Search results for ""Author Howard Williams""

“Now we can join Gandhi and Tolstoy and nameless others who encountered this vigorous and invigorating book. Welcome to a company of radicals who believed we could and should stop eating non-human animals. They brought vegetarianism out of history and into the here and now.” -- from the introduction Ethical vegetarianism is no recent development, as this unrivaled historical anthology dramatizes. When it was first published 120 years ago, countless people read and endorsed The Ethics of Diet. But then it became a rare book, hard to find even in libraries. For countless more readers, it is at last available again. In this classic of vegetarian writing, Howard Williams presents a line of thought, a continuous thread, a tradition, a catena of protestation against living on “Butchery.” What he finds striking is the variety of the witnesses, the prophets of “Reformed Dietetics” who have “shrunk from the régime of blood,” including Gautama Buddha, Pythagoras, Plato, Hesiod, Epicurus, Seneca, Ovid, Thomas More, Montaigne, Mandeville, Pope, Voltaire, Swedenborg, Wesley, Rousseau, Shelley, Byron, Lamar-tine, Michelet, Bentham, Sinclair, Schopenhauer, and Thoreau. Their words are accompanied by the vigorous narrative voice of Williams himself, who put to rest, once and for all, the idea that vegetarianism is a fad.

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This open-access academic venture has established itself as a distinctive venue fostering new research and public understanding regarding the complex global story of walls, barriers and frontier zones from prehistoric and ancient societies to the medieval and modern world. In doing so, the Offa’s Dyke Journal does not only present reliable peer-reviewed academic research in an accessible venue, it also critiques and combats both misinformation and disinformation shared about this aspect of the human past in popular culture and political discourse in today’s world. Promoting an informed and nuanced conversation about their stories and legacies and the positive dimensions of linear monuments is thus a key aspiration of the Offa’s Dyke Journal as both an academic and open-access resource. In doing so, we can learn about the human past, recognise how these material traces inform contemporary identities and society, and both recognise their legacies as well as celebrate their redundancies.

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This open-access and peer-reviewed academic publication stems from the activities of the Offa’s Dyke Collaboratory, a research network founded in April 2017 to foster and support new research on the monuments and landscapes of the Anglo-Welsh borderlands and comparative studies of borderlands and frontiers from prehistory to the present. The proceedings of a series of academic and public-facing events have informed the character and direction of the Journal. Moreover, its establishment coincides with the Cadw/Historic England/Offa’s Dyke Association funded Offa’s Dyke Conservation Management Plan as well as other new community and research projects on linear earthworks. Published in print by Archaeopress in association with JAS Arqueología, and supported by the University of Chester and the Offa’s Dyke Association, the journal aims to provide a resource for scholars, students and the wider public regarding the archaeology, heritage and history of the Welsh Marches and its linear monuments. It also delivers a much-needed venue for interdisciplinary studies from other times and places.

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Providing a dedicated venue for new research on the early medieval frontiers and borderlands of the island of Britain, the Offa’s Dyke Journal (ODJ) is also the first and only open-access peer-reviewed academic journal dedicated to the investigation of frontiers and borderlands in deep-time perspective. The journal’s remit spans detailed and original explorations into landscapes, earthworks, monuments and material culture. Exploring specific themes and issues in the archaeology, history and heritage of frontiers and borderlands in comparative and global perspective, ODJ is edited and produced under the auspices of the interdisciplinary research network, the Offa’s Dyke Collaboratory, and funded by the University of Chester and the Offa’s Dyke Association. Each volume to date includes both original peer-reviewed work as well as ‘classics revisited’ papers. The latter are articles which have been re-edited, formatted and re-published with permission, often with revised and augmented maps and images. The aim is to make these works of enduring merit available to fresh audiences and accessible through an open-access digital format for the first time. ODJ’s existing editorial board has been further enhanced by leading experts in relevant themes and debates central to the journal’s remit working across disciplines (see masthead for details). The editorial board will provide expert guidance and support for the editors as well as shape the direction of the journal into the future. Each issue is supported by the hard work of expert anonymous referees. Their invaluable evaluations of manuscripts have sustained the journal’s character and quality.

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What does the ‘Dark Ages’ mean in contemporary society? Tackling public engagements through archaeological fieldwork, heritage sites and museums, fictional portrayals and art, and increasingly via a broad range of digital media, this is the first-ever dedicated collection exploring the public archaeology of the Early Middle Ages (5th–11th centuries AD). Digging into the Dark Ages builds on debates which took place at the 3rd University of Chester Archaeology Student Conference hosted by the Grosvenor Museum, Chester, 13 December 2017. It comprises original perspectives from students integrated with fresh research by heritage practitioners and academics. The book also includes four interviews offering perspectives on key dimensions of early medieval archaeology’s public intersections. By critically ‘digging into’ the ‘Dark Ages’, this book provides an introduction to key concepts and debates, a rich range of case studies, and a solid platform for future research.

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The Public Archaeology of Treasure comprises the select proceedings of the 5th University of Chester Archaeology Student Conference which took place on 31 January 2020 in the lecture theatre of the Grosvenor Museum, Chester and was complemented by an online Twitter conference on the following morning, 1 February 2020. Reflecting on the shifting and conflicting meanings, values and significances for treasure in archaeology’s public engagements, interactions and manifestations, the volume emphasises how education and research cannot avoid the persistent and evocative associations of ‘treasure’ in socio-political discourse and popular culture. This first-ever exploration of ‘the public archaeology of treasure’ thus offers a host of timely themes and perspectives on the public engagement with, and popular receptions of, archaeological artefacts and assemblages written by students, researchers, educators and heritage practitioners.

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As the first and only open-access peer-reviewed academic journal about the landscapes, monuments and material culture of frontiers and borderlands in deep-time historical perspective, the Offa’s Dyke Journal (ODJ) has a concerted focus on the Anglo-Welsh borderlands given its sponsorship from the University of Chester and the Offa’s Dyke Association in support of the Offa’s Dyke Collaboratory. Yet ODJ also provides a venue for original research on frontiers and borderlands in broader and comparative perspective. While Offa’s Dyke and Wat’s Dyke remain key foci, the contents of volumes 1 and 2 together illustrate the wider themes, debates and investigations encapsulated by ODJ concerning boundaries and barriers, edges and peripheries, from prehistory through to recent times, as well as considerations of the public archaeology and heritage of frontiers and borderlands.

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This book sets a new agenda for mortuary archaeology. Applying explicit case studies based on a range of European sites (from Scandinavia to Britain, Southern France to the Black Sea), 'Mortuary Practices and Social Identities in the Middle Ages' fulfills the need for a volume that provides accessible material to students and engages with current debates in mortuary archaeology's methods and theories. The book builds upon Heinrich Härke’s influential research on burial archaeology and early medieval migrations, focusing in particular on his ground-breaking work on the relationship between the theory and practice of burial archaeology. Using diverse archaeological and historical data, the essays explore how mortuary practices have served in the make-up and expression of medieval social identities. Themes explored include masculinity, kinship, ethnicity, migration, burial rites, genetics and the perception of landscape.

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Providing a dedicated venue for new research on the early medieval frontiers and borderlands of the island of Britain, the Offa’s Dyke Journal (ODJ) is also the first and only open-access peer-reviewed academic journal dedicated to the investigation of frontiers and borderlands in deep-time perspective. The journal’s remit spans detailed and original explorations into landscapes, earthworks, monuments and material culture. Exploring specific themes and issues in the archaeology, history and heritage of frontiers and borderlands in comparative and global perspective, ODJ is edited and produced under the auspices of the interdisciplinary research network, the Offa’s Dyke Collaboratory, and funded by the University of Chester and the Offa’s Dyke Association. The contents of this special issue comprise the proceedings of a conference held over Zoom on the weekend of 11–12 July 2020.

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From IndyRef and Brexit to the Refugee Crisis and Trump’s Wall, the construction and maintenance, subversion and traversing of frontiers and borderlands dominate our current affairs. Yet, while archaeologists have long participated in exploring frontiers and borderlands, their public archaeology has been starkly neglected. Incorporating the select proceedings of the 4th University of Chester Archaeology Student conference hosted by the Grosvenor Museum, Chester, on 20 March 2019, this is the first book to investigate realworld ancient and modern frontier works, the significance of graffiti, material culture, monuments and wall-building, as well as fictional representations of borders and walls in the arts, as public archaeology. Key themes include the heritage interpretation for linear monuments, public archaeology in past and contemporary frontiers and borderlands, and archaeology’s interactions with mural practices in politics, popular culture and the contemporary landscape. Together, the contributors show the necessity of developing critical public archaeologies of frontiers and borderlands.

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How should communities be engaged with archaeological research and how are new projects targeting distinctive groups and deploying innovative methods and media? In particular, how are art/archaeological interactions key to public archaeology today? This collection provides original perspectives on public archaeology’s current practices and future potentials focusing on art/archaeological media, strategies and subjects. It stems from the 2nd University of Chester Archaeology Student Conference, held on 5 April 2017 at the Grosvenor Museum, Chester: Archaeo-Engage: Engaging Communities in Archaeology.

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The past three decades have witnessed the emergence of several Kantian theories. Both the critical reaction to consequentialism inspired by Rawlsian constructivism and the universalism of more recent theories informed by Habermasian discourse ethics trace their main sources of inspiration back to Kant's writings.

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Archaeologies and Antiquaries collects and republishes 14 key academic works by the late Professor Dai Morgan Evans FSA (1944–2017), whose career spanned the civil service, learned societies, charitable organisations and the academy. His research focused on the archaeology of Wales and England. Spanning early medieval archaeology and history, the management and conservation of ancient monuments, histories of antiquarianism, and the Welsh church of Llangar, the chapters have been reformatted, freshly edited and published together for the first time with new illustrations. Together, the studies provide still-pertinent and insightful investigations, here contextualised by a multi-authored introduction surveying Dai’s career and contributions to archaeology and its public understanding.

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Fukuyama’s concept of the End of History has been one of the most widely debated theories of international politics since the end of the Cold War. This book discusses Fukuyama’s claim that liberal democracy alone is able to satisfy the human aspiration for freedom and dignity, and explores the way in which his thinking is part of a philosophical tradition which includes Kant, Hegel and Marx. Two new chapters in this second edition discuss the ways in which Fukuyama’s thinking has developed – they include his celebrated and controversial criticism of neoconservatism and his complex intellectual relationship to Samuel Huntington, whose Clash of Civilization thesis he rejects but whose notion of political decay is central to his more recent work. The authors here argue that Fukuyama’s continuing fundamental contributions to debates concerning the spread of democracy and threat of global terror mark him out as one of the most important thinkers of the twenty-first century.

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