Search results for ""Author Henry Martin""

In this remarkable book, Henry Martin invites us to study in close detail van Gogh’s painting ‘The Good Samaritan’, and the famous parable told by Jesus of Nazareth. He asks what lessons we can learn from meditation upon the imagery and each of the characters portrayed. Questions for discussion and reflection on each chapter help us to relate the themes and challenges of the parable to our lives and the world we live in today. The book is also an engaging, personal study of van Gogh, the tragic genius of his life, and the struggles he faced which may have informed both his process and his spirituality. Martin has translated many of van Gogh’s letters, and, as an artist himself, brings a unique perspective to our understanding of both the painter and the parable.

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The Dog Walker’s Guide to God contains 52 five-minute-reads to inspire dog walkers to ponder the mysteries of faith and the wonders of God. In each chapter, Henry Martin offers a simple reflection and an illustration to be read just before setting out and then chewed over while you and your dog walk together. He invites you to consider: the everyday (house-training, basic obedience, toys and instructions), the profound (crime, punishment, rejection, adoption, ageing, death and the afterlife), the theological (salvation, the Scriptures and prayer), the psychological (and physiological) differences between humans and dogs, the disgusting (including why your dog might scoot its rear across your new carpet!) and, underlying all of these, love (human, Divine and canine). These are universal themes, and the reflections are just as valuable as resources for anyone who is housebound, or those without a dog in their lives.

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The Annual Review of Jazz Studies provides a forum for the ever expanding range and depth of jazz scholarship, from technical analyses to oral history to cultural interpretation. Addressed to specialists and fans alike, all volumes include feature articles, book reviews, numerous unpublished photographs, and bibliographic surveys. This issue contains Anders Svanoe's extensive study of the little-known but highly original saxophonist Sonny Red—a definitive tribute combining oral history, discography, photographs, and charts of every one of his recorded compositions. Charles Hartman analyzes the form of a Steve Swallow composition, with a fascinating excursus into the realm of lyric poetry. Matthew Santa offers a compelling new perspective on John Coltrane's compositional approach. In her examination of Miles Davis's classic "Walkin'," Alona Sagee tracks the evolution of an artist through successive recordings of the same piece. Also included is another installment of a bibliography compiling scholarly articles about jazz in journals not specifically devoted to jazz.

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The Annual Review of Jazz Studies provides a forum for the ever expanding range and depth of jazz scholarship, from technical analyses to oral history to cultural interpretation. Addressed to specialists and fans alike, all volumes include feature articles, book reviews, numerous unpublished photographs, and bibliographic surveys. This issue contains Anders Svanoe's extensive study of the little-known but highly original saxophonist Sonny Red_a definitive tribute combining oral history, discography, photographs, and charts of every one of his recorded compositions. Charles Hartman analyzes the form of a Steve Swallow composition, with a fascinating excursus into the realm of lyric poetry. Matthew Santa offers a compelling new perspective on John Coltrane's compositional approach. In her examination of Miles Davis's classic 'Walkin',' Alona Sagee tracks the evolution of an artist through successive recordings of the same piece. Also included is another installment of a bibliography compiling scholarly articles about jazz in journals not specifically devoted to jazz.

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The Annual Review of Jazz Studies is dedicated to scholarly research on jazz and its related musical forms. It recognizes the growing awareness of jazz as a cultural phenomenon. All volumes include numerous examples, a book review section, a portfolio of jazz photographs, and bibliographic surveys. This twelfth volume covers the year 2002, celebrating the fiftieth anniversary of the Institute of Jazz Studies. The photo gallery in this issue illustrates some of the persons and locations in its history, both in New York and at the Institute's present home at the Newark campus of Rutgers, The State University of New Jersey. Information is provided on major jazz figures from widely separated eras including, Gil Evans, Django Reinhardt, Lucky Thompson, and Paul Bley. Other articles include an analysis of John Coltrane's harmonics and its impact on later compositions, and a survey of recordings based on Charlie Green's classic 1924 trombone solo on "The Gouge of Armour Avenue." A memorial salutes the contributions of a notable Danish scholar, Erik Wiedemann.

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The Annual Review of Jazz Studies is dedicated to scholarly research on jazz and its related musical forms. It recognizes the growing awareness of jazz as a cultural phenomenon. All volumes include numerous examples, a book review section, a portfolio of jazz photographs, and bibliographic surveys. Continuing the rich tradition, this latest Annual is particularly impressive. The articles in this volume present important technical analyses of four major figures: · Booker Little · Charlie Christian · Herbie Hancock · Miles Davis In addition to an extensive black and white photo gallery, there are seven book reviews that, collectively, span the history of the music.

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The Annual Review of Jazz Studies is dedicated to scholarly research on jazz and its related musical forms. It recognizes the growing awareness of jazz as a cultural phenomenon. All volumes include numerous musical examples, a book review section, a portfolio of jazz photographs, and bibliographic surveys. This volume is a special double issue covering the two years of 1997 and 1998. It begins with a series of studies devoted to the classic ballad, "Stella by Starlight," focusing on various performances by groups led by Miles Davis as well as discussing visits to "Stella" by Oscar Peterson and Bill Evans. Other articles in this volume cover major figures in the heritage of jazz, such as Bix Beiderbecke, Martial Solal, Charlie Parker, John Coltrane, and Ornette Coleman. It also explores two other areas of interest: the Western African drumming tradition and its relation to jazz, and a study of a seminal book, Jazz Dance, by Marshall and Jean Stearns. The reviews include two essays on Paul Berliner's Thinking in Jazz, an assessment of Jazz Research and Performance Materials: A Select Annotated Bibliography, three biographies of Woody Herman, and a review of important Duke Ellington recordings. Finally, there are rare photographs drawn from the files of the Institute of Jazz Studies. This volume is a must-have for collectors of this series and sure to be of interest to all jazz lovers.

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