Search results for ""Author Hilma af Klint""

teNeues NYC Stationery is proud to share our newest offering, classic Playing Cards with our signature style curated from museum art and illustrations from our favourite artists around the world printed on embossed, premium blue-core card stock in a gift box with flip-top magnetic closure. Group X, No. 1, Altarpiece by Hilma af Klint is a dynamic painting by this largely unsung prolific fine artist, painted over 100 years ago. She was so forward thinking and beyond her contemporaries that we are only beginning to appreciate her talent now. Our little portable box is giftable and great for travel, fits in any bag and the magnetic closure keeps the cards together between games. Standard deck of 54 playing cards including 2x joker cards Full-colour, richly -printed artwork on embossed, blue-core card stock Giftable flip-top box with magnetic closure Box measures: 69 x 95 x 25 mm Hilma af Klint (1862-1944) was a Swedish artist. Her abstract artworks, may featuring bold colours, geometric, and free form shapes, were created as visual representations of af Klint's spiritual experiences. These avant-garde works are now widely considered to be among the first pieces of the Abstract art movement.

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Hilma af Klint's wonderous painting The Ten Greatest - No. 3 is a bright example of intellect coming together with art and creativity. This painting was carefully reproduced on the cover of our lined notebook to inspire you to write, draw, create in your own space on your own time. This soft-covered paperback notebook has full-colour artwork on the front and back cover by the best illustrators and artists from around the world. 140 pages of 5mm dot-grid paper is an excellent canvas for bullet journaling, list-making, all forms of writing and doodling. Bring it everywhere you go. Handsome exposed, section-sewn binding means the notebook lies flat when open on any page. Soft-covered paperback notebook Full-colour artwork on front and back cover 140 pages with 5 mm dot-grid printed paper Exposed, section-sewn binding lies flat when open Matching orange dip-dyed edges Measures: 209 x 146 x 10 mm Paper weight: 100 gsm wood free End page weight: 120 gsm wood free Cover weight: 300 gsm artboard with rounded corners Hilma af Klint (1862-1944) was a Swedish artist. Her abstract artworks, may featuring bold colours, geometric, and free form shapes, were created as visual representations of af Klint's spiritual experiences. These avant-garde works are now widely considered to be among the first pieces of the Abstract art movement.

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An artist both of her time and well ahead of it, Hilma af Klint was a rare original. Years before such Modernist pioneers as Piet Mondrian and Vasily Kandinsky dipped their brushes into abstraction, af Klint was breaking ground with colorful, energetic compositions that veered away from the figurative. Influenced by her experiences with spiritualism, she attempted to reconcile art, science, and religious pluralism through her brilliant paintings. In her lifetime she primarily exhibited her more conventional artwork and ultimately determined that the world wasn't ready for her abstract magnum opus, The Paintings for the Temple. She decreed in her will that her work not be shown for 20 years after her death. Now celebrated, the 12 remarkable temple pieces on display in this calendar were selected from one of af Klint's most imaginative and productive periods of experimentation. Explore the power of originality!

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Our Small Bullet Journals are slim paperback notebooks with dot-grid or lined pages and are the perfect place to make your list, jot ideas or doodle. 120 lined pages. Pages edged with indigo dip-dyed edges. Exposed binding lays flat. We choose the best images from well-known classic and contemporary fine artists, plus talented emerging illustrators and designers from around the globe. Hilma af Klint (1862-1944) was a Swedish artist. Her abstract artworks, may featuring bold colours, geometric, and free form shapes, were created as visual representations of af Klint's spiritual experiences. These avant-garde works are now widely considered to be among the first pieces of the Abstract art movement.

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At the turn of the twentieth century, Swedish artist Hilma af Klint (1862–1944) created a body of work that left visible reality behind, exploring the radical possibilities of abstraction years before Vasily Kandinsky, Kazimir Malevich, or Piet Mondrian. Many consider her the first trained artist to create abstract paintings. With Hilma af Klint: Notes and Methods, we get to experience the arc of Klint’s artistic investigation in her own words. Hilma af Klint studied at the Royal Swedish Academy in Stockholm where she was part of the first generation of female students. Up until the beginning of the century, she painted mainly landscapes and detailed botanical studies. Her work from this period was that of a young artist of her time who meticulously observed the world around her. But, like many of her contemporaries, af Klint was also interested in the invisible relationships that shape our world, believing strongly in a spiritual dimension. She joined the Theosophical Society, and, with four fellow female members who together called themselves “The Five,” began to study mediumship. Between 1906 and 1915, purportedly guided by a higher power, af Klint created 193 individual works that, in both scale and scope of imagery, are like no other art created at that time. Botanically inspired images and mystical symbols, diagrams, words and geometric series, all form part af Klint’s abstract language. These abstract techniques would not be seen again until years later. Notes and Methods presents facsimile reproductions of a wide array of af Klint’s early notebooks accompanied by the first English translation of af Klint’s extensive writings. It contains the rarely seen “Blue Notebooks,” hand-painted and annotated catalogues af Klint created of her most famous series “Paintings for the Temple,” and a dictionary compiled by af Klint of the words and letters found in her work. An introduction by Iris Müller-Westermann illuminates this unique and important contribution to the legacy of Hilma af Klint.

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A moving biography, told in vivid illustrations, this graphic novel features key moments in the life of Swedish artist and pioneer of abstract painting Hilma af Klint (1862–1944). Long-underrecognized, af Klint’s sensational rediscovery continues to take art audiences by storm. Artist Philipp Deines traces the story of now world-famous af Klint’s unique life and groundbreaking oeuvre through five chapters featuring her development as an artist, her family background, and her relationship to the spiritual. Highlighting how she came to her distinctive paintings, her spiritual quest, and the friends who helped her, this is a story of the strength it took af Klint to continue as an artist against all odds. Beautifully drawn, brightly colored, and well-researched, this graphic novel is a new way of looking at the story of an artist. Referencing Julia Voss’s new biography of af Klint, Deines presents an accessible and lively introduction for many ages. Biography, art history, and contemporary narrative style merge and complement each other in these magnificent visual worlds.

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“Revelatory and sublime…Her work remains conceptually open enough for viewers to draw their own conclusions, insert their own meaning and feel transported to other glorious worlds.” —The New York Times One of the most inventive artists of the twentieth century, Hilma af Klint was a pioneer of abstraction. Her first forays into her imaginative non-objective painting long preceded the work of Kandinsky and Mondrian and radically mined the fields of science and religion. Deeply interested in spiritualism and philosophy, af Klint developed an iconography that explores esoteric concepts in metaphysics, as demonstrated in Tree of Knowledge. This rarely seen series of watercolors renders orbital, enigmatic forms, visual allegories of unification and separateness, darkness and light, beginning and end, life and death, and spirit and matter. Published on the occasion of the exhibition Hilma af Klint: Tree of Knowledge at David Zwirner New York in 2021 and David Zwirner London in 2022, this catalogue features a text by the art historian Susan Aberth examining af Klint’s spiritual and anthroposophical influences. With a conversation between the curator Helen Molesworth and the US Poet Laureate Joy Harjo discussing connections between Tree of Knowledge and native theories about plant knowledge, the publication broadens the scope of philosophical interpretations of af Klint's timeless work. Also included is a newly commissioned essay by the celebrated af Klint scholar Julia Voss, a contribution by the artist Suzan Frecon, and a text by art historian Max Rosenberg that further develops the conversation around why af Klint’s work was not recognized in its time.

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