugo Williams in this, his tenth collection of poems.

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In these poems, deadpan comedy and a relish for the outrageous and the bizarre often carry an emotional charge. Subjects include the stings inflicted by school, family and love-life.

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In gathering four decades of work, Hugo Williams's Collected Poems brings back into print a vast body of material long since unavailable - from his 1965 debut Symptoms of Loss to Self-Portrait with a Slide (1990) and including Writing Home (1985), described by Mick Imlah in the Independent on Sunday as 'a classic of creative autobiography'. The edition is brought up to date with his most recent work: Dock Leaves, a PBS Choice of 1994, and Billy's Rain, winner of the 1999 T. S. Eliot Award.'This year's best collection of works by a single poet. Intimate, charming and often funny, sometimes wistful, slightly sceptical, full of insight, the poems are a monument to 40 years of talent.' Times'In their seemingly artless way, these poems look with candour at feebleness, messy love affairs, squirming memories, and emerge triumphantly, often with a rueful grin.' Anthony Thwaite, Sunday Telegraph'Not since Thom Gunn's Collected Poems has there been a Collected as startling and poignant as Hugo Williams's Collected Poems. Williams shows us, like no other contemporary poet, what is so strangely undramatic about our personal dramas.' Adam Phillips, Observer Books of the Year 'William's is a poet of such intimate charm, such grace and cunning, and such ordinary comical sadness, that he wins your affection and admiration.' Hermoine Lee, Guardian

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Hugo Williams is rightly cherished for his inimitable fusion of autobiography and irony, and a technical glide that allows his writing to 'slip back to the past as effortlessly as a dreamer' (The Times). I Knew the Bride is Williams' eleventh collection of poems, and his first since West End Final was shortlisted for both the T. S. Eliot and Forward prizes for poetry in 2009. This new volume bears - and lays bare - those qualities that have become so characteristic of his work: his unflinching survey of his childhood and adult life alike, alighting on moments of vivacity from his upbringing in a theatrical family in the 1940s and 50s (the title poem a touching tribute to his late sister) through to the romantic peaks and pains of his adult years. Straight-talking, self-deprecating and funny, these recklessly accountable inspections are set against a Williams-esk miscellany of day-to-day backdrops that readers have come to treasure: of record collections, kitchen sinks, shopping bicycles, hotels, bedrooms. But I Knew the Bride is no mere rehearsal of old lives lived; instead it takes the author and his readers into startling new terrain in a series of brave, painful and profoundly moving poems 'From the Dialysis Ward', in which the author records his own ongoing hospital treatment with a fearless vulnerability that makes this collection of poems a courageous and inspiring read.

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'Lines off' is a term used for lines spoken from the wings of a theatre, or off-camera in a film. It was while Hugo Williams was out of circulation following transplant surgery that he wrote the poems for this new collection - the first since I Knew the Bride (2014), shortlisted for the Forward and T. S. Eliot prizes. From youthful days 'upside down in the Crazy Room, / rising and falling on the Haunted Swing', he takes us to distant countries, both actual and metaphorical; participates in the 'mortal pantomime' of the hospital ward with humorous frankness; and offers a percipient account of growing older, with all its attendant doubts and disturbances. Autobiographical, psychological, remedial, Lines Off heralds the return of this acclaimed poet, back to the stage of the page, offering us 'the performance of a lifetime'.

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''He''s a poet of such intimate charm, such grace and cunning, and such ordinary comic sadness, that he wins your affection and admiration.'' Hermione Lee, GuardianFast Music refers as much to the fast dance music that caused Williams to run round the room on the furniture aged three as to the speed of life, thought and to poetry itself, which works harder and faster than ordinary speech. In a poem about his typewriter, the undiscovered islands' are the many and various extraordinary subjects which rise out of the sea of his daily life, to be caught between the rollers of his beloved Adler Gabriele:Words returning with a bang and a bellto the left-hand margin,pausing for a moment to reflect on the scene.'Fast Music ranges from wide-eyed school days to a full-blown sequence of love sonnets, to an ode to Brighton's West Pier and the inevitable helter-skelter of fate.

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Sir John Betjeman (1906-84) was born in Highgate, the son of a manufacturer of Dutch descent. His poetry enjoyed immense popularity, as did his personality, and his knighthood in 1969 and appointment as Poet Laureate in 1972 were universally welcomed.Other volumes in this series: Auden, Eliot, Plath, Hughes and Yeats.

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