Search results for ""Author Hillel Halkin""

Elegant and learned, personal and universal, literary, philosophical, and historical—Hillel Halkin’s finely wrought essays on themes of Jewish culture and life are an education in themselves.Hillel Halkin is widely admired for his works of literary criticism, biography, fiction, and nonfiction, as well as for his celebrated achievements as a translator. Born and raised in New York City, he has lived most of his life in Israel. His complex sensibility, deeply rooted in Jewish literature and history no less than in his own personal experience, illuminates everything it touches. In A Complicated Jew, Halkin assembles a selection of essays that form, if not a conventional memoir, a haunting and intimate record of a profoundly Jewish life that defies categorization. It is a banquet for the mind. “Hillel Halkin is a master storyteller and a brilliant cultural critic, and in A Complicated Jew he combines both talents to take his readers on an intellectual thrill ride through his encounters with Jewish thought, art, and life. I envy him his lifetime of adventures and am grateful to him for sharing them with all of us.” Dara Horn, novelist and author of Eternal Life and People Love Dead Jews “I have been reading Hillel Halkin for well on to half a century, always deriving pleasure from his stately prose, intellectual profit from his deep learning, and inspiration from his integrity. I am pleased to think of him as my contemporary.” Joseph Epstein, author of Life Sentences: Literary Essays, Narcissus Leaves the Pool and Fabulous Small Jews, and former editor of The American Scholar. “Hillel Halkin himself has always been even more interesting to me than his highly interesting subjects, and here he gives us full access to his adventurous mind, the dazzling range of his learning, and his passionate spirit. More than a collection of essays, this book charts the intellectual journey of one of our most original Jewish writers.” Ruth Wisse, Professor emeritus of Yiddish and Comparative Literature at Harvard University and author of If Am Not for Myself: The Liberal Betrayal of the Jews, Jews and Power, and No Joke: Making Jewish Humor. “Even when Hillel Halkin exasperates, there is no voice on the contemporary Jewish scene more intellectually alert or lucid. The work of a cultural critic of rare breadth, this keenly personal, fiercely argued volume is as trenchant of tour of Jewry’s dilemmas of the last half-century as any I know.” Steven J. Zipperstein, Professor of Jewish Culture and History at Stanford University and author of Imagining Russian Jewry and Pogrom: Kishinev and the Tilt of History.

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An insightful biography of the most controversial and perhaps most fervent of all Zionist political figures “A beautifully written short biography of an exceedingly interesting man: a novelist, translator, poet, playwright, journalist, polemicist, and probably the most remarkable public speaker in modern Jewish life. Halkin’s account of him is credible and vivid.”—Avishai Margalit, New York Review of Books Vladimir Jabotinsky (1880–1940) was a man of huge paradoxes and contradictions and has been the most misunderstood of all Zionist politicians—a first-rate novelist, a celebrated Russian journalist, and the founder of the branch of Zionism now headed by Benjamin Netanyahu. This biography, the first in English in nearly two decades, undertakes to answer central questions about Jabotinsky as a writer, a political thinker, and a leader. Hillel Halkin sets aside the stereotypes to which Jabotinsky has been reduced by his would-be followers and detractors alike. Halkin explains the importance of Odessa, Jabotinsky’s native city, in molding his character and outlook; discusses his novels and short stories, showing the sometimes hidden connections between them and Jabotinsky’s political thought, and studies a political career that ended in tragic failure. Halkin also addresses Jabotinsky’s position, unique among the great figures of Zionist history, as both a territorial maximalist and a principled believer in democracy. The author inquires why Jabotinsky was often accused of fascist tendencies though he abhorred authoritarian and totalitarian politics, and investigates the many opposed aspects of his personality and conduct while asking whether or not they had an ultimate coherence. Few figures in twentieth-century Jewish life were quite so admired and loathed, and Halkin’s splendid, subtle book explores him with empathy and lucidity.

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A deeply personal look at death, mourning, and the afterlife in Jewish traditionAfter One-Hundred-and-Twenty provides a richly nuanced and deeply personal look at Jewish attitudes and practices regarding death, mourning, and the afterlife as they have existed and evolved from biblical times to today. Taking its title from the Hebrew and Yiddish blessing to live to a ripe old age—Moses is said to have been 120 years old when he died—the book explores how the Bible's original reticence about an afterlife gave way to views about personal judgment and reward after death, the resurrection of the body, and even reincarnation. It examines Talmudic perspectives on grief, burial, and the afterlife, shows how Jewish approaches to death changed in the Middle Ages with thinkers like Maimonides and in the mystical writings of the Zohar, and delves into such things as the origins of the custom of reciting Kaddish for the deceased and beliefs about encountering the dead in visions and dreams.After One-Hundred-and-Twenty is also Hillel Halkin's eloquent and disarmingly candid reflection on his own mortality, the deaths of those he has known and loved, and the comfort he has and has not derived from Jewish tradition.

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An inspiring novel; a philosophical love story; a moving ode to a woman, as joyful and celebratory as it is elegiac. The narrator is a man in his forties, a scholar of ancient Greek philosophy known as Hoo. He has been given the nickname by Mellie, the woman he addresses in this book while exploring his memories of their years together and apart. The two of them have known each other since high school in New York in the 1950s - and perhaps, Hoo thinks, much longer than that. Only as the novel unfolds do his reasons for writing to her, and the full nature of their relationship, become clear.

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After One-Hundred-and-Twenty provides a richly nuanced and deeply personal look at Jewish attitudes and practices regarding death, mourning, and the afterlife as they have existed and evolved from biblical times to today. Taking its title from the Hebrew and Yiddish blessing to live to a ripe old age--Moses is said to have been 120 years old when he died--the book explores how the Bible's original reticence about an afterlife gave way to views about personal judgment and reward after death, the resurrection of the body, and even reincarnation. It examines Talmudic perspectives on grief, burial, and the afterlife, shows how Jewish approaches to death changed in the Middle Ages with thinkers like Maimonides and in the mystical writings of the Zohar, and delves into such things as the origins of the custom of reciting Kaddish for the deceased and beliefs about encountering the dead in visions and dreams. After One-Hundred-and-Twenty is also Hillel Halkin's eloquent and disarmingly candid reflection on his own mortality, the deaths of those he has known and loved, and the comfort he has and has not derived from Jewish tradition.

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The Blue Mountain is the first novel by one of Israel's most important and acclaimed contemporary writers and as with all his writing is a virtuoso example of Shalev's skill as a storyteller. Published to outstanding reviews all over the world, its publication in Britain re-affirms his reputation as a major international writer.Set in a small rural village prior to the creation of the State of Israel, this funny and hugely imaginative book paints an extraordinary picture of a small community of Ukrainian immigrants as they succeed in pioneering a new life in a new land over three generations. The Blue Mountain transcends its time and place by touching on issues of universal relevance whilst never failing to entertain and engage the reader. As with Four Meals, the writing is lyrical and of exceptional quality and illustrates why Shalev has been steadily winning an ever-increasing number of fans worldwide.

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