Search results for ""Author Hilton Kramer""

Roger Kimball and Hilton Kramer select the very best cultural criticism from the first 25 years of America's premier literary magazine. The many contributors include Brooke Allen, Stefan Beck, James Bowman, Theodore Dalrymple, Guy Davenport, John Derbyshire, Ben Downing, Paul Dean, Daniel Mark Epstein, Joseph Epstein, John Gross, Laura Jacobs, William Logan, Harvey Mansfield, Kenneth Minogue, Jay Nordlinger, Eric Ormsby, Cynthia Ozick, David Pryce-Jones, Mordecai Richler, Roger Scruton, John Simon, Mark Steyn, and David Yezzi.

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Widely acknowledged as the most authoritative art critic of his generation, Hilton Kramer advanced his comments and judgments largely in the form of essays and short pieces. Thus this first collection of his work to appear in twenty years is a signal event for the art world and for criticism generally. The Triumph of Modernism not only traces the vicissitudes of the art scene but diagnoses the state of modernism and its vital legacy in the postmodern world. Mr. Kramer bracingly updates his incisive critique of the artists, critics, institutions, and movements that have formed the basis for modern art. Appearing for the first time in greatly expanded form is his consideration of the foundations of modern abstract painting and the future of abstraction. The aesthetic intelligence that Mr. Kramer brings to bear on certain tired assumptions about modernism—many of them derived from methodologies and politics that have little to do with art—helps rescue the artwork itself and its appreciation from the very institutions, such as the art museum and the academy, that purport to foster it. Always clear-eyed and vastly illuminating, Hilton Kramer’s art criticism remains among the very finest written in the past hundred years. Readers of The Triumph of Modernism will be treated to an exhilarating experience.

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Widely acknowledged as the most authoritative art critic of his generation, Hilton Kramer advanced his comments and judgments largely in the form of essays and short pieces. Thus this first collection of his work to appear in twenty years is a signal event for the art world and for criticism generally. The Triumph of Modernism not only traces the vicissitudes of the art scene but diagnoses the state of modernism and its vital legacy in the postmodern world. Mr. Kramer bracingly updates his incisive critique of the artists, critics, institutions, and movements that have formed the basis for modern art. Appearing for the first time in greatly expanded form is his consideration of the foundations of modern abstract painting and the future of abstraction. The aesthetic intelligence that Mr. Kramer brings to bear on certain tired assumptions about modernism—many of them derived from methodologies and politics that have little to do with art—helps rescue the artwork itself and its appreciation from the very institutions, such as the art museum and the academy, that purport to foster it. Always clear-eyed and vastly illuminating, Hilton Kramer’s art criticism remains among the very finest written in the past hundred years. Readers of The Triumph of Modernism will be treated to an exhilarating experience.

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In a series of penetrating reflections on the United States and its institutions in the post-9/11 world, this book offers some answers to questions that people at home and abroad have begun to ask about our country. How did it attain its international preeminence? What exactly is this richest, most powerful of countries made of? Where will its unmatched influence lead? Military historian Frederick Kagan discusses the future of our armed forces and the challenges they will face in defending America's unique position. David B. Hart shows how religion, with all its variety and occasional excess, is "alive and striving in America, with the power to shelter many virtues under its promises of supernatural grace." From the future of the law to the future of higher education, from music to the visual arts, Lengthened Shadows provides a unique situation report on American culture today. Writers and thinkers such as Robert Bork, Hilton Kramer, Roger Kimball and Mark Steyn offer a probing assessment of the institutions that organize our lives--their health, their influence and their prospects--at the beginning of what some commentators are calling "the next American century."

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"The New Criterion operates as a refuge for a civilizing element in short supply in contemporary America: honest criticism."—Wall Street Journal. Since its founding in 1982 by the art critic Hilton Kramer and the pianist and music critic Samuel Lipman, The New Criterion has waged a brisk and articulate campaign against facile and often politically motivated assaults on art and greatness. It has brought unparalleled verve, clarity, and wit to the vocation of criticism. But The New Criterion is not only America's foremost voice of critical dissent in culture and the arts; it is also an energetic ally in the battle against cultural and intellectual amnesia. At a moment when many institutions have become willing collaborators in despoiling our intellectual and artistic legacy, The New Criterion has been a standard-bearer for literary and cultural excellence. Drawn from twenty-five years of the magazine, this abundant collection contains a generous sampling of the very best writing from The New Criterion, featuring the judgments of our generation's most astute and entertaining observers. The many contributors include Brooke Allen, Stefan Beck, James Bowman, Anthony Daniels, Guy Davenport, John Derbyshire, Ben Downing, Paul Dean, Daniel Mark Epstein, Joseph Epstein, John Gross, Laura Jacobs, William Logan, Harvey Mansfield, Kenneth Minogue, Jay Nordlinger, Eric Ormsby, Cynthia Ozick, David Pryce-Jones, Mordecai Richler, Roger Scruton, John Simon, Mark Steyn, and David Yezzi.

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