Search results for ""Author Hershel Parker""

The first volume of Hershel Parker's definitive biography of Herman Melville-a finalist for the 1997 Pulitzer Prize-closed on a mid-November day in 1851. In the dining room of the Little Red Inn in Lenox, Massachusetts, Melville had just presented an inscribed copy of his new novel, Moby-Dick, to his intimate friend, Nathaniel Hawthorne, the man to whom the work was dedicated. "Take it all in all," Parker concluded, "this was the happiest day of Melville's life." Herman Melville: A Biography, Volume 2, 1851-1891 chronicles Melville's life in rich detail, from this ecstatic moment to his death, in obscurity, forty years later. Parker describes the malignity of reviewers and sheer bad luck that doomed Moby-Dick to failure (and its author to prolonged indebtedness), the savage reviews he received for his next book Pierre, and his inability to have the novel The Isle of the Cross-now lost-published at all. Melville turned to magazine fiction, writing the now-classic "Bartleby" and "Benito Cereno," and produced a final novel, The Confidence Man, a mordant satire of American optimism. Over his last three decades, while working as a customs inspector in Manhattan, Melville painstakingly remade himself as a poet, crafting the centennial epic Clarel, in which he sorted out his complex feelings for Hawthorne, and the masterful story "Billy Budd," originally written as a prose headnote to an unfinished poem. Through prodigious archival research into hundreds of family letters and diary entries, newly discovered newspaper articles, and marginalia from books that Melville owned, Parker vividly recreates the last four decades of Melville's life, episode after episode unknown to previous biographers. The concluding volume of Herman Melville: A Biography confirms Hershel Parker's position as the world's leading Melville scholar, demonstrating his unrivaled biographical, literary, and historical imagination and providing a rich new portrait of a great-and profoundly American-artist.

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Having left most of Moby-Dick with a printer in 1851, Herman Melville lamented to Nathaniel Hawthorne that he would go down in history as a "man who lived among the cannibals!" Until his death in 1891, Melville was known as the author of Typee (1846) and Omoo (1847)-both semiautobiographical travel books, and literary sensations because of Melville's sensual description of the South Sea islanders. (A transatlantic furor raged over whether the books were fact or fiction.) His most famous character was Fayaway-not Captain Ahab, not the White Whale, not Bartleby, and definitely not Billy Budd, whose story remained unpublished until 1924. Herman Melville, 1819-1851 is the first of a two-volume project constituting the fullest biography of Melville ever published. Hershel Parker, co-editor of the Northwestern-Newberry Edition of The Writings of Herman Melville, reveals with extraordinary precision the twisted turmoil of Melville's life, beginning with his Manhattan boyhood where, surrounded by tokens of heroic ancestors, he witnessed his father's dissipation of two family fortunes. Having attended the best Manhattan boys' schools, Herman was withdrawn from classes at the Albany Academy at age 12, shortly after his father's death. Outwardly docile, inwardly rebellious, he worked where his family put him-in a bank, in his brother's fur store-until, at age 21, he escaped his responsibilities to his impoverished mother and his six siblings and sailed to the Pacific as a whaleman. A year and a half after his return, Melville was a famous author, thanks to the efforts of his older brother in finding publishers. Three years later he was married, the man of the family, a New Yorker-and still not equipped to do the responsible thing: write more books in the vein that had proven so popular. After the disappointing failure of Mardi, which he had hoped would prove him a literary genius, Melville wrote two more saleable books in four months-Redburn and White-Jacket. Early in 1850 he began work on Moby-Dick. Moving to a farmhouse in the Berkshires, he finished the book with majestic companions-Hawthorne a few miles to the south, and Mount Greylock looming to the north. Before he completed the book he made the most reckless gamble of his life, borrowing left and right (like his wastrel patrician father), sure that a book so great would outsell even Typee. Melville lovers have known Hershel Parker as a newsbringer-from the shocking false report headlined "Herman Melville Crazy" to the tantalizing title of Melville's lost novel, The Isle of the Cross. Carrying on the late Jay Leyda's The Melville Log, Parker in the last decade has transcribed thousands of new documents into what will be published as the multi-volume Leyda-Parker The New Melville Log. Now, exploring the psychological narrative implicit in that mass of documents, Parker recreates episode after episode that will prove stunningly new, even to Melvilleans.

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The text here is based on Hershel Parker and Harrison Hayford’s 1967 edition, footnoted to include biographical discoveries. Reviews, letters by Melville and belated praise is collected, and a wealth of new biographical material has been added, while new research is highlighted. Parker also explores what writing Moby-Dick cost Melville and his family.

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The Second Edition features significantly expanded explanatory annotations, particularly of biblical allusions. "Contemporary Reviews" includes nineteen commentaries on The Confidence-Man, eight of them new to the Second Edition. Better understood today are the concerted attacks on Melville by, especially, Presbyterian, Congregationalist, and Methodist reviewers. A new section, "Biographical Overviews," embodies the transformation of knowledge about Melville’s life that has occurred over the last three decades. This section provides a wide range of readings of Melville’s life by Nathaniel Hawthorne, Dennis Marnon, and Hershel Parker, among others. "Sources, Backgrounds, and Criticism" is thematically organized to inform readers about movements and social developments central to Melville’s America and to this novel, including utopias, cults, cure-alls, Transcendentalism, Indian hating, the Bible, and popular literature. A Selected Bibliography is also included.

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